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Saarinen Tulip Chair
Flat Bat Brno Chair
Saarinen Tulip Armchair
Bertoia Chair
Womb chair
Saarinen executive conference chair
Risom Lounge Chair
Bertoia Barstool
Four Seasons Stool
MR Chair
Straight Chair
Womb Ottoman

Knoll chairs - furniture, work of art and design classics in one

The Bertoia chair from Knoll International is an established classic

Chairs from Knoll international are not only particularly high-quality and beautiful seating for living and working areas, they are always furniture, work of art and design classics rolled into one.

Whether the Tulip Chair by Eero Saarinen, the first one-legged chair in furniture history, or the graceful Bertoia chair by Harry Bertoia, which is made of thin steel wires - on account of their innovative nature, their originality and functionality, Knoll chairs have become timeless, modern design classics.


The legendary original: The Saarinen Tulip Chair...

... also available with comfortable armrests


Knoll chairs are developed in close contact with the designers, are produced according to the highest quality standards and are embossed with the Knoll logo and the signature of the respective designer, which identifies them as an exclusive Knoll International Original.

The modern version of the classic Windsor chair: the Knoll Straight Chair


As a manufacturer of chairs that make up an important part of the legacy of modern design history, Knoll International has a particular responsibility. The manufacturer, as the license holder, does justice to this with faithfulness to the original, the processing of excellent materials and sustainable production.

The top-class conference chair brings that New York feeling into the office, the Brno Chair by Ludwig Mies van der Rohe


More about 'Chairs' in our blog

Monobloc by Hauke Wendler

With furniture, as with so much in life, it is rarely the showy, high profile, works, or individuals, that teach us most, but those works, and those individuals, who in their anonymity and modesty accompany us in invisible silence. Or rather the anonymous and...

Sitting reconsidered. Design, Observe, Stage at the Burg Galerie, Halle

...Originating in context of, and presented parallel to, the exhibition Chairs: Dieckmann!... de/burg-galerie/ Chairs: Dieckmann!...

Chairs: Dieckmann! The Forgotten Bauhäusler Erich Dieckmann at Neuwerk 11, Halle

..."1 With the exhibition Chairs: Dieckmann!... 2 And indeed unlike Junge Dieckmann was a member of the NSDAP; and as Aya Soika convincingly discusses in the Chairs: Dieckmann!...

Bentwood and Beyond. Thonet and Modern Furniture Design @ the MAK – Museum für angewandte Kunst, Vienna

...For our part we were particularly perturbed by the claim in the section on Plastic Chairs that the high sales figures for Gerd Lange's early 1970s Flex 2000 indicate that "Thonet had its finger on the pulse of the plastic age" If there's one thing the Thonet (hi)story teaches us it is that "plastic age" (largely) passed them by, that having established the company on two material/technological innovations they missed a third, lest we forget, which we can't because they are two examples in the exhibition, in the 1950s & 60s Thonet cooperated with Verner Panton on wooden chairs, you do the math... A state of affairs Bentwood and Beyond with its inter-twinned specific and general discussions on 200 years of modern furniture design very convincingly, satisfyingly, underscores and reinforces; despite moments such as Plastic Chairs or Super Normal Bentwood and Beyond isn't a hagiographic celebration of Thonet, but a series of reflections on Thonet in context of wider realities, a series of reflections on the (hi)story of furniture design and the path to our contemporary furniture understandings through the conduit of Thonet, and for all an exhibition which tends to underscore and reinforce the truism that continually evolving social, cultural, economic, technical, et al realities not only carries design forth but defines, and continually redefines, our relationships to our objects of daily use, demanding the new, discarding the obsolete, the foolish, the faddish while preserving, nurturing, certain universal archetypes as it rolls onwards...


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