Following smow Lisboa’s surprise victory in the 2017 smow Song Contest, the Portuguese capital is preparing to host the 2018 song contest: a contest being staged very much in context of the contemporary relevance of smow’s historic connections….
According to the German philologist, mythologist, folklorist and definer of the Germanic Umlaut, Jacob Grimm, an old belief states that the Cuckoo never sings before the 3rd of April; and, “should you have money in your pouch when you hear him sing the first time, you will be well off all that year, if not, you will be short the whole year” 1
Much like the cuckoo, our five new architecture & design exhibitions recommendations for April 2018 begin with their songs after April 3rd; and should you have money in your pouch when in their vicinity, and use it to visit one, we can’t guarantee a year of financial wealth, but they all sound like providing not only a couple of hours entertainment, but a lifetime of joy through helping you develop your understanding of architecture and design, and thereby the world that surrounds you….
The only FAQ not answered by the smow FAQs is the one that begins, “What is smow……..?”
And as smow grows and grows so too does the F with which the Q is A’d.
The answer in one sense is very simple, smow trade in furniture, lighting and home/office accessories through a series of showrooms and online shops. But that only partly explains “smow”. Doesn’t explain the how, who, why and wherefore. Nor the richness. Explaining the true smow is in many respects best achieved by exploring another trading institution whose superficial simplicity hides its true depth of character ….. The Hanseatic League.
By way of an addendum to our 5 New Architecture & Design Exhibitions for February 2018 post, and arguably also to save us mentioning it every month, February 2018 sees the inauguration of a new design exhibition cycle in Berlin: Design Views, a cooperation between the Internationale Design Zentrum Berlin and the Kunstgewerbemuseum Berlin initiated with the aim of highlighting contemporary developments, thinking and directions in design.
While Georges-Eugène Haussmann is associated with the radical and unrestrained, Atelier Haußmann prefer the understated and reserved. Yet applied with the same level of conviction, self-confidence and appreciation of a well considered line.
Following a couple of years absence 2018 saw Atelier Haußmann return to IMM Cologne….
Whereas exhibitions featured in these pages are normally still in the first flush of youth, having recently enjoyed their vernissage and thus making their first public appearance, the presentation of Two German Architectures 1949-1989 at the Technische Universität Berlin is much more a finissage.
After a 13 year, 26 city, global tour, the exhibition has, in many regards, come home to retire.
As any fule kno, an echo requires a surface off which to reflect.
Otherwise it is just shouting into the void.
With the exhibition Echoes – 100 Years in Finnish Design and Architecture at the Felleshus, Berlin, that reflective surface is the traditions, cultures and landscapes of north-east Europe.
Without wanting to in any way detract from the work undertaken by Kunsthochschule Berlin Weissensee students in the past year, a highlight of our visit to the 2017 Rundgang summer exhibition was the thunderstorm which broke while we there. Calling it biblical would be to trivialise the ferocity with which it smit the day asunder, turning in its fury the Bühringstraße in front of the school into a Bühring Straits. And the first of three storms which broke over Berlin in quick succession, almost sinking the German capital.
Magnificent, imposing and a joy to behold. But would the 2017 Rundgang also make such a positive and lasting impression……..?
Owing to the unique nature of Berlin’s history and geopolitical relevance, the (hi)stories of all the city’s cultural institutions are invariably complex. And the number of such institutions greater than in most comparable metropoli*. Few other cities can boast, for example, two public zoos, three public operas or four public universities. And while three of Berlin’s universities offer individual courses in subjects such as architecture, theatre studies or music, there is only one which offers an education in all such genres. And in design: The Universität der Künste Berlin.
“What are you going to do this summer, Amory?”, Tom D’Invilliers asks of Amory Blaine in F Scott Fitzgerald’s This Side of Paradise.
“Don’t ask me”, comes the somewhat languid reply, “same old things, I suppose. A month or two in Lake Geneva — I’m counting on you to be there in July, you know — then there’ll be Minneapolis, and that means hundreds of summer hops, parlor-snaking, getting bored…..”
Sorry Amory, but you’ll have to survive the magnificence of Lake Geneva on your own, would have been our response. We’ve got new design and architecture exhibitions in London, Berlin, New York and Holon to visit!
But we’ll definitely catch up with you afterwards in Minneapolis for a bit hopping and parlor-snaking…….
Until Sunday June 4th state of Design, Berlin 2017 is presenting projects from over 80 international creatives, supported by films, lectures and workshops, in the Vollgutlager in Berlin-Neukölln.
Viewing the 2017 edition it occurred to us there is a lot of charming ambiguity about the name state of Design, Berlin…….
Inaugurated in 2016 state of Design Berlin is a festival which seeks to explore the experimental, critical, social character of design as much as present the industrial and commercial: and by extrapolation explain not only that design is all these things, but that the various aspects of design’s character needn’t be contradictory, far less conflicting or contrary.
The 2017 edition of state of Design Berlin opens on Thursday June 1st
With the exhibition Much More Than One Good Chair. Design & Society in Denmark, the Danish Embassy in Berlin present an exploration of the evolution of design in Denmark since 1945. And by extrapolation of the evolution of society in Denmark since 1945.
It’s early May and once again the party ship we call the smow song contest is ready to set sail……
While it’s hard to feel anything even vaguely resembling joy in a month which sees the UK start its senseless and cowardly, withdrawal from the European Union … life goes on!!
Our five top distractions for April 2017 features new design and architecture exhibitions in Berlin, New York, Paris, Dessau and Milan.
Thingness. Noun. [ˈthiŋ-nəs] The quality or state of objective existence or reality1
Thingness. Exhibition. [ˈthiŋ-nəs] A comprehensive Jasper Morrison retrospective currently on show at the Bauhaus Archiv Berlin.
The exhibition Divine Golden Ingenious. The Golden Ratio as a Theory of Everything? at the Museum for Communication Berlin featured two projects by Berlin based designer Mark Braun, projects which, largely, if not exclusively, owe their form to deliberations on and experimentation with the Fibonacci number. A state of affairs, we considered, makes Mark Braun an ideal person with whom to speak to about the role, attraction and relevance of the Fibonacci number and Golden Ratio in product design.
And so ahead of the exhibition’s opening at the Museum for Communication Frankfurt, we did just that…..
Our picks from the new architecture and design exhibitions opening in February 2017, featuring showcases in Weil am Rhein, Falkenberg, ‘s-Hertogenbosch, Berlin and Groningen.
Understanding materials has helped contemporary society develop as it has. And remains as relevant today as ever. If not more
O hushed October morning mild, Thy leaves have ripened to the fall; Tomorrow’s wind, if it be wild* You’d be
With their WerkBundStadt project the Werkbund Berlin aim to redevelop an industrial site in northern Berlin into a future orientated
(a+b)÷a = a÷b ≡ harmony? Or, the contemporary relevance of the Golden Ratio In addition to those artificial laws decreed
As East Berlin’s Art and Design College the Kunsthochschule Berlin Weissensee was in many ways symbolic of East Germany’s difficult
“Photography is the medium par excellence of our time. As a visual means of communication, it has no equal.”1 So
In our recent conversation with Birgit Severin and Guillaume Neu-Rinaudo about their Heimat Lamp project they told us that the