Category: Designer


The only certainty as 2020 flows into 2021 is the ongoing uncertainty. An uncertainty that is increasingly being understood as an ongoing certainty and thereby turning ever more “plans” into “options”.

And also causing a great many global architecture and design museums to skip over the first quarter of 2021 as if weren’t there, and to move their new exhibition openings to April and beyond.

A state of affairs which on the one hand means there are currently fewer lonelier locations than any given museum’s “future exhibitions” listings; but on the other hand means that much as the coldest hour is the one just before the dawn, so it is increasingly certain, as in “old” certain, that the paucity of new exhibitions opening in the first quarter of 2021 will cede to a flood come spring. And so you can now plan, as in old “plan”, to visit an exhibition a day come summer. And still have options. Old and new

And a state of affairs which has to a degree forced our hand and produced a hybrid recommendations list for January 2021: offline exhibitions in Berlin, Hamburg and Metz; online exhibitions from Warsaw and Weimar/Dessau.

And as ever in these times, if you do feel comfortable visiting any museum, please familiarise yourself in advance with the current ticketing, entry, safety, hygiene, cloakroom, etc rules and systems. And during your visit please stay safe, stay responsible, and above all, stay curious…….

5 (New) Architecture & Design Exhibitions for January 2021

The so-called Bielefeld Conspiracy asserts that the German city of Bielefeld doesn’t exist.

Have you ever been to Bielefeld?, it asks.

Do you know anyone who has ever been to Bielefeld?

Do you know anyone from Bielefeld?

If your answer to all three questions is no…….. how do you know Bielefeld exists?

A similar conspiracy could be built around Gertrud Kleinhempel, one of Germany’s first professional furniture designers and who for the greater part of her career was active in Bielefeld.

Or was, assuming Bielefeld exists. And assuming Gertrud Kleinhempel exists.

For have you ever seen any work by Gertrud Kleinhempel, do you know anyone who has seen any work by Gertrud Kleinhempel, have you ever seen Gertrud Kleinhempel on the helix of furniture design?

If your answer to all three questions is no……..

Gertrud Kleinhempel (1875 - 1948)

“Only slowly does it dawn on people that modern furniture must be designed on the basis of practical necessities”, observed the Danish architect and designer Kaare Klint in 1930.1

How Kaare Klint understood those “practical necessities”, how he understood “modern furniture”, would not only define his career, but in many regards define the development of 20th century furniture design in Denmark.

Kaare Klint (1888 - 1954)

“With every new building the first task is to clarify the needs that will arise in context of its use”,1 opined Peter Behrens on December 10th 1912 at the official inauguration of the new administrative HQ for the Prussian industrial concern Mannesmannröhren-Werke AG.

And while Peter Behrens was certainly not the first to opine such, with the so-called Mannesmann-Haus in Düsseldorf he realised one of the earliest large office buildings designed to evolve and develop as those needs evolved and developed.

Mannesmann-Haus, Düsseldorf by Peter Behrens

To paraphrase the Propellerheads, this is just a little bit of a blog post repeating

For much as with our November 2020 exhibition recommendations, so some of our December 2020 exhibition recommendations won’t be opening. Or at least not in December 2020.

But then as now are in still in our list.

On the one hand because they will open, and is an important part of any pleasure not the expectation and anticipation?

And on the other hand, because that which makes an exhibition recommendable in advance of its opening, that which makes its anticipation and expectation so pleasurable, is that it promises to present a rarely explored subject and/or promises to explore a regularly presented subject from a new and/or fresh and/or deeper perspective. And thus a recommendable exhibition is also a nudge that there may be more to learn and understand about architecture and design than you were aware of. And thus a stimulus for your own research. And what better season than winter for that research?

Our five recommendations/stimuli/nudges for December 2020 can be found in Berlin, Vienna, Helsinki, Rome and St Petersburg.

And as ever in these times, if you do feel comfortable visiting any museum, please familiarise yourself in advance with the current ticketing, entry, safety, hygiene, cloakroom, etc rules and systems. And during your visit please stay safe, stay responsible, and above all, stay curious….

5 New Architecture & Design Exhibitions for December 2020

“The placing of foam mattresses, spring mattresses, and the like, on bed frames made of wood or metal is familiar”, notes a July 1966 patent application, and it was. However, it continues, “bed frames of this type are heavy, continually take up one and the same space in a room, must be dismantled if they are to be moved to a new location, and represent a major obstacle in context of cleaning the bedroom.”1

Which, certainly in the early 1960s, they were and did.

But what is one to do?

Verner Panton had an idea.

An idea that may not count amongst his better known projects, but is a project that allows one to approach a better understanding of the work and career of Verner Panton…….

Lost Furniture Design Classics: The Panton Bed

Outwith his native Denmark, the country home to the most architectural works by Arne Jacobsen is Germany.

Yet the vast majority of them remain popularly unknown.

As does Arne Jacobsen’s partner on his German projects: Otto Weitling

With the showcase Gesamtkunstwerke – Architecture by Arne Jacobsen and Otto Weitling in Germany, the Felleshus Berlin not only set the record straight but allow for some fresh reflections on both Arne Jacobsen and our relationships to and with architecture and our built environments……

Gesamtkunstwerke – Architecture by Arne Jacobsen and Otto Weitling in Germany at Felleshus, The Nordic Embassies, Berlin

Back in May we were faced with the decision as to whether to remain with the online exhibition recommendations we’d been carrying throughout the spring, or, given that ever more museums were re-opening, move back offline for our June recommendations.

And decided to move back offline, not least because “viewing an exhibition in a museum is the more satisfying experience, the more rewarding experience, the more enduring experience. And an important experience.

Ahead of our November recommendations we faced a similar choice. Travel, certainly international travel, is not only becoming increasingly difficult and of questionable responsibility, but in many regions the official advice is not to travel unless absolutely necessary; meaning while most museums are open, they are, in a purely practical sense, inaccessible for many. And so is compiling a list of offline exhibitions a meaningful undertaking? Is such a list sensible? Should we move back to online recommendations?

Yes. Yes. No.

And not just because museums are important cultural spaces, but primarily because most all museums are open……

…..or were while we were writing this. However, the rapidly developing nature of contemporary society meant that just before publishing this post it became clear that two of our five November openings will not be opening in November.

We’ve kept them in the list. Not because we couldn’t change the list, not that we couldn’t have substituted them for two others. We could. We’re smow: quick, uncomplicated solutions is what we do, flexibility and spontaneity are our best friends, there is never a Plan B but always alternative options, no job is too big, no pup is too …. no, hang on, that’s Paw Patrol.

We could have substituted them.

But didn’t see why we should. Every month we scan hundreds of museums and galleries around the globe looking for interesting, relevant, recommendable architecture and design exhibitions, the five we present are those we consider to be the most interesting, relevant, recommendable. And no temporary lockdown closure changes that. And all going well, come December, all five will be open.

And now, returning to where our ready-for-posting text was on Friday morning……

……and also with the reminder that such a recommendations list shouldn’t be understood solely as suggestions of locations to physically visit, but also as an impetus for your own study and research, for voyages of cultural discovery from your own sofa and/or desk. Most museum websites have in-depth descriptions of their exhibitions and the themes therein, often components of the exhibition are available online, and there will, almost always, be a catalogue that goes into more depth and detail than the exhibition; and so if an exhibition interests you, and you physically can’t get to the respective museum, why not use the long autumn and winter evenings to explore on your own.

Our five recommendations for new exhibitions opening in November 2020, and five recommendations for a meaningful use of the long autumn and winter evenings, can be found in Frankfurt, Zürich, Jyväskylä, Oslo and Hamburg.

And as ever in these times, if you do feel comfortable visiting any museum, please familiarise yourself in advance with the current ticketing, entry, safety, hygiene, cloakroom, etc rules and systems. And during your visit please stay safe, stay responsible, and above all, stay curious….

5 New Architecture & Design Exhibitions for November 2020

“I don’t know what design is”, opined once the Italian designer Enzo Mari.

Not because he hadn’t considered the question. But because he had. A lot.

With the exhibition Enzo Mari curated by Hans Ulrich Obrist with Francesca Giacomelli the Triennale Milano present an opportunity to approach an understanding of that which in the course of those considerations, and his 60+ year career, Enzo Mari has variously understood both design to be, and what it could, should, must, be……..

Enzo Mari curated by Hans Ulrich Obrist with Francesca Giacomelli, Triennale Milano, Milan

In 1977 Ludwig Glaeser, curator of the Mies van der Rohe Archive at the Museum of Modern Art, New York, opinioned that “it is certainly more than a coincidence that [Mies van der Rohe’s] involvement in furniture and exhibition design began in the same year as his personal relationship with Lilly Reich.”1

A statement that has in many regards come to define understandings of the furniture designs of both Ludwig Mies van der Rohe and Lilly Reich.

An understanding that “is certainly more than a coincidence”. It is wrong. Certainly in terms of furniture design.

And a statement and understanding whose clarification not only provides an excellent starting point for an exploration of the furniture designs of Lilly Reich and Ludwig Mies van der Rohe, but also for some reflections on the (hi)story of furniture design……..

Lilly Reich and Ludwig Mies van der Rohe

In 1977 the German designer Luigi Colani demanded a “renaissance of Art Nouveau”1

What he meant, why he meant it, and if it is something we should all fear, can be explored and considered in the exhibition Luigi Colani and Art Nouveau at the Bröhan-Museum, Berlin…….

Luigi Colani and Art Nouveau at the Bröhan-Museum, Berlin

“Last night the waiter put the celery on with the cheese, and I knew that summer was indeed dead”, opined once A.A. Milne, continuing that, while there may be other indications of autumn’s arrival, “it is only with the first celery that summer is over.”

And the first celery appears, or at least appeared in early 20th century England, in October.

Not that one should fear the celery, for in its crispness, freshness, tenderness, sweetness celery, so A.A. Milne, reminds us that winter isn’t only about the cold, wet, dark and dreary, but is a season which brings its own pleasures and joys, is a season of “crisp and sparkling days, long pleasant evenings, cheery fires” and to which we’ll add lingering visits to architecture and design exhibitions. Our recommendations for new showcases opening in October 2020 can be found in Munich, Milan, Rotterdam, Philadelphia and Brussels.

And as ever in these times, if you do feel comfortable about visiting any museum, please familiarise yourself in advance with the current ticketing, entry, safety, hygiene, cloakroom, etc rules and systems. And during your visit please stay safe, stay responsible, and above all, stay curious….

“Here’s to October—and, waiter, some more celery.”1

5 New Architecture & Design Exhibitions for October 2020

As a general rule we prefer to focus the Design Calendar on positive events, it just seems more, well, positive; however, sometimes a negative event is more illustrative of a situation, provides for better access to a story.

An event such as Mart Stam’s beurlauben, suspension, as Rector of the Hochschule für angewandte Kunst, Berlin, on September 22nd 1952.

The unhappy end of Mart Stam’s not altogether joyful sojourn in East Germany.

But also a moment that allows for some focussed considerations on both the person Mart Stam and on his understandings of art, architecture and design.

Kunsthochschule Berlin-Weißensee ca 1956, with its new extension. Thus not as Mart Stam knew it... (Photo: Hans-Günter Quaschinsky, courtesy Bundesarchiv, Bild 183-41083-0001 / CC-BY-SA 3.0 via commons.wikimedia.org)

Hvis jeg får et nyt liv, vil jeg være gartner“, opined once the Danish architect and designer Arne Jacobsen.

“If I have another life, I want to be a gardener”

Not that, as Arne Jacobsen – Designing Denmark at Trapholt, Kolding, would tend to imply, he made an incorrect career choice…..

Arne Jacobsen - Designing Denmark, Trapholt, Kolding

Tuesday September 22nd marks the 2020 Southward Equinox, and thus the start of autumn in the northern hemisphere, and of spring in the southern hemisphere. Two seasons known throughout history for the vagaries, capriciousness, of their weather.

And thus two seasons perfectly suited to a longer architecture and design, or art, museum visit.

Our recommendations for four new showcases opening in September (autumn) 2020 can be found in Berlin, Kolding, Düsseldorf and Berlin (again); our recommendation for a new showcase opening in September (spring) 2020 can be found in Sydney.

And as ever in these times, if you do feel comfortable about visiting any museum, please familiarise yourself in advance with the current ticketing, entry, safety, hygiene, cloakroom, etc rules and systems. And during your visit please stay safe, stay responsible, and above all, stay curious….

5 New Architecture & Design Exhibitions for September 2020

“Trunk-hasped, cart-heavy, painted an ignorant brown.
And pew-strait, bin-deep, standing four-square as an ark”1

Reading Seamus Heaney’s musings on his Settle Bed one could be forgiven for considering it a thoroughly unremarkable object. Ignorant even.

That would however be to misunderstand the nature, spirit, essence, of poetic construction. And the nature, spirit, essence of the Settle Bed.

A World of Vernacular Furniture: The Settle Bed

“It is a very interesting thing indeed to ask myself certain questions”, reflected H.G. Wells in 1937, “How did I come to know what I know about the world and myself? What ought I to know? What would I like to know that I don’t know? If I want to know about this or that, where can I get the clearest, best and latest information? And where did these other people about me get their ideas about things? Which are sometimes so different from mine. Why do we differ so widely?”1

Questions whose validity and urgency were undeniable in 1937 as Europe lurched, helplessly, towards another war; and questions whose validity and urgency has increased in the intervening 83 years as we have acquired not only ever more sources of information but ever quicker methods of information mediation.

With the exhibition Common Knowledge – Design in Times of the Information Crisis the Kunstgewerbemuseum Dresden explore the complex relationships between information, the individual and society…….

Common Knowledge - Design in Times of the Information Crisis, Kunstgewerbemuseum Dresden

“Wij hebben de nieuwe wereld te scheppen” wrote a, then, 19 year old Mart Stam in 1919.1

“We have to create the new world”

And subsequently spent the following decades developing, explaining and demonstrating his understandings of what that meant……

Mart Stam (1899 - 1986)

While understandings of form, of beauty, in context of the objects with which we surround ourselves continually evolve and develop, understandings of function are, generally, much more stable. Or at least are once they have been identified, understood and normalised.

Something that can be studied and appreciated in Thomas E. Warren’s Centripetal Spring Chair…..

A Centripetal Spring Chair by Thomas E. Warren for the American Chair Company with tapered back and armrests (Image © and courtesy Brooklyn Museum, Brooklyn)

The German designer and graphic artist Otl Aicher once opined, “Hans Gugelot wasn’t a theoretician. But not a practitioner either. What is one if neither a theorist nor a practitioner?”1

What, indeed…..?

With the exhibition Hans Gugelot. The Architecture of Design the HfG-Archiv Ulm allows one to approach an answer…..

Hans Gugelot. The Architecture of Design, HfG-Archiv Ulm

Christa Petroff-Bohne arrived a trifling couple of minutes late for the opening of Beauty of Form.

And was most apologetic, apologised for keeping us all waiting.

Whereby, we couldn’t help thinking, it is much more us, all, the international community, who should be apologising for keeping Christa Petroff-Bohne waiting for such a comprehensive and rounded recognition of her work and career………1

Form studies by students of Christa Petroff-Bohne's Basics of Visual Design, as seen at Beauty of Form. The Designer Christa Petroff-Bohne, Kunstgewerbemuseum Dresden

July is traditionally a slow month for new architecture and design exhibition openings. July 2020 less so. Not because of any fundamental changes in understandings amongst architecture and design museums of when is a good time to open an exhibition; but because owing to Corona many shows scheduled to open in the spring had to be postponed, not least until the museums were allowed to open.

And throughout July 2020 ever more museums are planned and planning to open; meaning ever more architecture and design exhibitions are planned and planning to open throughout July 2020.

And thus, while our physical travel options may still be limited, our (potential) cerebral and cultural travel spheres continues to expand, and that is never a bad thing.

If you do feel comfortable about visiting a museum, and are physically allowed to do so, as we will never tire of saying in these trying of times, please familiarise yourself in advance with the current ticketing, entry, safety, hygiene, cloakroom, etc rules and systems.

And during your visit please stay safe, stay responsible, and above all, stay curious….

5 New Architecture & Design Exhibitions for July 2020

Given the very close connections between Le Corbusier and France, one could be forgiven for, occasionally, forgetting that he was born in Switzerland.

With the exhibition Le Corbusier and Zürich the Museum für Gestaltung allow not only an insight into the Le Corbusier biography as charted by Switzerland’s largest city, but also of his not always easy relationship with the country of his birth.

Pavillon Le Corbusier, Zürich

Our recent deliberations on Bauhaus and music very naturally led us to a whole raft of further deliberations on the associations between music and other forms of creative expression; and for all the question, given that so many of those Bauhäusler who had/could have had second careers as musicians were artists, are there designers who have/had second careers as musicians…….

…….of course there are……

6 D 030 Z by Charles Ray Eames for Evans for Zenith Radio. Designers can create the means to enjoy music, but also make music to enjoy.....

“It’s not possible to define a style in my work”1, opined once the Italian architect and designer Gae Aulenti.

With the exhibition Gae Aulenti: A Creative Universe, the Vitra Design Museum Schaudepot don’t contradict that opinion, but do provide for a framework for considerations on its validity……

Gae Aulenti: A Creative Universe, Vitra Design Museum Schaudepot