Category: Knoll


The Historia Supellexalis S for Switzerland

Switzerland

A Confoederatio; A Range; A Context

The Historia Supellexalis: “K” for Knoll

Knoll

A Wilhelm; A Walter; A Willy; A Hans; A Florence; A Lineage

“It’s not possible to define a style in my work”1, opined once the Italian architect and designer Gae Aulenti.

With the exhibition Gae Aulenti: A Creative Universe, the Vitra Design Museum Schaudepot don’t contradict that opinion, but do provide for a framework for considerations on its validity……

Gae Aulenti: A Creative Universe, Vitra Design Museum Schaudepot

On May 17th 1955 Charles Eames*, as assignor to the Herman Miller Furniture Company, was granted US patent 2,708,476 for a “Furniture Frame Construction”, specifically for, “a skeleton type metal furniture frame or shell construction” formed from “a plurality of lengths of wire arranged in crossed relation with another plurality of lengths of wire and welded thereto at their intersection…”1

A patent which although important and interesting in itself, is and was in many regards just as important and interesting for developments that arose on account of it. And for what its (hi)story can teach us about the work of Charles and Ray Eames……..

Eames US Patent 2,708,476 for "Furniture Frame Construction"

Throughout his numerous lives and careers Isamu Noguchi practised as an artist, set designer, garden designer, furniture designer, lighting designer, etc…. yet through all incarnations he remained one thing: a sculptor.

Isamu Noguchi’s most popularly known work is inarguably his Akari lamps, yet before Akari there came a lamp which in many regards exists more in context of the man and his art than its more famous relations…..

Lost Furniture Design Classics: Model 9 Table Lamp by Isamu Noguchi for Knoll Associates

With the exhibition Panorama. A History of Modern Design in Belgium, the ADAM, Brussels Design Museum present an exploration of design in Belgium from the 1880s until the 1980s: and in doing so not only explain the development of design in Belgium, but provide for new understandings of that development.

"The Golden Age, as seen at Panorama. A History of Modern Design in Belgium, ADAM Brussels

Dear Judge Tessin:

I will herewith express our delight to have Florence with us this summer. I am sure that it will be good for her to see a little more of the world. We are going to Sweden, Finland, Denmark, Germany, and Holland. We will take good care of her.

Most sincerely yours,

Eliel Saarinen1

And take good care of Florence, Eliel Saarinen did: so much so that she advanced to become one of the most important protagonists in the development of post-war furniture, textile and interior design.

Hairpin Stacking Table by Florence Knoll for Knoll produced 1948-1966. Reintroduced by 2017

Graph by Jehs+Laub for Wilkhahn

Although Stuttgart based design studio Jehs+Laub are in many respects best known as the winners of the inaugural Moormann Bookinist

Presto by Thorsten Franck for Wilkhahn, as seen at NeoCon Chicago 2016

At the risk of getting political, the term “neoconservative”/”neocon” hasn’t always had the best reputation, especially not in Europe where

Vis-a-vis by Glen Oliver Löw & Antonio Citterio for Vitra

Born in Leverkusen Glen Oliver Löw initially studied Industrial Design at the University of Wuppertal before moving to Milan in

The 360° Stool by Konstantin Grcic for Magis (2009) and the Nelson Perch by George Nelson through Vitra (1964)

On March 10th 2015 a jury at the Central District Court of California in Los Angeles concluded that Pharrell Williams

Clown optic - Not good. Textile - very good.

Upon seeing Rui Alves’s Bridge armchair prototype at IMM Cologne 2015 we commented on the unfamiliar, and for us not

Harry Bertoia 1915 1978

“I am rather silent, resolute and industrious. I can use any tool or machinery with dexterity.” So described a 21

Passagen Cologne 2015 Rem Koolhaas OMA Tools for Life at Ungers Archiv für Architekturwissenschaft

Following on from system design at the MAKK and the more autonomous product design featured at Objects in Between, we

Barcelona Chair Mies van der Rohe Sergius Ruegenberg Knoll International

“The design is not the result of any especially deep consideration, but much more of random form finding through sketching.”1

Playboy Architecture 1953 1979 Deutsches Architekturmuseum Frankfurt am Main

It is a universally acknowledged fact that men only buy Playboy to read the articles. And we only visited the

Jens Risom Lounge Chair Knoll

Those still looking for a New Year’s Resolution could do worse than to promise to try to maybe visit more

The biggest April fool is…. us, for always going to Milan! That said, as ever, we did find a few

Milan Design Week 2013 Tools for Life by OMA for Knoll Prada Milano 11 Floor Seating

During Milan Design Week 2013 Knoll formally launched the “Tools for Life” collection from Dutch architecture practice OMA, a collection

Marcel Breuer design and architecture Bauhaus dessau aula

Much as Gerrit Rietveld‘s career is publicly reduced down to the Rood-blauwe stoel, so too is it all to easy

Ludwig Erhard

As many of you know we don’t do trends. Never have. Never will. But others do. And back in 1964

Luddites! Not a phrase normally associated with (smow) To the best of our knowledge no (smow)employee has ever smashed an

August 20th marks the 100th anniversary of the birth of Finnish architect/designer Eero Saarinen. Eero Saarinen had – in all

Time was when social networking for businesses meant cocktail parties, tennis clubs and the Freemasons. Time Was. However Time Is

A recurrent theme, not only here in the (smow)blog but also in general throughout the (smow) global network is the