Category: Designer


The Historia Supellexalis G for Grcic

Grcic

A Konstantin; A Nurturing; A Reduction

One could be forgiven for thinking that little would be as pointless as a Le Corbusier colouring-in book.

So singularly achromatic is the popular understanding of Le Corbusier, a lack of colour reinforced by the dour, austere, round bespectacled, persona which so universally defines Le Corbusier: what, one asks oneself, could there possibly be to colour in a Le Corbusier colouring-in book?

Yet in contrast to the popular Le Corbusier image, Le Corbusier’s career was one undertaken in colour. A career accompanied by, informed by, arguably driven by, considerations on and the study of colour.

An (oft overlooked) aspect of his work, of his understandings and approaches, and persona, explored in the exhibition Le Corbusier and Color at the, appropriately kaleidoscopic, Pavillon Le Corbusier, Zürich.

Le Corbusier and Color at the Museum für Gestaltung, Pavillon Le Corbusier, Zürich

“Space and form are important elements in the creation of the [interior] environment”, opined the Danish architect, artist and designer Verner Panton in 1969, however, he continues, “colours are even more important”.

And no-one, even those with but the briefest familiarity with Verner Panton, can oversee the colour in Verner Panton’s work.

Yet important as colour and space and form were for Panton, “in the creation of the [interior] environment”, “l’homme reste l’élément central“, man remains the central element.1

With the exhibition Verner Panton – Colouring a New World, Trapholt, Kolding, undertake a search for the human in the colourful new world of Verner Panton.

Verner Panton - Colouring a New World, Trapholt, Kolding

In days of yore October was known in Germanic lands as Weinmonat, Wine Month, Month of Wine, whereby thoughts were, unquestionably, less with the drink as with the grape and the harvest, and thus the promise of the new wine.

And in many regards our exhibition recommendations can be considered a monthly harvest of the new crop of architecture and design exhibitions; specifically, and staying in Germanic registers, an Auslese, a considered selection of those well ripened concepts and premises it is hoped will most excite an invigorate the palate both experienced and novice. Or the viewer, experienced or novice.

Our quintet of, possible, new, memorable vintages from Weinmonat 2021 can be found in Ulm, Stockholm, ’s-Hertogenbosch, Paris and Tokyo…….

5 New Architecture & Design Exhibitions for October 2021

In her 1929 essay A Room of One’s Own, Virginia Woolf, as a component of her reflections on the myriad subjects of ‘women and fiction’, reads her way, chronologically, through a bookcase of works written by women from across the centuries.

Here We Are! Women in Design 1900 – Today at the Vitra Design Museum, Weil am Rhein, has the feeling of Virginia Woolf’s bookcase, allowing as it does for reflections on, and a critical questioning of, the myriad subjects of ‘women and design’…….

Here We Are! Women in Design 1900 - Today, Vitra Design Museum, Weil am Rhein

According to the 6th century CE antiquarian John the Lydian, “the oracle recommends drinking milk for the sake of good health all through the month of September”.1

And while milk may have advantages in terms of your physical health, for your spiritual and intellectual health, we’d recommend the following quintet of new architecture, design and art exhibitions opening in September 2021.

Whereby, exhibitions and milk aren’t mutually exclusive, you can partake of both if you so wish……

5 New Architecture & Design Exhibitions for September 2021

“We must endeavour to introduce a little order into this business, or at least sense into a great deal of it. But what is sense without order? We must try to find some method of arriving at some sort of order – one that will at least enable us to escape from this vagueness in the design of colour”, opined Amédée Ozenfant in 1937.1

And had an idea or two as to the how…….

Not directly associated with Amédée Ozenfant, but being as it is the house next door to the house/studio designed by Le Corbusier for Amédée Ozenfant in Paris in 1922 (the one on the right-hand side), is a nice metaphor of the dearth of images of Amédée Ozenfant and/or his work available: it's the next best thing. Also because it very neatly mirrors Amédée Ozenfant's 1937 views on ivy and Virginia creeper....... (photo by Mbzt via commons.wikimedia.org CC BY 3.0)

The Historia Supellexalis: “F” for Front Design

Front

An Anna; A Sofia; A Charlotte; A Katja; A Conduit.

We published our first exhibition recommendations list in November 2013, and have diligently, and joyfully, ended every month since with a list of five architecture and design related exhibitions opening in the coming month that appear worthy of a recommendation.

A tradition we very much planned to continue in July 2021 for August 2021.

And would have; however, having undertaken our regular tour through our database of international museums and galleries, we can find but two exhibitions opening in August 2021 we, in all good conscience, can recommend. And while we don’t always stick religiously to the 5 in months of scarcity, 2 is… 2 few. And so we’ll find another way to integrate them into the blog.

August is always slow for new exhibitions, primarily because, and certainly in the USA and Europe, everyone is on holiday; however, we get the feeling that August 2021’s paucity is related to the realities of the past few months.

Any exhibition is the result of years of planning, years of planning that never feels quite long enough, and events such as a Covid pandemic that eats into that limited time have a very real effect on the preparation and realisation of exhibitions; meaning that all museums have been forced to reschedule their programmes, a rescheduling that in addition to a great many, and regrettable, cancellations has seen many museums extend the runs of those exhibitions that are open until the accrued losses in time can be made good.

And which, we very much get the feeling, means many museums are waiting for autumn 2021 (northern hemisphere)/spring 2021 (southern hemisphere) to launch new exhibitions, to re-set their programmes and planning schedules. Which means that for September 2021 and October 2021 we may very well get two lists for each month. All going to plan.

But means for August 2021, rather than 5 new openings… 32 architecture and design exhibitions already running that are, or certainly appear to be, worthy of a recommendation.

And as ever in these times, if you are planning visiting any exhibition please familiarise yourself in advance with the current ticketing, entry, safety, hygiene, cloakroom, etc rules and systems. And during your visit please stay safe, stay responsible, and above all, stay curious……

32 new-ish Architecture & Design Exhibitions for August 2021

What is a chair?

You sure?

With the exhibition Chairs. For children only! the Grassi Museum für Angewandte Kunst, Leipzig, explore the (hi)story of and developments in children’s seating, and in doing so not only allow for insights into an all too often undervalued, underappreciated, ignored, genre of furniture, but also forces you to reconsider your response to what you thought was a very, very straightforward question…

Chairs. For children only!, Grassi Museum für Angewandte Kunst, Leipzig

Much as with “Bauhaus”, “Memphis” is all too often popularly reduced to a “style”, something one can “recreate”.

As with “Bauhaus” that it is not only disingenuous, and erroneous, but hinders development of understandings of the (hi)story of design, understandings of the path taken to our contemporary design that are important for considerations on where we are and how best to progress.

With the showcase Memphis: 40 Years of Kitsch and Elegance the Vitra Design Museum Gallery issue an invitation for us all to delve a little deeper, to look below the plastic laminated surface.

Memphis: 40 Years of Kitsch and Elegance Vitra Design Museum Gallery

Braun occupy a special, ¿unique?, position not only in the mythology of product design but also in the (hi)story of West Germany; arguably no brand is as closely related with and to West Germany as Braun.

With the exhibition Braun 100 the Bröhan-Museum, Berlin, explore the development of design at Braun in the post-War decades and in doing so help one approach differentiated understandings of not only Braun and Braun design, but also of the relationships between Braun, design and West Germany…….

Braun 100, Bröhan-Museum, Berlin

“In his work the designer seeks to find the constancy of the good”, wrote Karl Clauss Dietel in 1973, a lightly articulated yet not so straightforward task for, as he continues, not only is the assessment of such dependent on a myriad varying factors, but “the search for what defines design, what it grows from, where it comes from and where it wants to go, takes on new dimensions against the background of our cultural upheaval”.1

With the exhibition Simson, Diamant, Erika. Formgestaltung von Karl Clauss Dietel the Kunstsammlungen Chemnitz allow insights into not only how Karl Clauss Dietel understood “what defines design, what it grows from, where it comes from and where it wants to go” but how those understandings aided and abetted him in his own search for, understanding of, “the constancy of the good”…….

Simson Diamant Erika. Formgestaltung von Karl Clauss Dietel, Kunstsammlungen Chemnitz

We go in withering July,
To ply the hard incessant hoe;
Panting beneath the brazen sky,
We sweat and grumble, but we go…..1

…..alternatively, skip the panting, sweating and grumbling with a visit to an air-conditioned museum.

Our recommendations for escaping the brazen sky of withering July 2021 can be found in Munich, Aalborg, Eisenhüttenstadt, Wrocław and Karlsruhe.

And as ever in these times, if you are planning visiting any exhibition please familiarise yourself in advance with the current ticketing, entry, safety, hygiene, cloakroom, etc rules and systems. And during your visit please stay safe, stay responsible, and above all, stay curious……

5 New Architecture & Design Exhibitions for July 2021

Although cultures very often arose in splendid isolation, only very few remained splendidly isolated for very long.

For much like a young child who having learned to walk intuitively understands what a powerful tool mobility is/can be and seeks to exploit it to the fullness of their abilities, so too did our youthful human civilisations very quickly understand that there was, in all probability, a world beyond their own, and began wandering, at first in their immediate vicinity but increasingly further afield. Increasingly beginning to settle in those further afields.

With the exhibition Cultural Affairs. Art without Borders the Grassi Museum für Angewandte Kunst Leipzig reflect on the thereby arising cultural exchange in context of art, craft and design…….

Cultural Affairs. Art without Borders Grassi Museum für Angewandte Kunst, Leipzig

The Historia Supellexalis E for England

England

An Island; A Notion; A Context

In 1950 the Dutch architect and designer Mart Stam told a conference in Leipzig, “when I speak here for a group of individuals active in industry about the problem of industrial design, I do so because I believe that it is necessary for us to concern ourselves in detail with the question of industrial design, and also because I believe that through intensive work and cooperation in this field we can contribute to increasing the cultural quality of our goods.”1,2

With the exhibition The Early Years. Mart Stam, the Institute and the Collection of Industrial Design the Werkbundarchiv – Museum der Dinge Berlin elucidate that Stam did more than simply speak about “the problem of industrial design” in the, then, fledgling East Germany, that Mart Stam wasn’t the only person in 1950s East Germany interested in “increasing the cultural quality of our goods”, if ideas about how one defined “increasing” and “cultural quality” varied greatly; and in doing so allows insights into the development of industrial design in East Germany……

The Early Years. Mart Stam, the Institute and the Collection of Industrial Design, the Werkbundarchiv Museum der Dinge, Berlin

“I wonder what it would be like to live in a world where it is always June”, ponders Anne Shirley in Lucy Maud Montgomery’s 1915 novel Anne of the Island.

“You’d get tired of it”, sighs her adoptive mother Marilla Cuthbert by way of reply.

“I daresay”, responds Anne, “but just now I feel that it would take me a long time to get tired of it…”

Thoughts we very much concur with as we survey and contemplate the varied profusion of new architecture and design exhibitions sprouting forth in June 2021. Who could ever tire of such a joyous abundance? Who?

Our five recommendations from that early summer crop can be found in Leipzig, Hornu, Berlin, Bloomfield Hills and Chemnitz…….

5 New Architecture & Design Exhibitions for June 2021

“¿Qué es diseño?” asked Clara Porset in 1949. What is design?1

Not because she didn’t know. Far from it. Over the course of the preceding two decades Clara Porset had ably demonstrated her considered, critical and responsive understandings of design; understandings that saw her develop into one of the most important, interesting and informative furniture designers in Mexico, understandings that saw her develop into one of the more important, interesting and informative protagonists in the development of industrial design in Mexico.

Before she slipped from view and into the (relative) anonymity she finds herself today.

Before the more pertinent question became, ¿quién es Clara Porset?

Clara Porset (1895 - 1981) (photo commons.wikimedia.org CC BY-SA 4.0, courtesy Archivo Clara Porset Dumas)

“What would it mean to live life as lightly as possible?” asks the exhibition School of No Consequences. Exercises for a New Life at the Museum für Kunst und Gewerbe Hamburg, “what would it mean to live life in a way that had as small an impact as possible?”

What indeed……

School of No Consequences. Exercises for a New Life at the Museum für Kunst und Gewerbe, Hamburg

In 1935 George Nelson opined that “the history of art in Italy presents the astonishing spectacle of a series of men who knew no boundaries between the arts”; a history, a tradition, Nelson saw continued into 1930s Italy through “the cheering example of Gio Ponti, who found early in life that no one profession was sufficient to use up his energy or exhaust his interests, and added others with the nonchalance of a small boy increasing his collection of marbles”.1

A borderless, inexhaustible collection of marbles explored and discussed in the new Gio Ponti monograph from TASCHEN Verlag……

Gio Ponti, with two Superleggera chairs (Photo Dan Wynn © Gio Ponti Archives/Historical Archive of Ponti’s Heirs, courtesy Taschen Verlag)

According to Germanic folklore Mairegen bringt Segen, Rain in May brings blessings.

It also brings an excellent excuse to visit an architecture and/or design exhibition.

Our five recommended shelters from the showers in May 2021 can be found in Ulm, Stockholm, Baruth, Zürich and Hasselt……

5 New Architecture & Design Exhibitions for May 2021

As the title of Hella Jongerius’s 2016 book I don’t have a favourite colour succinctly explains, Hella Jongerius doesn’t have a favourite colour.

Not that Hella Jongerius is indifferent about colours.

Far from it.

And in explaining why colours are important to her, and why she doesn’t have a favourite colour, Hella Jongerius helps one approach a better understanding not only of colours, nor only of our relationships with and to colours, but also helps one approach a better understanding of the functionalities of colour…….

The Polder Sofa by Hella Jongerius for Vitra.... Proof, were it needed, that Hella Jongerius doesn't have a favourite colour.....

In 1956 the Dutch electronics conglomerate Phillips asked Le Corbusier if he would be interested in designing their pavilion for the 1958 World’s Fair in Brussels.

Le Corbusier was.

Albeit, “je ne ferai pas de pavillon; je ferai un Poème électronique avec la bouteille qui contiendra“, “I will not create a pavilion; I will create a Poème électronique with the bottle to contain it.”1

And a pavilion/bottle/Poème électronique which offers an apposite starting point to approaching a differentiated image, a differentiated composition?, of Le Corbusier…….2

Radio smow A Le Corbusier Playlist 2021

The Historia Supellexalis D for Denmark
Denmark

A Peninsula; An Archipelago; A Context