smow Design Blog


The 2023 edition of the Grassimesse Leipzig will see the inaugural awarding of the €2,500 smow-Designpreis. The first dedicated design prize in the institution’s long (hi)story. Entries are were open until Friday May 12th.

But what if that first Grassimesse smow-Designpreis had been awarded not in 2023, but 1923?

Who might have won?

Who would the 1923 Grassimesse jury have selected from the many possible candidates?

????

A smow Blog fantasy final four…….

The Grassimesse smow-Designpreis 1923: A Fantasy Shortlist


It is, we’d argue, fair to say that most people in western Europe still have a very stereotypical, skewed, if not prejudiced view of late 20th century design in and from those nations that form the eastern half of the European continent.

With Retrotopia. Design for Socialist Spaces the Kunstgewerbemuseum, Berlin, in cooperation with numerous museums and institutions from across eastern Europe, provide an introduction to post-War 20th century architecture and design in and from Croatia, the Czech Republic, East Germany, Estonia, Hungary, Lithuania, Poland, Slovakia, Slovenia and the Ukraine, and in doing so invite us all to begin to approach more probable and more meaningful positions……

A wooden chair by Viktor Holešťák-Holubár (l) and Vojtech Vilhan & Ján Bahna's chair for the Government lounge at Bratislava Airport (r), as seen at Retrotopia. Design for Socialist Spaces at the Kunstgewerbemuseum, Berlin


For the first time in its long and illustrious history Leipzig’s Grassimesse will award a dedicated design prize at its 2023 edition.

More specifically, will award the €2,500 smow-Designpreis.

The call for entries is now open, and you are all cordially invited closed…….

grassimesse smow-designpreis


What is the popular understanding of the contribution of women to the mural of design (hi)story?

Exactly.

Thus, and with very good reason, and a degree of necessity, urgency even, the Gewerbemuseum Winterthur invite us all to consider The Bigger Picture…….

The Bigger Picture: Design – Women – Society, Gewerbemuseum, Winterthur


Although the etymology of “April” is lost in the mists of time, one of the more likely, and more satisfying, theories as to its origins is to be found in the Latin verb aperire, to open, which itself can be considered as being, possibly, related to the ancient Greek ἄνοιξις, ánoixis, opening. And thus the very obvious connotations to spring springing forth in April, to the natural world opening for another season.

What is much better recorded are the new architecture and design exhibitions apertio and ἄνοιξις in April 2023. Springing forth in April 2023.

Our five recommendations from those many new springtime blooms can be found in Zürich, Weil am Rhein, Paris, Hasselt and Dresden…….

5 New Architecture & Design Exhibitions for April 2023.png


Amongst the great many things the experiences of the last couple of years have brought to the fore, and have unequivocally reinforced, is the importance to humans, collectively and individually, of outdoor spaces; not just for fresh air, movement, relaxation and physical well-being, but also for mental well-being.

With Garden Futures. Designing with Nature the Vitra Design Museum, Weil am Rhein, explore the garden as such an outdoor space, and also as a cultural space, as a design space, as a social space, as a political space and in doing so allow for reflections and considerations on not only gardens but humanity’s wider relationships with the natural world…….

Meadow by Alexandra Kehayoglou, as seen at Garden Futures. Designing with Nature, Vitra Design Museum, Weil am Rhein


The Historia Supellexalis: "P" for Paris

Paris

An Île; A Commune; A Context


The return of an old favourite, and no not (smow) introducing, although Welcome Back!!!, but the Rowac-Schemel, the Rowac stool, a work initially launched in 1909 as one of the world’s first sheet steel furniture objects, a work that once graced not only innumerable industrial workshops, craft ateliers and educational institutes, but the workshops and ateliers at Bauhauses Weimar and Dessau, a work that became lost in the confusions of post-War eastern Germany.

A work returning in 2023, some 80 years after production ended: and that from and in its native Chemnitz.

And via a Kickstarter crowdfunding project.

To find out more we caught up with Alide and Dieter Amick from Rowac…….

The Rowac-Schemel, Rowac Stool


“How did I end up going to technical school?” asked once the Finnish architect Wivi Lönn, rhetorically, “I had building in my blood, and it pulled me in.”1

With the exhibition Long Live Wivi Lönn! the Museum of Finnish Architecture, Helsinki, help elucidate not only how that innate urge expressed itself, but also that for all the apparent ease contained in Lönn’s account of an innate urge being followed, for a Wivi Lönn, and for the great many Wivi Lönn’s over the past 200 years, it wasn’t that simple, if every bit as self-evident…….

Long Live Wivi Lönn!, Museum of Finnish Architecture, Helsinki


“March is the Month of Expectation.
The things we do not know”,

opined once the American poet Emily Dickinson.1

Easily enough resolved!!!

And no, not by “Persons of prognostication”, whom one should definitely always “show becoming firmness”; but by visiting an architecture or design exhibition and approaching that which you don’t know via your own inquiry and questioning and reasoning.

Our five recommended locations for transforming expectations into knowledge in March 2023 can be found in Berlin, Espoo, New York, Nyköping and Weil am Rhein…….

5 New Architecture & Design Exhibitions for March 2023


When is an ironing board, not an ironing board?

 

 

When it’s Cinderella by Anna Kraitz for Design House Stockholm.

Cinderella by Anna Kraitz for Design House Stockholm, as seen during Stockholm Design Week 2023


Rom and Lupa from Lentala, as seen at Stockholm Furniture Fair 2023


Der var en stolt Theepotte“, “there was a proud teapot”, so begins Hans Christian Andersen’s 1863 tale, The Teapot, Andersen continuing by recording that said teapot was, “proud of its porcelain, proud of its long spout, proud of its broad handle”; the start of the biography of an everyday household object, the start of the biography of one of those anonymous goods with which we all surround ourselves, that is one of the first items one meets in the Werkbundarchiv – Museum der Dinge, Berlin, exhibition The Story of My Life. Object Biography as Concept, Method and Genre.

And a biography of an anonymous everyday object, alongside the many, many other object biographies featured and discussed in The Story of My Life, which helps assist the Werkbundarchiv – Museum der Dinge explore less object biographies per se as to explore the place and function and relevance and reading of the object biography, and thereby to question our complex relationships with those objects with which we surround ourselves, to question relationships between the human world and the object world…….

The Story of My Life. Object Biography as Concept, Method and Genre, Werkbundarchiv Museum der Dinge, Berlin


Stockholm Furniture Fair 2023: Say Hej! to… Cnidaria by András Kerékgyártó


Stockholm Furniture Fair 2023: Say Hej! to... Stair Lamp by Notchi Architects for Oblure


Stockholm Furniture Fair 2023: Say Hej! to... VS Stakki by Martin Ballendat for VS Vereinigte Spezialmöbelfabriken


Ondulé by Anton Björsing for Karl Andersson & Söner, as seen at Stockholm Furniture Fair 2023


Stockholm Furniture Fair 2023 Say Hej! to... Nychair X Rocking by Takeshi Nii & Makoto Shimazaki


Hej!

Hej!

Hej!

Hej!

Hej!

Hej!

The rhythm of Stockholm Furniture Fair is given as much by the greetings ringing through the venue as by the layout of the halls or by the products on show; wherever one goes the background to everything is the sound of a simple, but potent, galvanising, word, concept, conveyed and returned…….

🧑 Hej!

Hej! 👩🏾

👵🏽 Hej!

Hej! 😀

🧔🏼 Hej!

Hej! 🤝🏾

But it’s been a while since we were last exposed to the joyous rhythm of Stockholm Furniture Fair. Or indeed to the rhythm of any furniture fair: the last fair we visited was, as it transpired, Stockholm in February 2020, just before, well… you know……. and in that intervening three years we’ve spent a lot of time thinking about if we ever would, ever should, venture to another furniture fair.

For even before Corona we were becoming increasingly tired of the furniture fair format, had on innumerable occasions sworn we would never, ever, set feet in a furniture fair ever again; before, in that resolute manner of ours, we would pack our bags and head off to another furniture fair. We once voluntarily visited eight in a year!!! While not wanting to visit any!!!1

For a great many years Twisterella by Ride was our ongoing earworm:

If I don’t need anymore,
Why’s this bus taking me back again

But after a Corona enforced absence, were we now finally, finally, over furniture fairs?

Had we finally got off the bus?

???

We weren’t sure. We believed we genuinely were, believed we genuinely had, but… you know how it is…….

So by way of trying to work out where we really were at, we thought we’d better try again; and it seemed to make perfect sense to begin that process of discovery where that process of questioning had so abruptly ended, by once again saying Hej! to Stockholm Furniture Fair…….

stockholm furniture fair 2023 logo


As any fule kno Italy has a long (hi)story in and of architecture, whereby it is predominately a (his)story of architecture: with Buone Nuove. Women Changing Architecture the Istituto Italiano di Cultura, Stockholm, offer an introduction to an alternative narrative.

And to alternative futures…….

Buone Nuove. Women Changing Architecture, Istituto Italiano di Cultura di Stoccolma


“Design”, opined textile designer Bernat Klein in 1976, “means to enjoy the exploration of new possibilities. It means to take pleasure in finding new solutions to old problems; or to have fun juggling with a number of old solutions until they suddenly click and coalesce into one, beautiful, new solution”.1

With the exhibtion Bernat Klein. Design in Colour the National Museum of Scotland, Edinburgh, allow insights into how Klein explored, discovered and juggled. And the new possibilities and new solutions that thereby arose…….

Bernat Klein. Design in Colour, National Museum of Scotland, Edinburgh


According to Germanic folklore: A wet February brings a fruitful year.

And that, we’d argue, not only in terms of vegetation, but also in terms of your individual personal development: a wet February meaning more time spent in museums and thus an enhanced opportunity to engage in meaningful and relevant and motivating discourses and discussions. An ideal environment in which to allow your appreciations of and positions to the world around you to optimally develop, swell, ripen and nourish.

So come on February…… Rain!!!

Our five recommended growth stimulating shelters for February 2023 can be found in Cologne, Stockholm, Hornu, Hamburg and Montréal…….

5 New Architecture & Design Exhibitions for February 2023


The Historia Supellexalis O for Objectification

Objectification

A Curse; A Malediction; A Poison


For all that shops are places where design of all types is bought and sold, as the exhibition On Display. Designing the shop experience at Design Museum Brussels helps elucidate, throughout the past 150ish years shops have been both microcosms and drivers of architectural and design positions.

If one so will have been display windows for contemporary architecture and design as much as for the goods they purvey…….

On Display. Designing the shop experience, Design Museum Brussels


Globally some 100 million individuals are classed as homeless, with untold millions more living in precarious, unsafe, unhealthy conditions.1

And the problem isn’t new. Just one of the great many that as a global society we’ve never managed to get on top off.

With the exhibition Who’s Next? Homelessness, Architecture and Cities the Museum für Kunst und Gewerbe, Hamburg, both offer insights into global homelessness and also demand fresh impetus for finding more meaningful ways forward…….

Who’s Next? Homelessness, Architecture and Cities, Museum für Kunst und Gewerbe, Hamburg