Although Chemnitz's co-tenure, along with Nova Gorica, Slovenia, as European Capital of Culture 2025, officially kicked off in January, it's only of late, as the days have got and longer and warmer, that the programme has really started to blossom. And as we were preparing our exhibition recommendations list for April 2025 we noted a quartet of events in Chemnitz worthy of suggestion. Unwilling to force ourselves to decided which to include in our list and to which to ignore, which seemed
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"Man schnitzte das Holz nicht mehr, man spann nicht mehr, man webte nicht mehr die gute Leinwand wie früher"1, 'No-one carved wood, no-one spun, no-one wove the good linen as before', lamented Henry van de Velde in 1898 the English society of the second half of the 19th century that stood proxy for large parts of Europe as industrialisation became the established norm in ever more arenas, continuing, 'the machine, which turns imbecilically around itself and moves thanks to the pestilential
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As the, then, still plain Walter Scott, so nearly opined in 1806: "November's sky is chill and drear, November's leaf is red and sear: Late, gazing down the steepy linn That hems our little garden in, I thought, what an excellent month to visit an architecture or design exhibition."1 Our five retreats from the chill and drear of November 2024 can be found in Chemnitz, Brussels, Winterthur, Krefeld and New York....... "Reform of Life" at the Kunstsammlungen am Theaterplatz, Chemnitz, Germany
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Rowac at Berlin Design Week 2024 By the time the Peter-Behrens-Bau was inaugurated in 1917 Robert Wagner’s Rowac Schemel, one of the earliest seating objects crafted from lightweight sheet steel, had been on the market for almost a decade. If it was used in the workshops and offices of the Nationale Automobil-Gesellschaft, NAG, who, at that time, called the Peter-Behrens-Bau home, or by the wider AEG family to whom NAG was a member, and who so defined the industrialisation of the early 20th
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As noted from the exhibition Der ungesehene Designklassiker at the Deutsches Stuhlbaumuseum, Rabenau, alongside the introduction, re-introduction, enabled to the EW 1192 by Horst Heyder, a work that was, in all probability, the most widely found, most widely used, chair in the DDR and, potentially, one of the chairs existent in the greatest population densities anywhere ever, and thus a chair that inarguably shouldn't need to be re-introduced, but which on account of the nature of the
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In 1930 the Danish designer and educator Kaare Klint opined that in terms of furniture and furnishings, "Problemerne er ikke saa nye, de er i mange Tilfælde løst før", "the problems are not so new, they have in many cases been solved before".1 With the exhibition Home Sweet Home. The Archaeology of Domestic Life, SMAC - Staatliches Museum für Archäologie Chemnitz, test that theory to extreme levels, and also expand it beyond furniture and furnishings to all aspects of domestic arrangements and
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In 1981 Irish stadium rockers U2 noted of October: "And the trees are stripped bare, Of all they wear" That of course was 1981, before the, then approaching but much less tangible, irreversible consequences of climate change meant that the trees in Ireland, and across Europe, still proudly wear their leaves throughout October. A new reality that, we'd argue, may soon see U2 forced to rename the song 'November'. A reality, and a coming renaming, that sets the final line of the opening verse:
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Rowac A Rivet; A Crimp; A Schemel According to the Trabant Sagas, a component of the Erzgebirge Hoard, that earliest of all documentations of life in the contemporary Sachsen, the Rowac was developed by a Wagner by the name of Robert, a young man who although a member of that renowned Sächsische Wagner community which had brought motorised mobility to the peoples of the known worlds, had chosen to follow the trade of the Windowsmith, an, at that time, relatively new profession that had
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The return of an old favourite, and no not (smow) introducing, although Welcome Back!!!, but the Rowac-Schemel, the Rowac stool, a work initially launched in 1909 as one of the world's first sheet steel furniture objects, a work that once graced not only innumerable industrial workshops, craft ateliers and educational institutes, but the workshops and ateliers at Bauhauses Weimar and Dessau, a work that became lost in the confusions of post-War eastern Germany. A work returning in 2023, some
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Following smow Turin's thoroughly unexpected, if in no way undeserved, victory in the 2021 smow Song Contest, it's off to Piemonte for the 2022 edition. A 2022 smow Song Contest being held very much in context of events 20 years previous....... 2002 was a very different world than the one we know today. In 2002, for example, following the ousting of the Taliban girls were allowed to attend school in Afghanistan; Chechens stormed the Dubrovka Theater in Moscow demanding an end to Russia's
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It is perhaps indicative of the differing receptions to and estimations of design in the former West Germany and the former East Germany that while Dieter Rams' Ten Principles of good design are revered as if cast in stone, Karl Clauss Dietel's Five Big Ls of good design have barely seen the light of day since November 1989. A popular focus on the former West which tends to popular understandings of design from West Germany as being valid and authentic and laudable, while design from East
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Globally some 2 billion of us live in a city of more than 500,000 inhabitants.1 A number that is progressively growing. But what does "city" mean? Not lexicographically, but physically, culturally, socially, politically, economically, morally, etc, etc, etc? With the exhibition Die Stadt. Between Skyline and Latrine the smac – Staatliches Museum für Archäologie Chemnitz attempt to approach possible answers...... A model of Archigram’s 1964 Walking City as part of a discussion on literary
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"In his work the designer seeks to find the constancy of the good", wrote Karl Clauss Dietel in 1973, a lightly articulated yet not so straightforward task for, as he continues, not only is the assessment of such dependent on a myriad varying factors, but "the search for what defines design, what it grows from, where it comes from and where it wants to go, takes on new dimensions against the background of our cultural upheaval".1 With the exhibition Simson, Diamant, Erika. Formgestaltung von
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"I wonder what it would be like to live in a world where it is always June", ponders Anne Shirley in Lucy Maud Montgomery's 1915 novel Anne of the Island. "You'd get tired of it", sighs her adoptive mother Marilla Cuthbert by way of reply. "I daresay", responds Anne, "but just now I feel that it would take me a long time to get tired of it..." Thoughts we very much concur with as we survey and contemplate the varied profusion of new architecture and design exhibitions sprouting forth in June
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After a long, challenging, year the smow Song Contest finds itself exactly where it was: Rotterdam. Not just the location, but the stage, the decoration, the costumes, even the bier en frieten exactly as they were twelve months ago. The decisive, defining, difference between the 2020 smow Song Contest and the 2021 smow Song Contest being the new understandings, the new perceptions, the new perspectives, the new vitality, the new passions, the new desires, the new old new, articulated by the
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As the 19th century English poet Robert Browning so very, very, nearly phrased it: Oh, to be in Berlin, Vienna, Chemnitz, 's-Hertogenbosch, or Berlin (again), Now that April's there, And whoever wakes in Berlin, Vienna, Chemnitz, 's-Hertogenbosch, or Berlin (again), Sees, some morning a most interesting, entertaining and instructive sounding architecture and/or design exhibition, While the chaffinch sings on the orchard bough...... "Hella Jongerius: Woven Cosmos" at the Gropius Bau, Berlin,
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In a year in which the familiar glow of many a beloved cultural event is missing, one beacon continues to shine. As a virtual, and in many regards virtual, event the smow Song Contest is one that can be staged regardless of prevailing physical social distancing regulations and physical travel restrictions. And while virtual closeness and virtual travel can never, and must never be allowed to, replace the physical, the 2020 smow Song Contest does allow us all an opportunity to cross great
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László Moholy-Nagy may have given Marianne Brandt "mettle for metal", and metal may be the material with which she is most readily and popularly associated; however, as she wrote in 1922, "Ich bin ganz von Glas"..... I am entirely glass. Fragile? Transparent? Opaque? Metamorphic? Refractive? Sparkling? For its 7th edition the triennial International Marianne Brandt Contest sought projects exploring glass in all its interpretations, properties and essences; the 60 nominated projects being
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For all the controversy surrounding smow Tel Aviv's victory in the 2018 smow Song Contest, not least the question if there even is a smow Tel Aviv, the staging of the 2019 Contest in Israel does allow for a very nice reinforcing of the central theme of the 2019 smow Song Contest.... Inarguably the biggest architecture and design story in 2019 is the centenary of the founding of Bauhaus Weimar. And whereas one can, should, argue if the school deserves its singular billing, it gets it. What
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That joining the Women's Department weaving workshop was for many a female Bauhäusler not so much an active wish as the response to a take-it-or-leave-it proposition, shouldn't be confused with the workshop producing work of an involuntary, unloving, uncaring nature, of it playing second fiddle to the rest of the institution. Far from it. The quality and relevance of the work created in the Bauhaus weaving workshop being in many regards attested by the fact it was one of the more productive and
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One of the principle motors of the development of new products is new materials: stone famously ceding its primacy to bronze, which in turn ceded to iron... to .... to .... to .... plastics; new materials not only allowing for new forms of objects, but for objects with new functionalities, new properties, new purposes, and thus objects both reflective of the new needs of a continually evolving society and also allowing those needs to be not only met but, ideally, exceeded, thus contributing to
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"Beware the Ides of March" Julius Caesar was, allegedly, advised by the soothsayer Spurinna. And he probably wished he had. March 15th seeing his death at the hands of some 60 Senators, a death which led to civil war as opposing forces sought to control Rome's destiny. "Beware the 5th of the Calends of April" a modern day Spurinna would no doubt warn the good folks of the United Kingdom. March 29th looking as it is like being an equally fateful day. But while Caesar could have taken steps to
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Odd as it may be to consider today, in the course of the 19th century and throughout the first decades of the 20th century, the German town of Chemnitz was one of the most important locations in central Europe for heavy and mechanical engineering, and thereby an important motor on the highway from craft to industrial production, supplying as it did the machines, infrastructure and ideas to enable that transfer. The importance of Chemnitz in the 19th century can perhaps be best gauged by the
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Following smow Lisboa's surprise victory in the 2017 smow Song Contest, the Portuguese capital is preparing to host the 2018 song contest: a contest being staged very much in context of the contemporary relevance of smow's historic connections.... As the anniversary of smow Lisboa's victory approaches it remains as controversial and as unexpected as it was on that muggy evening back in May 2017: not least because there is no smow Lisboa. However, never ones to look a gift horse in the mouth
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