In a year in which the familiar glow of many a beloved cultural event is missing, one beacon continues to shine.
As a virtual, and in many regards virtual, event the smow Song Contest is one that can be staged regardless of prevailing physical social distancing regulations and physical travel restrictions.
And while virtual closeness and virtual travel can never, and must never be allowed to, replace the physical, the 2020 smow Song Contest does allow us all an opportunity to cross great distances, to come together, to stay safe, to stay responsible, but for all to stay dancing…..
On March 6th 1927 the exhibition Europäisches Kunstgewerbe opened at the Grassimuseum Leipzig, not only a presentation of contemporary European applied arts but the inaugural exhibition in the museum’s (almost finished) new home on the city’s Johannisplatz.
With the exhibition Spitzen des Art déco the Grassi Museum für Angewandte Kunst Leipzig stage not only a presentation of European Art déco porcelain, but a reminder of both the Johannisplatz complex’s Art déco heritage and the vibrancy, colour and roar of the 1920s.
For all the controversy surrounding smow Tel Aviv’s victory in the 2018 smow Song Contest, not least the question if there even is a smow Tel Aviv, the staging of the 2019 Contest in Israel does allow for a very nice reinforcing of the central theme of the 2019 smow Song Contest….
From you have I been absent in the spring,
When proud-pied April, dressed in all his trim,
Enticed us into the following architecture and design exhibitions…….
William Shakespeare, Sonnet 98, From you have I been absent in the spring (extended, with apologies)
Much as ever increasing co-working is altering understandings of and relations to work practises and office spaces, so to is ever increasing co-habitation altering understandings of and relations to domestic practises and spaces.
Albeit domestic understandings that are altering without as much public discourse as afforded those occurring in the workplace.
With the exhibition Together. The new architecture of the collective the Grassi Museum für Angewandte Kunst Leipzig explore, and thereby allow for a focus on, contemporary communal living.
Back in the day most everything was produced locally, every community had its network of producers, who not only produced but were also knowledge depositories for processes, materials, local conditions etc, etc, etc
Back in the day.
More recently production has become remote, goods being produced in anonymous factories, transported across continents, through innumerate staging posts, and thereby not only severing the link between producer and customer, but meaning ever fewer people understand how things are produced.
But could evolving cultural, social and ecological understandings open the way for a return to local production?
With the exhibition New Urban Production Halle 14 Leipzig explore possible future realities.
Rely too heavily on popular representations of design from Denmark and one could come to the conclusion that Danes only started designing objects in the late 1940s, so often is one presented with Danish design books, exhibitions and newspaper/magazine/blog articles that begin, self-evidently, post-War.
With their exhibition Made in Denmark. Design since 1900, the Grassi Museum of Applied Arts Leipzig demonstrate that design in Denmark does have a pre-war, and pre-design, history.
Following smow Lisboa’s surprise victory in the 2017 smow Song Contest, the Portuguese capital is preparing to host the 2018 song contest: a contest being staged very much in context of the contemporary relevance of smow’s historic connections….
The only FAQ not answered by the smow FAQs is the one that begins, “What is smow……..?”
And as smow grows and grows so too does the F with which the Q is A’d.
The answer in one sense is very simple, smow trade in furniture, lighting and home/office accessories through a series of showrooms and online shops. But that only partly explains “smow”. Doesn’t explain the how, who, why and wherefore. Nor the richness. Explaining the true smow is in many respects best achieved by exploring another trading institution whose superficial simplicity hides its true depth of character ….. The Hanseatic League.
Visitors to the Grassi Museum for Applied Arts Leipzig have long been able to rest on Jasper Morrison’s Vitra Bench, an object liberally distributed throughout the museum complex.
With the exhibition Thingness the Grassi Museum for Applied Arts Leipzig offers visitors a deeper insight into Jasper Morrison’s oeuvre, and creative processes.
In northern hemispheres June marks the start of both astronomical and meteorological summer.
In southern hemispheres June marks the start of both astronomical and meteorological winter.
The one rejoices, the other laments …. and we don’t even notice, far too busy as we are perusing architecture and design exhibitions. Our five recommendations for June 2017 features new shows in Den Haag, Frankfurt, New York, Leipzig and Brussels.
It’s early May and once again the party ship we call the smow song contest is ready to set sail……
“…the strict, logical lines which avoid anything unnecessary and which with the sleekest form and through the simplest means embodies
Our five recommendations for new design and architecture exhibitions opening in June 2016 feature four in Germany and one in
November 2015 was a month of exhibitions, including Konstantin Grcic at the Grassi Museum Leipzig and Anton Corbijn at C/O
February 2015 saw us break new ground and make our first visits to Munich Creative Business Week, the magnificently monikered
On Leipzig’s Augustusplatz one can currently enjoy the wonders of the Leipzig Märchenland, the Leipzig Fairytale World. Alternatively, some 500m
The inclusion of a sheet steel bookend amongst our photos from the Grassi Museum for Applied Arts exhibition “Art Déco:
All with an interest in and/or a desire to understand how historicism in architecture, art and design ceded to modernism
In the complete interview with Matylda Krzykowski ahead of the Depot Basel exhibition Forum for an Attitude, there is a
Buildings are, somewhat logically, 3D. Photographs 2D. The challenge of architecture photography is transforming the 3D to 2D in such
The (hi)story of applied arts is, we believe it’s not too impetuous to claim, very closely connected with that of
Among the more arrogant characteristics of us city dwellers is our assumed cultural and creative superiority over those who live
Such was the quality of the new products we saw during our autumn tour they kept us going well into
Thanks to a unnecessarily long journey through Sachsen-Anhalt in an unnecessarily warm bus, July 2014 will remain indelibly scorched in