Back in the days of the Roman Republic Martius was the month in which troops mustered in preparation for the coming battle season, to prepare, as it were, to March into war.
Please don’t! The world’s out of control enough as it is!
Rather use the coming spring as your incentive, to (a) make up for some of those New Year’s Resolutions you’ve long forgotten you’d made and (b) to march into a future of new impulses, new understandings, new perspectives, a new world. To march into an architecture and/or design exhibition.
Our five recommendations for new showcases opening in Martius MMXX can be found in Ulm, Gent, Vienna, Kobe and Dresden…..
It is highly unlikely any 18th century banquet in Dresden’s Schloss Pillnitz would have been graced by a cake that came close to matching the Baroque grandeur of the location, certainly no cake that would have had a richness, plenitude or vitality to match; cake as it existed in the 1700s being a much flatter, breadier, monotone, delight, one which we today would barely recognise as cake, but which then was understood as cake, the whole cake and nothing but cake.
Then additions were made to the cake……
In 1968 the East German designer Rudolf Horn opined that “the changed tenor of industrial production in the socialist society, in relation to its task of satisfying cultural needs on a mass scale, raises the question of how despite mass production the consumer can realise an individual [domestic] environment, and in addition forces us to consider the problem of how the cultured personality can creatively contribute to the design of their immediate surroundings.”1
It was, however, a largely rhetorical question, because, and as the exhibition Rudolf Horn – Wohnen als offenes System at the Kunstgewerbemuseum Dresden explains, in 1967 Rudolf Horn had already formulated an answer, or perhaps more accurately put, in 1967 formulated a framework via which to allow each and everyone of us to approach our own answer…..
According to our old friend Roget possible synonyms for “August” include great, noble, impressive or worshipful.
We can’t promise the following quintet of exhibitions will exactly meet such qualities; however, they promise to be anything but frivolous, undignified or flighty explorations of their subject, and therefore certainly should be tending to the August in August 2019…….
July was once known as Quintilis, and was the fifth month of the Roman calender. The fifth of ten. “Winter” being but an ill-defined cold and dark period between December and March.
And sensible as such as an arrangement sounds, and much as we could live with such an arrangement today, with the rise of the Roman Republic the wise decision was made to divide winter into January and February.
Wise not least because it means our contemporary year has 12 months: and thus two extra months in which to enjoy even more architecture and design exhibitions, and thereby to allow us all to even better understand the world which surrounds us.
Our quintet for Quintilis 2019 can be found in Stuttgart, San Francisco, Weil am Rhein, Melbourne and Dresden……
“Low bowls with flowers, as well as flowers placed on the tablecloth and a platter of fruit, are the most beautiful table decorations. All table centrepieces with rocks, palm trees, ostriches, deer, and such are ludicrous, for these things have no business on a table, and all tall table decorations – even those made of flowers – are also unsuitable since they screen the dinner guests from one another”, opined Ellen Key of table culture in her 1899 essay Beauty in the Home.1
But that was then.
With the exhibition table talks — Tischgespräche the Kunstgewerbemuseum Dresden present positions by students from Weißensee Kunsthochschule Berlin and the Royal Danish Academy of Fine Arts Copenhagen on contemporary table culture.
The exhibition Against Invisibility – Women Designers at the Deutsche Werkstätten Hellerau 1898 to 1938 at the Kunstgewerbemuseum Dresden presents the biographies of 19 female creatives who despite being, to varying degrees, prolific in the early decades of the 20th century, became increasingly invisible post-War; and in doing so not only helps them to regain their visibility, not only ensures their contribution to the development of art and design in the first decades of the 20th century is recorded, but also helps us develop a more realistic, probable, understanding of the (hi)story of art and design.
Staged in context of Against Invisibility the symposium A Woman’s Work provided a platform for a wider discussion, wider considerations, on the visibility of female designers, historic, contemporary and future.
History is not only written by the winners, and re-written by those who can’t accept the facts of their defeat, but history is also the story of the visible, those who are invisible having nothing to contribute.
With the exhibition Against Invisibility – Women Designers at the Deutsche Werkstätten Hellerau 1898 to 1938 the Kunstgewerbemuseum Dresden not only re-introduce nineteen, largely, forgotten female creatives, and therefore allow their contributions’ to history to be recorded, but in doing so allow for new understandings of the development of design in the first decades of the 20th century, the (hi)story of the Werkstätten Hellerau, and also reflections on today’s contemporary furniture design industry.
Tulga Beyerle, Director of the Kunstgewerbemuseum Dresden, once gave us a piece of advice, the context of which we’ve long
Inaugurated in July 212 BC* the Ludi Apollinares were Roman games staged in honour of Apollo and featuring a mix
There are few more unpleasant emotions than the one deep in your stomach when you realise your bicycle has been
If the etymologists are to be believed “April” has its origins in the Latin verb “aperire”. To uncover, to open.
Since 2014 the Room + Style “lifestyle” fair in Dresden has been extended, if not enhanced, through the presentation of
As old Mother Goose, allegedly, once claimed: Thirty days hath September, and the following five enticing new design and architecture
“The real jewel of my disease-ridden woodlot is the prothonotary warbler”, confided the American author, ecologist and conservationist Aldo Leopold
By way of an addendum to an addendum to our 5 New Design Exhibitions for March 2015 post, until June
Following on from the relative inactivity of August September saw us wind back up towards the 2014 autumn design festival
August being holiday month our principle focus was board sports: Woody Skateboards for the summer and silbærg snowboards for the
… had things not continued apace in June. A month which saw us trawl trough Berlin with Niek Wagemans looking
By way of an addendum to our “Five New Design Exhibitions for September 2014” post, until November 2nd the Kunstgewerbemuseum
Back in February the participants of the exhibition “Trading Places. Designers meet the collection” at the Kunstgewerbemuseum Dresden spent two
Strolling through the corridors of the Dresden Museum of Decorative Arts, the Kunstgewerbemuseum, one comes across a presentation called “Thronfolge”
Since January 2014 Vienna born designer, curator and author Tulga Beyerle has been Director of the Dresden Museum of Decorative
Introducing Tulga Beyerle as the new Director of the Kunstgewerbemuseum Dresden, Hartwig Fischer, General Director of the executive Dresden State
Mayday! Mayday! Don’t panic. It’s just a public holiday. You’ll survive. Barbecue something…… And afterwards, when everyone else is back