...bauhaus wallpaper" at the Kulturgeschichtlichen Museum Osnabrück, Germany Although Bauhaus, certainly in its Dessau incarnation, sought a close partnership between education and industry, it didn't strike that many meaningful and/or profitable partnerships: among the few, and most profitable, was the wallpaper collections realised with and for Bramsche based Hannoverschen Tapetenfabrik Gebr... If a cooperation that did severely test 2nd Bauhaus director Hannes Meyer's "Volksbedarf statt Luxusbedarf" - Everyday Needs not Luxury - credo...
D4by Marcel Breuer, 1927 — from 1.045,00 €
|Product type||Collapsible armchair.|
|Dimensions||Width: 78 cm
Depth: 61 cm
Height: 71 cm
Seat height: 44 cm
|Material||Frame: steel tubing , chrome plated
Seat and back: Belts, available in Bauhaus fabric (100 % polyacrylic) or iron thread
|Function & properties||Foldable and thus space-saving storage|
The re-editions of Bauhaus models produced by Tecta are approved by the Bauhaus Archive in Berlin and bear the Bauhaus signet designed by Oskar Schlemmer.
|Care||To clean the frame, we recommend a soft, damp cloth
The fabric covers can be carefully vacuumed
Please treat leather surfaces regularly with a suitable leather care product
|Awards & museum||Since 1980 part of the Permanent Collection of Museum of Modern Art (MoMA), New York|
More about 'Bauhaus', 'Marcel Breuer' in our blog
..."bauhaus ulm: From Peterhans to Maldonado" at the HfG-Archiv/Museum Ulm, Ulm, Germany While officially there wasn't a Bauhaus Ulm, with the founding in 1953 by the likes of Max Bill and Inge Aicher-Scholl of the HfG Ulm there was an unofficial, official Bauhaus successor... And thereby a Bauhaus Ulm...
..."I assure you that you and your work are the model case for what the Bauhaus has been after" wrote Walter Gropius to Wilhelm Wagenfeld in April 1965... Just how Wilhelm Wagenfeld developed that "model case" "after" Bauhaus is explored, as least in terms of one design genre, in that genre for which Wilhelm Wagenfeld is most popularly known as a Bauhaus model, in the exhibition Wilhelm Wagenfeld: Lamps at the Wilhelm Wagenfeld Haus Bremen...
...Inarguably the biggest architecture and design story in 2019 is the centenary of the founding of Bauhaus Weimar... What is less disputed is the links between Israel and Bauhaus, not those popularly misconstrued as the "Bauhaus" White City in Tel Aviv, but, and as we all remember from the Stiftung Bauhaus Dessau's 2011 exhibition Kibbutz and Bauhaus, by the some 24 Bauhaüsler who either, such as, Arieh Sharon, travelled from, the then, Palestine to study at Bauhaus or those such as Munio Weinraub who moved/fled to Palestine after their studies at Bauhaus, and who, to varying degrees helped develop the architecture of not only the Kibbutz, but Israel...
...Prior to his aforementioned acquaintance with Mies van der Rohe's cantilever chairs, Lorenz had seen works by Marcel Breuer in the office of Breuer's associate, business partner, and fellow Hungarian, Kálmán Lengyel, and subsequently not only joined the board of Breuer and Lengyel's Standard Möbel company but undertook experiments in his own workshop to further develop the technical, material, aspects of Breuer's work, experiments which, as he describes, were intended to bring the same resilience to Breuer's designs that he had felt in Mies's... Thonet, serving between 1933 and 1935 as, and somewhat logically, Head of Industrial Property Rights, before spending the second half of the 1930s in closed contact with the likes of Mies van der Rohe, Hans Luckhardt, Heinz Rasch, Lily Reich, László Moholy-Nagy and Marcel Breuer...
...When one considers the, let's say, unique, derisive, unalluring place the Sächsisch dialect enjoys endures amongst German speakers, it could be considered unwise, foolhardy, to explore all too deeply the contributions made by creatives and industry in and from the State of Sachsen to the development of Bauhaus, to explore, if you will, Bauhaus's Sächsisch accent... As with any school Bauhaus is nothing more than the sum of its staff, pupils and the works they produced, both at the school and later in their careers...
smow blog Design Calendar: June 1st 1932 - Mart Stam Awarded Artistic Copyright for the Cubic Cantilever Chair
...The story begins in Dessau in the mid 1920s and the development of tubular steel furniture, a process in which Marcel Breuer unquestionably played a major, if not the major, role... Aware of the commercial possibilities of the genre Marcel Breuer established in late 1926/early 1927 the company Standard-Möbel in Berlin with fellow Magyar Kálmán Lengyel, the first dedicated manufacturer of tubular steel furniture...