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Nils Holger Moormann from smow Berlin

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More about 'Berlin', 'Nils Holger Moormann' in our blog

Otti Berger. Weaving for Modernist Architecture at the Temporary Bauhaus-Archiv, Berlin

...Weaving for Modernist Architecture the Temporary Bauhaus-Archiv, Berlin, allow one to begin to approach appreciations of what both Otti Berger understood as fabric, "and further, what fabric in space is", and in doing so not only enable differentiated perspectives on Weaving and Modernist Architecture but allow Otti Berger to begin to retake her place on the helix of design, and architecture, (hi)story... Following, as best we can ascertain, the completion of her studies in Zagreb, Berger travelled in 1926 to Germany where she both sought help in Berlin and Jena for hearing damage suffered in her teenage years2, and, in January 1927, enrolled at Bauhaus Dessau...

All Hands On: Basketry at the Museum Europäischer Kulturen, Berlin

...With the exhibition All Hands On: Basketry the Museum Europäischer Kulturen, Berlin allow for, demand, a critical reassessment... And reflections on basketry and architecture also encouraged via a presentation of examples of the use of basketry by non-human animals in their architecture, primarily the various species of the so-called weaver birds, alongside examples of the use of basketry by human animals without the assistance of architects, including examples of the many living root bridges to be found in the forests of the state of Meghalaya in northeastern India, again one presumes India, Asia, and not India, Europe, and alongside examples of the use of basketry by human architect animals such as the proposed Haus der Zukunft, House of the Future, in Berlin by Office for Living Architecture, OLA, a composition in steel, glass, concrete and trees as a union of the nature constructed world and human constructed world to a single inseparable entity...

Hej rup! The Czech Avant-Garde at the Bröhan Museum, Berlin

...The Czech Avant-Garde the Bröhan Museum, Berlin, provide for an introductory course in inter-War Czechoslovakian... Design for Socialist Spaces at the Kunstgewerbemuseum, Berlin, combined with a general rejection in western Europe of eastern European design, has led to the relatively poor appreciations today of not only the (hi)story of design in nations such as the former Czechoslovakia, including popular appreciations of how the relative brevity of the Czechoslovakian avant-garde influenced and informed post-War Czechoslovakian designers, for it invariably did, even as reaction against it, but also leads to the relatively poor appreciations of contemporary design in the lands of the former Czechoslovakia...

Grassimesse 2023 Compact: Babette Wiezorek

...A necessity and a meaningfulness, and also a contemporary need for a questioning of what the 3D printing of ceramics means, what is possible, what is advisable, where are the pitfalls, what novel objects and solutions does it allow, what novel formal expressions and relationships, etc, etc, etc, that can be understood, and discoursed with, in the varied and various objects presented at the 2023 Grassimesse by Berlin based designer Babette Wiezorek...

Haël. Margarete Heymann-Loebenstein and her workshops for decorative ceramics 1923-1934 at the Bröhan Museum, Berlin

...Margarete Heymann-Loebenstein and her workshops for decorative ceramics 1923-1934 the Bröhan Museum, Berlin, helps one locate, and begin to explore, one of those regularly overlooked paths and thereby allows one to begin to develop those more probable appreciations... Established in 1923 in Marwitz, a village in a region to the north of Berlin with a long (hi)story of and in ceramics, not least in context of decorative tiles for ceramic stoves, but also decorative wall tiles, many of which were employed in the Berliner expressions of Jugendstil, and examples of which can be still be found adorning late 19th/early 20th century walls in the German capital, Haël-Werkstätten für künstlerische Keramik, a...

The Historia Supellexalis: “M” for Moormann

Moormann A Nils Holger; An Autodidact; A Restlessness As the Wackeldackel of Sylt solemnly records, following generations of rule under the rational, steady, unemotional, if autocratic, hand of The Order of the Gute Form, there arose in the lands of the...

smow Blog Interview: Patrick Frey - I find it unashamed that the furniture industry isn't prepared to pay young designers a discretionary payment for developing a project

...A graduate of the Hochschule Hannover, a city in which he continues to live and work, Patrick Frey has realised projects across a range of genres and for clients as varied as, and amongst many others, Nils Holger Moormann, Authentics, Sommerhouse Piu, Bree and Richard Lampert...


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