Category: Exhibitions and Shows


As the 19th century English poet Robert Browning so very, very, nearly phrased it:

Oh, to be in Berlin, Vienna, Chemnitz, ‘s-Hertogenbosch, or Berlin (again),
Now that April’s there,
And whoever wakes in Berlin, Vienna, Chemnitz, ‘s-Hertogenbosch, or Berlin (again),
Sees, some morning a most interesting, entertaining and instructive sounding architecture and/or design exhibition,
While the chaffinch sings on the orchard bough……

5 New Architecture & Design Exhibitions for April 2021

In the final decades of the 19th century the lands of the, then, German Empire, established themselves amongst the leading protagonists in the developments of contemporary applied arts as they moved towards that which we today term design. A leading position which, in certain regards, became a European dominance in the course of the 1900s, 1910s and 1920s through the contributions made to the evolving practices, processes, expressions and understandings of the period by institutions such as, and amongst many others, the Deutsche Werkstätten Hellerau, the Deutsche Werkbund, the Frankfurt city building authorities and, and perhaps most famously, the Bauhauses.

Then, as so oft in 1920s Europe, came the 1930s, the War and subsequently the establishment within (part of) the lands of the, former, German Empire two new nations: West Germany and East Germany.

And what became of the design understandings and approaches that had developed and evolved in that region over the previous half century?

That, to misquote Hamlet, is one of the questions the Vitra Design Museum pursue in German Design 1949–1989. Two Countries, One History.

German Design 1949–1989. Two Countries, One History, Vitra Design Museum, Weil am Rhein

With the 2021 Pritzker Architecture Prize being awarded to Anne Lacaton and Jean-Philippe Vassal international attention has become focused on architectural strategies geared towards maintaining existing buildings in the face of evolving economic, social, demographic, et al, realities rather than demolishing and erecting new ones by way of a response; and also of the value, the economic, the social, the cultural and the environmental value, of reusing, remodelling and reimagining that which exists rather than replacing through rebuilding and replanning.

The Deutsche Architektur Zentrum Berlin’s exhibition Caring for what already exists. Ten Architectural Strategies was developed, and was scheduled to open, long, long, before Lacaton & Vassal’s selection; however, in asking questions of how buildings and urban spaces could, should, must?, evolve with those societies and communities around them, questions of the relationships between built environments and the communities with which they co-exist, its delayed opening has not only brought its themes a new popular relevance to compliment their unquestioned importance, but also allows it to help contribute to the sharpening or our collective foci in context of architecture and our built environments….

Caring for what already exists. Ten Architectural Strategies, Deutsche Architektur Zentrum, Berlin

“Conservative Hamburg only permits white paint for its ceilings, doors and windows, and, at most, economical gilding”, remonstrated once the decorative painter Peter Gustaf Dorén.1

And set about rectifying that, set about bringing more colour to Hamburg……

Peter Gustaf Dorén. Interior Design in Hamburg circa 1900 Museum für Kunst und Gewerbe Hamburg

Following the declaration of the French Republic in 1792 a new calendar was introduced in the realms of France: the Revolution had washed away France past and the Republic marked the start of a new reality for mankind, one of universal Liberté, Égalité, Fraternité, and therefore demanded a resetting of the collective clock, a new measuring of time, and thus out went the Gregorian calendar and its historic associations with church and state, and in came le calendrier républicain, the French Republican Calendar.

And while, yes, one can consider the belief amongst the new republicans in the eternal gloriousness of the coming future as somewhat naive, one must remember that we can reflect on their optimism with the benefit of over 200 years hindsight and experience.

The argument for a new calendar appears however as compelling and self-evident as it must have done at its adoption on October 24th 1793. Or 3 Brumaire II, as we believe le calendrier républicain would date the day of its adoption.

Aside from its ten day week, an early attempt at bringing decimalisation to our time keeping, and the bequeathing of every day its own unique name, the principle difference between the Gregorian and Republican calendars is the move from the 12 months of varying lengths inherited from the Romans to twelve months each comprising thirty days, three ten day weeks, and the renaming of the months to give them a connection to nature rather than to Romans: the period between 19/20th February and 19/20th March, that period in which we find ourselves at the time of writing, being known as Ventôse, from venteux, windy, and was preceded by Pluviôse, rainy, and followed by Germinal, germination

Which all strikes us as particularly apposite as we move towards the next phase of our post-pandemic society; as a fresh wind blows the global rain clouds away and ushers in a period of re-birth and springing forth. Yes, such optimism may be as naive as that of the French revolutionaries, but we have a much better understanding of history today, and for all a much better understanding of the sense and logic in, utter necessity of, making use of the myriad lessons of history in order to avoid the pitfalls and follies of the past, and to allow us to chart an untroubled course forward……oh…..hang on……

Although, now is as good a time as any to start. The theory is known, we just need to move into the practice. And so given that all nations and all peoples have had their Corona tribulations should we not think about re-setting our global clocks, starting afresh at a new global year zero for a new global society?

We’ll leave others more qualified than us to work out the practicalities and technicalities, and decide on the basis of the nomenclature, and instead recommend here four new exhibitions scheduled to open in Germinal CCXX, and thus, one hopes, once the winds of Ventôse have begun to do their job, and also recommend a radio station that’s been online since the rains of Pluviôse….

5 New Architecture & Design Exhibitions for March 2021

In context of the exhibition Luigi Colani and Art Nouveau, the Bröhan-Museum Berlin’s staircase is emblazoned with a long quote from Colani, a long and typically outspoken quote, in which Luigi Colani denigrates the Hochschule für Gestaltung Ulm, that design school which has such a prominent and pre-eminent position in popular understandings of design in post-War West Germany; and who for Luigi Colani were “defrauders of the German creative spirituality of the twenties and thirties! Imbecilic criminals.”1

A quote that not only neatly epitomises the (consciously cultivated) Colani communication strategy, nor only leads one to reflect on Colani’s own relationship to inter-War design in Germany, but for all leads one by necessity to question the validity of the accusation; and thereby to reflect on the relationship(s) between the Hochschule für Gestaltung Ulm and the “German creative spirituality of the twenties and thirties”, and by extrapolation to reflect on post-War design in West Germany……..

Luigi Colani and Art Nouveau at the Bröhan-Museum, Berlin ... Ich spreche doch mit den Ulmern nicht!

For popularly understood reasons not only did the 2021 edition of the IMM Cologne furniture trade fair not take place as planned in mid-January, neither did the 2021 edition of Cologne’s Passagen Interior Design Week…..

….which doesn’t mean that fresh contemporary design wasn’t to be found in Cologne in mid-January.

In an offline realised and online presented exhibition the assemblage Generation Köln introduced the results of their collaborations with the CIAV Meisenthal glassworks; a virtual exhibition, and very much hands-on project, that can now be explored via a short film……

Generation Köln x CIAV Meisenthal

Cleaning is a chore.

If only we could get through life without the necessity of dusting, sweeping, washing, polishing et al…….

With the project Cleaning against the Dictatorship of Efficiency Birgit Severin and Guillaume Neu-Rinaudo a.k.a. studio b severin explore cleaning, its rituals, contexts, symbolism, functions, psychology, and in doing so enable differentiated perspectives on both that ubiquitous chore and the necessity in the necessity of dusting, sweeping, washing, polishing et al…………

Studio B Severin - Cleaning against the Dictatorship of Efficiency, feldfünf, Berlin

Alongside the Chinese and Korean New Year celebrations one of the most popular observances in any given February is, arguably, the Feast Day of Saint Valentine on February 14th; St Valentine famously being the patron saint of greetings card manufacturers, lovers, but less famously, if just as importantly, also offering protection from the plague.

Now while the misanthropes amongst you will query whether love and plague aren’t synonyms, and a pox upon you for that; this February 14th we could all do with not only a little love, but a goodly dose of plague protection. And so rather than the traditional veneration of St Valentine through the distribution of hurriedly purchased and poorly considered flowers and chocolates, how about we all agree to celebrate the life of St Valentine through taking a little more care of one another, spreading a little more communal love and a little less plague, taking the weight of his shoulders for a few hours………….?

Beyond offering protection to lovers and from the plague, and protecting beekeepers, St Valentine also offers protection to travellers, which sadly no-one is these days. But those days will come again.

Until they do we continue with our hybrid exhibitions recommendations lists: that for February 2021 featuring a trio of offline exhibitions in Weil am Rhein, Hamburg und Falkenberg, and while they in all probability wont open as planned, will open, and before they do offer impetus for a little self study, and also two online highlights to explore, research and, for all, enjoy at your leisure.

Perhaps on February 14th, for as we all know, the couple that develop and deepen their design understandings together, stay together……

5 (New) Architecture & Design Exhibitions for February 2021

The only certainty as 2020 flows into 2021 is the ongoing uncertainty. An uncertainty that is increasingly being understood as an ongoing certainty and thereby turning ever more “plans” into “options”.

And also causing a great many global architecture and design museums to skip over the first quarter of 2021 as if weren’t there, and to move their new exhibition openings to April and beyond.

A state of affairs which on the one hand means there are currently fewer lonelier locations than any given museum’s “future exhibitions” listings; but on the other hand means that much as the coldest hour is the one just before the dawn, so it is increasingly certain, as in “old” certain, that the paucity of new exhibitions opening in the first quarter of 2021 will cede to a flood come spring. And so you can now plan, as in old “plan”, to visit an exhibition a day come summer. And still have options. Old and new

And a state of affairs which has to a degree forced our hand and produced a hybrid recommendations list for January 2021: offline exhibitions in Berlin, Hamburg and Metz; online exhibitions from Warsaw and Weimar/Dessau.

And as ever in these times, if you do feel comfortable visiting any museum, please familiarise yourself in advance with the current ticketing, entry, safety, hygiene, cloakroom, etc rules and systems. And during your visit please stay safe, stay responsible, and above all, stay curious…….

5 (New) Architecture & Design Exhibitions for January 2021

To paraphrase the Propellerheads, this is just a little bit of a blog post repeating

For much as with our November 2020 exhibition recommendations, so some of our December 2020 exhibition recommendations won’t be opening. Or at least not in December 2020.

But then as now are in still in our list.

On the one hand because they will open, and is an important part of any pleasure not the expectation and anticipation?

And on the other hand, because that which makes an exhibition recommendable in advance of its opening, that which makes its anticipation and expectation so pleasurable, is that it promises to present a rarely explored subject and/or promises to explore a regularly presented subject from a new and/or fresh and/or deeper perspective. And thus a recommendable exhibition is also a nudge that there may be more to learn and understand about architecture and design than you were aware of. And thus a stimulus for your own research. And what better season than winter for that research?

Our five recommendations/stimuli/nudges for December 2020 can be found in Berlin, Vienna, Helsinki, Rome and St Petersburg.

And as ever in these times, if you do feel comfortable visiting any museum, please familiarise yourself in advance with the current ticketing, entry, safety, hygiene, cloakroom, etc rules and systems. And during your visit please stay safe, stay responsible, and above all, stay curious….

5 New Architecture & Design Exhibitions for December 2020

Outwith his native Denmark, the country home to the most architectural works by Arne Jacobsen is Germany.

Yet the vast majority of them remain popularly unknown.

As does Arne Jacobsen’s partner on his German projects: Otto Weitling

With the showcase Gesamtkunstwerke – Architecture by Arne Jacobsen and Otto Weitling in Germany, the Felleshus Berlin not only set the record straight but allow for some fresh reflections on both Arne Jacobsen and our relationships to and with architecture and our built environments……

Gesamtkunstwerke – Architecture by Arne Jacobsen and Otto Weitling in Germany at Felleshus, The Nordic Embassies, Berlin

Back in May we were faced with the decision as to whether to remain with the online exhibition recommendations we’d been carrying throughout the spring, or, given that ever more museums were re-opening, move back offline for our June recommendations.

And decided to move back offline, not least because “viewing an exhibition in a museum is the more satisfying experience, the more rewarding experience, the more enduring experience. And an important experience.

Ahead of our November recommendations we faced a similar choice. Travel, certainly international travel, is not only becoming increasingly difficult and of questionable responsibility, but in many regions the official advice is not to travel unless absolutely necessary; meaning while most museums are open, they are, in a purely practical sense, inaccessible for many. And so is compiling a list of offline exhibitions a meaningful undertaking? Is such a list sensible? Should we move back to online recommendations?

Yes. Yes. No.

And not just because museums are important cultural spaces, but primarily because most all museums are open……

…..or were while we were writing this. However, the rapidly developing nature of contemporary society meant that just before publishing this post it became clear that two of our five November openings will not be opening in November.

We’ve kept them in the list. Not because we couldn’t change the list, not that we couldn’t have substituted them for two others. We could. We’re smow: quick, uncomplicated solutions is what we do, flexibility and spontaneity are our best friends, there is never a Plan B but always alternative options, no job is too big, no pup is too …. no, hang on, that’s Paw Patrol.

We could have substituted them.

But didn’t see why we should. Every month we scan hundreds of museums and galleries around the globe looking for interesting, relevant, recommendable architecture and design exhibitions, the five we present are those we consider to be the most interesting, relevant, recommendable. And no temporary lockdown closure changes that. And all going well, come December, all five will be open.

And now, returning to where our ready-for-posting text was on Friday morning……

……and also with the reminder that such a recommendations list shouldn’t be understood solely as suggestions of locations to physically visit, but also as an impetus for your own study and research, for voyages of cultural discovery from your own sofa and/or desk. Most museum websites have in-depth descriptions of their exhibitions and the themes therein, often components of the exhibition are available online, and there will, almost always, be a catalogue that goes into more depth and detail than the exhibition; and so if an exhibition interests you, and you physically can’t get to the respective museum, why not use the long autumn and winter evenings to explore on your own.

Our five recommendations for new exhibitions opening in November 2020, and five recommendations for a meaningful use of the long autumn and winter evenings, can be found in Frankfurt, Zürich, Jyväskylä, Oslo and Hamburg.

And as ever in these times, if you do feel comfortable visiting any museum, please familiarise yourself in advance with the current ticketing, entry, safety, hygiene, cloakroom, etc rules and systems. And during your visit please stay safe, stay responsible, and above all, stay curious….

5 New Architecture & Design Exhibitions for November 2020

“How far can we entrust the machine to design?” asked the American architect Louis I. Kahn in context of the 1968 conference Computer Graphics in Architecture and Design.

In his opinion, not much.

“The machine can communicate measure, but the machine cannot create, cannot judge, cannot design. This belongs to the mind”.1

And today?

With the exhibition The Architecture Machine. The Role of Computers in Architecture, the Architekturmuseum der TU München explore the (hi)story of the computer in architecture, the (hi)story of architecture in the computer and considers the question, if the course of those (hi)stories has seen the computer take control of architecture or architecture tame the computer…….?

Imaginary Architecture by Otto Beckmann (l) and Plotter Drawings by Günter Günschel (r), as seen at The Architecture Machine. The Role of Computers in Architecture, the Architekturmuseum der TU München

“I don’t know what design is”, opined once the Italian designer Enzo Mari.

Not because he hadn’t considered the question. But because he had. A lot.

With the exhibition Enzo Mari curated by Hans Ulrich Obrist with Francesca Giacomelli the Triennale Milano present an opportunity to approach an understanding of that which in the course of those considerations, and his 60+ year career, Enzo Mari has variously understood both design to be, and what it could, should, must, be……..

Enzo Mari curated by Hans Ulrich Obrist with Francesca Giacomelli, Triennale Milano, Milan

In 1977 the German designer Luigi Colani demanded a “renaissance of Art Nouveau”1

What he meant, why he meant it, and if it is something we should all fear, can be explored and considered in the exhibition Luigi Colani and Art Nouveau at the Bröhan-Museum, Berlin…….

Luigi Colani and Art Nouveau at the Bröhan-Museum, Berlin

“Last night the waiter put the celery on with the cheese, and I knew that summer was indeed dead”, opined once A.A. Milne, continuing that, while there may be other indications of autumn’s arrival, “it is only with the first celery that summer is over.”

And the first celery appears, or at least appeared in early 20th century England, in October.

Not that one should fear the celery, for in its crispness, freshness, tenderness, sweetness celery, so A.A. Milne, reminds us that winter isn’t only about the cold, wet, dark and dreary, but is a season which brings its own pleasures and joys, is a season of “crisp and sparkling days, long pleasant evenings, cheery fires” and to which we’ll add lingering visits to architecture and design exhibitions. Our recommendations for new showcases opening in October 2020 can be found in Munich, Milan, Rotterdam, Philadelphia and Brussels.

And as ever in these times, if you do feel comfortable about visiting any museum, please familiarise yourself in advance with the current ticketing, entry, safety, hygiene, cloakroom, etc rules and systems. And during your visit please stay safe, stay responsible, and above all, stay curious….

“Here’s to October—and, waiter, some more celery.”1

5 New Architecture & Design Exhibitions for October 2020

On October 31st 1517 Martin Luther published his 95 Theses, his Disputation on the Power and Efficacy of Indulgences, his criticism of the contemporary Catholic church. 95 theses which fired a debate and discourse that, ultimately, led to the splitting of the, until then, all-powerful Catholic church, an event which was to have consequences far, far, beyond religious practice and power, and which was arguably one of the single most important moments in the development of European society.

According to the popular telling of (hi)story, Martin Luther published his 95 Theses by…… nailing them to the door of the Schlosskirche in Wittenberg.

Imagine if @DrMartinLuther95 had had 60 million followers on Twitter…..

With the exhibition From Luther to Twitter. Media and the Public Sphere the Deutsches Historisches Museum, Berlin, explore developments in the nature of public debate and discourse and the role of evolving media and technology in those developments.

Hvis jeg får et nyt liv, vil jeg være gartner“, opined once the Danish architect and designer Arne Jacobsen.

“If I have another life, I want to be a gardener”

Not that, as Arne Jacobsen – Designing Denmark at Trapholt, Kolding, would tend to imply, he made an incorrect career choice…..

Arne Jacobsen - Designing Denmark, Trapholt, Kolding

Tuesday September 22nd marks the 2020 Southward Equinox, and thus the start of autumn in the northern hemisphere, and of spring in the southern hemisphere. Two seasons known throughout history for the vagaries, capriciousness, of their weather.

And thus two seasons perfectly suited to a longer architecture and design, or art, museum visit.

Our recommendations for four new showcases opening in September (autumn) 2020 can be found in Berlin, Kolding, Düsseldorf and Berlin (again); our recommendation for a new showcase opening in September (spring) 2020 can be found in Sydney.

And as ever in these times, if you do feel comfortable about visiting any museum, please familiarise yourself in advance with the current ticketing, entry, safety, hygiene, cloakroom, etc rules and systems. And during your visit please stay safe, stay responsible, and above all, stay curious….

5 New Architecture & Design Exhibitions for September 2020

“It is a very interesting thing indeed to ask myself certain questions”, reflected H.G. Wells in 1937, “How did I come to know what I know about the world and myself? What ought I to know? What would I like to know that I don’t know? If I want to know about this or that, where can I get the clearest, best and latest information? And where did these other people about me get their ideas about things? Which are sometimes so different from mine. Why do we differ so widely?”1

Questions whose validity and urgency were undeniable in 1937 as Europe lurched, helplessly, towards another war; and questions whose validity and urgency has increased in the intervening 83 years as we have acquired not only ever more sources of information but ever quicker methods of information mediation.

With the exhibition Common Knowledge – Design in Times of the Information Crisis the Kunstgewerbemuseum Dresden explore the complex relationships between information, the individual and society…….

Common Knowledge - Design in Times of the Information Crisis, Kunstgewerbemuseum Dresden

“What August dosen’t do, September puts right”1 declared Johann Wolfgang Goethe.

And loathed as we are to contradict Goethe. He’s wrong.

August may be a time when one can allow oneself a little more freedom than the rest of the year; however, that which we call life is the actions, experiences, leanings, emotions of each month consecutively and sequentially building on, informing and evolving one-another, a month of inactivity is a month of moments missed, and hoping that September can in some form rectify for a laxness in August is wishful thinking.

And this year not particularly sensible: for as we all understand, that which we don’t do in August may come back to bite us in September.

Thus, on this occasion, ignore Goethe, and use August wisely, sagely and as a chance to get more out of September. And subsequently get more out of October. November. Etc. Etc. Etc.

Our five recommendations for meaningful things to do in August 2020, apart from regular hand washing, keeping abreast of local developments/advice and maintaining mutual respectful relations with those around you, can be found in Tallinn, Brussels, Malmö, Amsterdam and Berlin.

And as ever in these times, if you are planning visiting any museum or exhibition, please familiarise yourself in advance with the current ticketing, entry, safety, hygiene, cloakroom, etc rules and systems. And during your visit please stay safe, stay responsible, and above all, stay curious….
5 New Architecture & Design Exhibitions for August 2020

The German designer and graphic artist Otl Aicher once opined, “Hans Gugelot wasn’t a theoretician. But not a practitioner either. What is one if neither a theorist nor a practitioner?”1

What, indeed…..?

With the exhibition Hans Gugelot. The Architecture of Design the HfG-Archiv Ulm allows one to approach an answer…..

Hans Gugelot. The Architecture of Design, HfG-Archiv Ulm

Christa Petroff-Bohne arrived a trifling couple of minutes late for the opening of Beauty of Form.

And was most apologetic, apologised for keeping us all waiting.

Whereby, we couldn’t help thinking, it is much more us, all, the international community, who should be apologising for keeping Christa Petroff-Bohne waiting for such a comprehensive and rounded recognition of her work and career………1

Form studies by students of Christa Petroff-Bohne's Basics of Visual Design, as seen at Beauty of Form. The Designer Christa Petroff-Bohne, Kunstgewerbemuseum Dresden

July is traditionally a slow month for new architecture and design exhibition openings. July 2020 less so. Not because of any fundamental changes in understandings amongst architecture and design museums of when is a good time to open an exhibition; but because owing to Corona many shows scheduled to open in the spring had to be postponed, not least until the museums were allowed to open.

And throughout July 2020 ever more museums are planned and planning to open; meaning ever more architecture and design exhibitions are planned and planning to open throughout July 2020.

And thus, while our physical travel options may still be limited, our (potential) cerebral and cultural travel spheres continues to expand, and that is never a bad thing.

If you do feel comfortable about visiting a museum, and are physically allowed to do so, as we will never tire of saying in these trying of times, please familiarise yourself in advance with the current ticketing, entry, safety, hygiene, cloakroom, etc rules and systems.

And during your visit please stay safe, stay responsible, and above all, stay curious….

5 New Architecture & Design Exhibitions for July 2020