...Can it be a coincidence that Boppard's most famous son, Michael Thonet, is most popularly known for his curving bentwood chairs?... What is less contentious is that the flow and meandering of first Michael Thonet's creativity and vigour and subsequently that of the company Thonet has carved its mark not only on the Rhenish Massif furniture design and on understandings of furniture, but also the furniture industry, from production to sales and distribution...
S 33 N All Seasonsby Mart Stam (künstlerisches Urheberrecht), 1926 — from 650,00 €
|Product type||Multi-purpose chair|
|Material||Frame: powder coated tubular steel
Seat/Backrest: plastic mesh
Cushion covers: 100% acrylic
Cushion stuffing: water permeable, quick drying foam with anti-microbial equipment
|Variants||Available with or without cushions
Alternatively available as the S 34 N All Seasons with armrests
|Function & properties||The special Thonet Protect ® coating protects against the weather.
Suitable for outdoor use
|Care||To clean, wiping with a damp cloth and a mild detergent is recommended.|
|Certificates & Sustainability||ThonetProtect® coating salt spray tested (720 hours) according to DIN EN ISO 9227-NSS|
|Product family||All Seasons Collection
|Datasheet||Click for more information (ca. 4,9 MB).
More about 'Thonet' in our blog
..."Thonet & Design" at Die Neue Sammlung – The Design Museum, Munich, Germany 2019 is not only the 100th anniversary of the founding of Bauhaus Weimar, but the 200th anniversary of Michael Thonet establishing his first workshop in his native Boppard am Rhein; a one man workshop in a small village in Prussia which grew into seven factories across what today is four countries... Promising a presentation of Thonet chair designs from Michael Thonet's early decades in Boppard, over the Gebrüder Thonet's bentwood works of the later 19th century and the bent tubular steel of Breuer, Luckhardt, Mies van der Rohe et al of the early 20th century and on to the myriad works of the later 20th century by the likes of Eddi Harlis, Verner Panton, Konstantin Grcic or Stefan Diez; Thonet & Design should not only provide for a fulsome and detailed overview of the development(s) of Thonet over the past two centuries, but, we would hope, explore in how far the 200th anniversary helped paved the way for the 100th...
...In January 1928 Standard Möbel began selling Breuer's designs, and in the same year Thonet began producing further steel tube designs by Breuer; that Standard Möbel enjoyed, at best, middling success, and Thonet were a much larger, established, manufacturer, Thonet acquired Standard Möbel in 1929, thus, and logically, uniting the Breuer portfolio under one roof... Following the sale of Standard Möbel Lorenz both established his own company, Deutsche Stahlmöbel, DESTA, and acquired on behalf of Mart Stam copyrights for Stam's cantilever chair designs; thus allowing Lorenz in 1930 to sue Breuer and Thonet for infringement of Stam's copyrights...
...On December 10th 1869 Gebrüder Thonet voluntarily relinquished their 1856 Privilege in respect of "The manufacture of chairs and table legs made of bent wood, the bending facilitated by the action of steam or simmering liquids"; thereby ending not only a thirteen year monopoly during which time Thonet became a firmly established global brand, but also the culmination of a neigh on three decade story which highlights the importance of patent protection in the furniture industry... A carpenter by trade, Michael Thonet began experimenting with bending wood veneers in his native Boppard am Rhein in the early 1830s, and therefore at that period when veneer was not only becoming increasingly popular in Europe, but when the introduction of mechanised production methods was making it ever more readily and cost effectively available; as such, one can understand his experimentation as an attempt to develop processes which allowed for meaningful expressions of the potential of that material, if you will to allow carpentry to move in new directions, for all in terms of furniture production...
...Standing in the Leipzig Grassi Museum for Applied Arts, surrounded by 150 years of Thonet chair history, Peter Thonet, x-times-great grandson of company founder Michael Thonet and until his recent retirement company CEO, is clearly a very satisfied man, "It makes one proud to be able to look back on a collection of objects that have not only been important for the company, but which have also, occasionally, written design history" Few visiting the new Grassi Museum exhibition "Sitting – Lying – Swinging... Furniture from Thonet" could or would argue...
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