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Thonet

S 35 L

by Marcel Breuer, 1930 — from 2.418,45 €
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2.418,45 € *
available within 5-6 weeks
3% advance payment discount*: 2.345,90 € (Save 72,55 €)

Marcel Breuer's S 35 L armchair was first presented in 1930 at the Grand Palais in Paris as a contribution by the German Werkbund. Today the classic lounge chair is manufactured by Thonet in a variety of leather versions. Characteristic of the S 35 L is the doubling of the cantilever effect, which results from the fact that the armrests of the chair spring independent of the chair and thus balance the swing, making the S 35 L particularly comfortable.

Details

Product type Armchair
Dimensions
Weight 14 kg
Colours Classic version:

Pure Materials version:

Material Frame: tubular steel, chrome plated
Seat/Backrest: buffalo leather, brown or butt leather, black, natural (full grain)
Armrest panels: walnut oiled or stained beech
Variants Available in classic leather or Pure Material's (buffalo leather).
Care To treat stains, use a damp cloth and, if necessary, a mild, neutral detergent. Please also refer to the brochure included with the delivery

Note: As a natural product, all leathers of the Pure Materials collection react with characteristic traces of wear and gradually develop an individual and exclusive look.
Warranty 24 months
Accessories Complimenting S 35 LH footstool available separately.
Datasheet Click for more information (ca. 1,5 MB).

Popular versions

S 35 L, Buffalo leather brown
S 35 L, Butt leather black

More about 'Thonet' in our blog

smow Blog Design Calender: August 5th 1899 – Happy Birthday Mart Stam!

...And also reawaken an interest in furniture design: Stam and Bruchhäuser agreeing a never realised cooperation, while in 1979 Thonet released with Stam's S 67 a reworking of Marcel Breuer's S 64, and also developing a prototype for a cantilever wingbacked armchair... The S 67 F is on page 213, but also appears to be the similar to a proposals for TECTA (page210/211) and also a 1938/39 chair for Thonet (page 143) Essentially Stam takes Breuer's single piece chair and separates it into frame and armrest segments, and that, arguably, not particularly elegantly, the vertical tubes behind the backrest tending to stand there a bit lost...

100 Years of Positionable Light @ the Museum für Kunst und Gewerbe Hamburg

...And which brings us to the Thonet Test... Furniture from Thonet at the Grassimuseum Leipzig, the Thonet Test is a very poorly defined test which in essence poses the question if an exhibition devoted to a particular manufacturer, and/or sponsored by a manufacturer featured in the exhibition, is just advertising for that manufacturer?...

IMM Cologne 2020: High Five!!

...520 by Marco Dessí for Thonet For all the associations of bentwood furniture with open, airy, reduced forms, as the exhibition Bentwood and Beyond at the MAK Vienna neatly explains, in their early years Thonet produced a lot of upholstered bentwood furniture... According to Marco Dessí a major influence for the 520 is the Thonet 209 from 1900, a work which audaciously sends an armrest ring sweeping down from the top of the backrest, and while we get the association with the 209, we're also sensing the spirit of some of Adolf Schneck's early 20th century works for Thonet, and also something new...

Bentwood and Beyond. Thonet and Modern Furniture Design @ the MAK – Museum für angewandte Kunst, Vienna

...One such being inarguably Michael Thonet... Thonet and Modern Furniture Design the MAK – Museum für angewandte Kunst Vienna navigate the history of that tributary and explore its legacy and contemporary relevance, and relationship, to the course of furniture design...

5 New Architecture & Design Exhibitions for December 2019

...Thonet and Modern Furniture Design" at the MAK – Museum für angewandte Kunst, Vienna, Austria As oft discussed in these dispatches, whereas the Thonet (hi)story begins in Boppard it's crescendo was in Vienna, and in many regards with works such as the chair Nr... 14, the so-called coffee house chair, Thonet contributed as much to the (hi)story of Vienna as Vienna did to the (hi)story of Thonet; consequently, it is very fitting that the city's Museum für angewandte Kunst should mark the 200th anniversary of Michael Thonet establishing his first workshop in Boppard with an exhibition dedicated to exploring Thonet's contribution to the development of furniture design: developments and a contribution whose crescendo emanated from the family workshop in Vienna-Gumpendorf, and which continues to resonate today...

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S 35 LH

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