“Exhibiting means selecting, emphasising, demonstrating as a model or an example”, wrote Klaus Wille in his 1960 Diploma thesis at the Hochschule für Gestaltung, Ulm, continuing that, “the object is information. This information can be used for didactic, commercial or representative purposes. Aimed at individuals as consumers of products and ideas, the exhibition is used to educate, canvass and represent, to influence people, to get them to react in certain ways.”1

The exhibition HfG Ulm: Exhibition Fever at the Bauhaus Building, Dessau, explores how the Hochschule für Gestaltung Ulm not only educated, canvassed and represented through the media of exhibition design, but how they thereby contributed to the development of the practice and theory of exhibition design……

HfG Ulm: Exhibition Fever, Bauhaus Building, Dessau

There are a great many and varied mediums via which to track the (hi)story of a region, the 2021 Bauhaus Lab chose plants; or more accurately, the 2021 Bauhaus Lab chose the (hi)stories of the flora in the region around Dessau as a medium for explorations of the human, social, industrial, political, economic, ecological, et al (hi)stories of the region.

A telling of a local (hi)stories which enables access to both global considerations on, and questions concerning, our relationships with the planet we require for our existence, and also to differentiated considerations on, and questions concerning, Bauhaus and International Modernism.

Considerations and questions presented in the showcase Vegetation Under Power – Heat, Breath, Growth in the Bauhaus Building, Dessau.

Bauhaus Lab: Vegetation Under Power – Heat, Breath, Growth, Bauhaus Building, Dessau

The only certainty as 2020 flows into 2021 is the ongoing uncertainty. An uncertainty that is increasingly being understood as an ongoing certainty and thereby turning ever more “plans” into “options”.

And also causing a great many global architecture and design museums to skip over the first quarter of 2021 as if weren’t there, and to move their new exhibition openings to April and beyond.

A state of affairs which on the one hand means there are currently fewer lonelier locations than any given museum’s “future exhibitions” listings; but on the other hand means that much as the coldest hour is the one just before the dawn, so it is increasingly certain, as in “old” certain, that the paucity of new exhibitions opening in the first quarter of 2021 will cede to a flood come spring. And so you can now plan, as in old “plan”, to visit an exhibition a day come summer. And still have options. Old and new

And a state of affairs which has to a degree forced our hand and produced a hybrid recommendations list for January 2021: offline exhibitions in Berlin, Hamburg and Metz; online exhibitions from Warsaw and Weimar/Dessau.

And as ever in these times, if you do feel comfortable visiting any museum, please familiarise yourself in advance with the current ticketing, entry, safety, hygiene, cloakroom, etc rules and systems. And during your visit please stay safe, stay responsible, and above all, stay curious…….

5 (New) Architecture & Design Exhibitions for January 2021

The museums may be closed, travel restricted and leaving your home, when possible, unadvised….. but that’s no reason to restrict your cultural uptake, far less neglect the development of your architecture and design understandings.

Or put another way, if you can’t get to the museum….. let the museum come to you.

Five online architecture and design exhibitions and museum collections to explore from your sofa, bed, garden, balcony, wherever…..

5 Online Architecture & Design Exhibitions for April 2020

Systems bring order to chaos, allow relationships to be understood/defined, enable standardisation. And depend on a carefully considered, well designed and constructed connector.

In 1939 the German architect Konrad Wachsmann developed a metal connector which subsequently became the central component of the General Panel prefabricated construction system developed by Wachsmann in cooperation with Walter Gropius.

In 2018 the Bauhaus Lab reflected on that connector, Konrad Wachsmann and standardised, prefabricated construction systems. The results of those reflections were discussed in a one day symposium, and can be viewed in the exhibition The Art of Joining: Designing the Universal Connector at Stiftung Bauhaus Dessau.

Bauhaus Lab 2018. The Art of Joining: Designing the Universal Connector, Stiftung Bauhaus Dessau

Following on from the Collective in 2015, Movement in 2016 and Substance in 2017, the Stiftung Bauhaus Dessau’s annual theme for 2018 is the Standard; a central component of the teaching at Bauhaus Dessau yet one which is and was freely open to artistic, technological and functional interpretation.

And one the Bauhäusler freely interpreted artistically, technologically and functionally

The first exhibition in context of the annual theme explores the work of the German architect Carl Fieger, how he applied his understanding and interpretations of standardisation of architecture and design from his days at Bauhaus in the 1920s to his time at the East German Bauakademie in the 1950s, how he evolved and developed as an architect in that period and his contemporary relevance.

Carl Fieger. From Bauhaus to Bauakademie at Stiftung Bauhaus Dessau

Arguably because Passover/Easter is early this year, every, but every, museum is opening a major exhibition in the course of March 2018, in preparation for the unofficial start of the tourist season in April.

A situation which leaves us with the daunting possibility of creating 5 such Top 5 lists. And still having some exhibitions left over.

Faced with a similar situation back in November 2017 we referred to the abundance of options which lay before us as being akin to “gardens mottled with the vibrant leaves of autumn”, here it is much more the case of lawns bestrewn with the tantalising hues of Easter Eggs. And while some will unquestionably be those disappointingly hollow ones, the majority look like being solid lumps of architecture and design endorphin loaded goodness into which to sink your teeth, and thereby celebrate the end of winter’s paucity and the coming spring.

In that sense, our top 5 new architecture and design EGGsibitions for March 2018 …. Bon appétit!!!

5 New Architecture & Design Exhibitions for March 2018

The handicraft training in the Bauhaus workshops was not an end in itself, but an irreplaceable educational tool. The aim of this training was to create designers who, thanks to their precise knowledge of materials and processes, were able to influence the industrial production of our time.” Walter Gropius, 1955*

The tensions caused by the practical question of how this influence was to be expressed, and the parallels with the industrial production of our time, are explored in the exhibition Craft becomes Modern. The Bauhaus in the Making at Bauhaus Dessau.

Craft becomes Modern. The Bauhaus in the Making at Bauhaus Dessau

While it’s hard to feel anything even vaguely resembling joy in a month which sees the UK start its senseless and cowardly, withdrawal from the European Union … life goes on!!

Our five top distractions for April 2017 features new design and architecture exhibitions in Berlin, New York, Paris, Dessau and Milan.

Stiftung Bauhaus Dessau present The Simultaneity of Modernism

Dessau and Rotterdam may appear unlikely brothers in arms; however, an exploration of the towns’ architectural connections helps explain International

Pleasureground am Bad from Hermann Fürst von Pückler-Muskau's book, Andeutungen über Landschaftsgärtnerei 1834 (Courtesy of the Bundeskunsthalle Bonn)

Whereas April showers tend to make you wet, grumpy and late, May showers are much more agreeable – or more

Ivan Argote Time is Money

The biggest, and certainly highest budget, new architecture and design exhibition open in May 2015 is without question the World

Bauhaus Die Kunst der Schüler Werke aus der Sammlung der Stiftung Bauhaus Dessau

Although it is probably fair to say that today Bauhaus is best remembered for its architects and designers, art played

What with mince pies to be eaten, Glühwein to get drunk and travel plans to misco-ordinate, December is generally a

Mensch Raum Maschine Stage Experiments at the Bauhaus Stiftung Bauhaus Dessau

While we can’t be certain that the artist, designer and choreographer Oskar Schlemmer would have completely agreed with the claim