Category: Exhibitions and Shows


One could be forgiven for thinking that little would be as pointless as a Le Corbusier colouring-in book.

So singularly achromatic is the popular understanding of Le Corbusier, a lack of colour reinforced by the dour, austere, round bespectacled, persona which so universally defines Le Corbusier: what, one asks oneself, could there possibly be to colour in a Le Corbusier colouring-in book?

Yet in contrast to the popular Le Corbusier image, Le Corbusier’s career was one undertaken in colour. A career accompanied by, informed by, arguably driven by, considerations on and the study of colour.

An (oft overlooked) aspect of his work, of his understandings and approaches, and persona, explored in the exhibition Le Corbusier and Color at the, appropriately kaleidoscopic, Pavillon Le Corbusier, Zürich.

Le Corbusier and Color at the Museum für Gestaltung, Pavillon Le Corbusier, Zürich

“Space and form are important elements in the creation of the [interior] environment”, opined the Danish architect, artist and designer Verner Panton in 1969, however, he continues, “colours are even more important”.

And no-one, even those with but the briefest familiarity with Verner Panton, can oversee the colour in Verner Panton’s work.

Yet important as colour and space and form were for Panton, “in the creation of the [interior] environment”, “l’homme reste l’élément central“, man remains the central element.1

With the exhibition Verner Panton – Colouring a New World, Trapholt, Kolding, undertake a search for the human in the colourful new world of Verner Panton.

Verner Panton - Colouring a New World, Trapholt, Kolding

In days of yore October was known in Germanic lands as Weinmonat, Wine Month, Month of Wine, whereby thoughts were, unquestionably, less with the drink as with the grape and the harvest, and thus the promise of the new wine.

And in many regards our exhibition recommendations can be considered a monthly harvest of the new crop of architecture and design exhibitions; specifically, and staying in Germanic registers, an Auslese, a considered selection of those well ripened concepts and premises it is hoped will most excite an invigorate the palate both experienced and novice. Or the viewer, experienced or novice.

Our quintet of, possible, new, memorable vintages from Weinmonat 2021 can be found in Ulm, Stockholm, ’s-Hertogenbosch, Paris and Tokyo…….

5 New Architecture & Design Exhibitions for October 2021

In her 1929 essay A Room of One’s Own, Virginia Woolf, as a component of her reflections on the myriad subjects of ‘women and fiction’, reads her way, chronologically, through a bookcase of works written by women from across the centuries.

Here We Are! Women in Design 1900 – Today at the Vitra Design Museum, Weil am Rhein, has the feeling of Virginia Woolf’s bookcase, allowing as it does for reflections on, and a critical questioning of, the myriad subjects of ‘women and design’…….

Here We Are! Women in Design 1900 - Today, Vitra Design Museum, Weil am Rhein

In September 1951 the East German newspaper Neue Zeit informed its readers that, “whomever travels to Fürstenberg sees the beginnings of the new city, a city planned according to the “Principles of Urban Development”.1

Whomever travels to Fürstenberg today arrives in Eisenhüttenstadt, the planned city that arose from those “beginnings”; and a city which, arguably, more than any other, stands proxy for the rise and fall of East Germany.

With the exhibition Endless Beginning. The Transformation of the Socialist City, the Museum Utopie und Alltag explore not only the past, present and future of Eisenhüttenstadt, but also employs Eisenhüttenstadt as a conduit for more general reflections on urban planning and the ongoing, inevitable, intrinsic, transformation(s) of our cities. Socialist or otherwise……

Downtown Eisenhüttenstadt largely in Plaspi and..... Sugar, as seen in Endless Beginning. The Transformation of the Socialist City, Museum Utopie und Alltag, Eisenhüttenstadt

According to the 6th century CE antiquarian John the Lydian, “the oracle recommends drinking milk for the sake of good health all through the month of September”.1

And while milk may have advantages in terms of your physical health, for your spiritual and intellectual health, we’d recommend the following quintet of new architecture, design and art exhibitions opening in September 2021.

Whereby, exhibitions and milk aren’t mutually exclusive, you can partake of both if you so wish……

5 New Architecture & Design Exhibitions for September 2021

Globally some 2 billion of us live in a city of more than 500,000 inhabitants.1

A number that is progressively growing.

But what does “city” mean?

Not lexicographically, but physically, culturally, socially, politically, economically, morally, etc, etc, etc?

With the exhibition Die Stadt. Between Skyline and Latrine the smac – Staatliches Museum für Archäologie Chemnitz attempt to approach possible answers……

A model of Archigram’s 1964 Walking City as part of a discussion on literary and architectural ideal cities, as seen as, Die Stadt Between Skyline and Latrine, smac - Staatliches Museum für Archäologie Chemnitz

We published our first exhibition recommendations list in November 2013, and have diligently, and joyfully, ended every month since with a list of five architecture and design related exhibitions opening in the coming month that appear worthy of a recommendation.

A tradition we very much planned to continue in July 2021 for August 2021.

And would have; however, having undertaken our regular tour through our database of international museums and galleries, we can find but two exhibitions opening in August 2021 we, in all good conscience, can recommend. And while we don’t always stick religiously to the 5 in months of scarcity, 2 is… 2 few. And so we’ll find another way to integrate them into the blog.

August is always slow for new exhibitions, primarily because, and certainly in the USA and Europe, everyone is on holiday; however, we get the feeling that August 2021’s paucity is related to the realities of the past few months.

Any exhibition is the result of years of planning, years of planning that never feels quite long enough, and events such as a Covid pandemic that eats into that limited time have a very real effect on the preparation and realisation of exhibitions; meaning that all museums have been forced to reschedule their programmes, a rescheduling that in addition to a great many, and regrettable, cancellations has seen many museums extend the runs of those exhibitions that are open until the accrued losses in time can be made good.

And which, we very much get the feeling, means many museums are waiting for autumn 2021 (northern hemisphere)/spring 2021 (southern hemisphere) to launch new exhibitions, to re-set their programmes and planning schedules. Which means that for September 2021 and October 2021 we may very well get two lists for each month. All going to plan.

But means for August 2021, rather than 5 new openings… 32 architecture and design exhibitions already running that are, or certainly appear to be, worthy of a recommendation.

And as ever in these times, if you are planning visiting any exhibition please familiarise yourself in advance with the current ticketing, entry, safety, hygiene, cloakroom, etc rules and systems. And during your visit please stay safe, stay responsible, and above all, stay curious……

32 new-ish Architecture & Design Exhibitions for August 2021

What is a chair?

You sure?

With the exhibition Chairs. For children only! the Grassi Museum für Angewandte Kunst, Leipzig, explore the (hi)story of and developments in children’s seating, and in doing so not only allow for insights into an all too often undervalued, underappreciated, ignored, genre of furniture, but also forces you to reconsider your response to what you thought was a very, very straightforward question…

Chairs. For children only!, Grassi Museum für Angewandte Kunst, Leipzig

Much as with “Bauhaus”, “Memphis” is all too often popularly reduced to a “style”, something one can “recreate”.

As with “Bauhaus” that it is not only disingenuous, and erroneous, but hinders development of understandings of the (hi)story of design, understandings of the path taken to our contemporary design that are important for considerations on where we are and how best to progress.

With the showcase Memphis: 40 Years of Kitsch and Elegance the Vitra Design Museum Gallery issue an invitation for us all to delve a little deeper, to look below the plastic laminated surface.

Memphis: 40 Years of Kitsch and Elegance Vitra Design Museum Gallery

Braun occupy a special, ¿unique?, position not only in the mythology of product design but also in the (hi)story of West Germany; arguably no brand is as closely related with and to West Germany as Braun.

With the exhibition Braun 100 the Bröhan-Museum, Berlin, explore the development of design at Braun in the post-War decades and in doing so help one approach differentiated understandings of not only Braun and Braun design, but also of the relationships between Braun, design and West Germany…….

Braun 100, Bröhan-Museum, Berlin

“In his work the designer seeks to find the constancy of the good”, wrote Karl Clauss Dietel in 1973, a lightly articulated yet not so straightforward task for, as he continues, not only is the assessment of such dependent on a myriad varying factors, but “the search for what defines design, what it grows from, where it comes from and where it wants to go, takes on new dimensions against the background of our cultural upheaval”.1

With the exhibition Simson, Diamant, Erika. Formgestaltung von Karl Clauss Dietel the Kunstsammlungen Chemnitz allow insights into not only how Karl Clauss Dietel understood “what defines design, what it grows from, where it comes from and where it wants to go” but how those understandings aided and abetted him in his own search for, understanding of, “the constancy of the good”…….

Simson Diamant Erika. Formgestaltung von Karl Clauss Dietel, Kunstsammlungen Chemnitz

As the worldline of architecture’s spacetime continuum moves through the 1970s and ever further into the 1980s it becomes increasingly blurry, indistinct, harder to confidently follow: established conventions and systems, acknowledged fundamental and/or necessary rules of architecture become increasingly difficult to locate.

Indeed were there rules in 1980s architecture?

With the exhibition Anything Goes? Berlin Architecture in the 1980s the Berlinische Galerie explore the architectural developments in the, then, two Berlins, and in doing so not only allow one to approach better understandings of the architectural development of the, now, one Berlin, but also to question the putative lawless of 1980s architecture…….

Anything Goes? Berlin Architecture in the 1980s, Berlinische Galerie, Berlin

We go in withering July,
To ply the hard incessant hoe;
Panting beneath the brazen sky,
We sweat and grumble, but we go…..1

…..alternatively, skip the panting, sweating and grumbling with a visit to an air-conditioned museum.

Our recommendations for escaping the brazen sky of withering July 2021 can be found in Munich, Aalborg, Eisenhüttenstadt, Wrocław and Karlsruhe.

And as ever in these times, if you are planning visiting any exhibition please familiarise yourself in advance with the current ticketing, entry, safety, hygiene, cloakroom, etc rules and systems. And during your visit please stay safe, stay responsible, and above all, stay curious……

5 New Architecture & Design Exhibitions for July 2021

Although cultures very often arose in splendid isolation, only very few remained splendidly isolated for very long.

For much like a young child who having learned to walk intuitively understands what a powerful tool mobility is/can be and seeks to exploit it to the fullness of their abilities, so too did our youthful human civilisations very quickly understand that there was, in all probability, a world beyond their own, and began wandering, at first in their immediate vicinity but increasingly further afield. Increasingly beginning to settle in those further afields.

With the exhibition Cultural Affairs. Art without Borders the Grassi Museum für Angewandte Kunst Leipzig reflect on the thereby arising cultural exchange in context of art, craft and design…….

Cultural Affairs. Art without Borders Grassi Museum für Angewandte Kunst, Leipzig

In 1950 the Dutch architect and designer Mart Stam told a conference in Leipzig, “when I speak here for a group of individuals active in industry about the problem of industrial design, I do so because I believe that it is necessary for us to concern ourselves in detail with the question of industrial design, and also because I believe that through intensive work and cooperation in this field we can contribute to increasing the cultural quality of our goods.”1,2

With the exhibition The Early Years. Mart Stam, the Institute and the Collection of Industrial Design the Werkbundarchiv – Museum der Dinge Berlin elucidate that Stam did more than simply speak about “the problem of industrial design” in the, then, fledgling East Germany, that Mart Stam wasn’t the only person in 1950s East Germany interested in “increasing the cultural quality of our goods”, if ideas about how one defined “increasing” and “cultural quality” varied greatly; and in doing so allows insights into the development of industrial design in East Germany……

The Early Years. Mart Stam, the Institute and the Collection of Industrial Design, the Werkbundarchiv Museum der Dinge, Berlin

“I wonder what it would be like to live in a world where it is always June”, ponders Anne Shirley in Lucy Maud Montgomery’s 1915 novel Anne of the Island.

“You’d get tired of it”, sighs her adoptive mother Marilla Cuthbert by way of reply.

“I daresay”, responds Anne, “but just now I feel that it would take me a long time to get tired of it…”

Thoughts we very much concur with as we survey and contemplate the varied profusion of new architecture and design exhibitions sprouting forth in June 2021. Who could ever tire of such a joyous abundance? Who?

Our five recommendations from that early summer crop can be found in Leipzig, Hornu, Berlin, Bloomfield Hills and Chemnitz…….

5 New Architecture & Design Exhibitions for June 2021

“What would it mean to live life as lightly as possible?” asks the exhibition School of No Consequences. Exercises for a New Life at the Museum für Kunst und Gewerbe Hamburg, “what would it mean to live life in a way that had as small an impact as possible?”

What indeed……

School of No Consequences. Exercises for a New Life at the Museum für Kunst und Gewerbe, Hamburg

How did previous generations imagine daily life in our contemporary age?, the Museum für Kommunikation Frankfurt asked itself.

Specifically, how did previous generations imagine technology integrating into and assisting daily life in our contemporary age? A question which naturally leads into questions of how we imagine technology integrating into and assisting daily life in our contemporary age? How does our contemporary age imagine technology integrating into and assisting daily life in coming ages?

The answers, as presented and discussed in context of the exhibition Back to Future. Technology visions between fiction and reality, may surprise you, may appear familiar to you, may surprise you in that they appear familiar to you. And in their surprising familiarity could, should, stimulate more critical reflections on the role, function, purpose and place of technology in our cultures and societies, and of our relationships with and to technology……

Boundless Communication, as seen at Back to Future. Technology visions between fiction and reality, the Museum für Kommunikation, Frankfurt

According to Germanic folklore Mairegen bringt Segen, Rain in May brings blessings.

It also brings an excellent excuse to visit an architecture and/or design exhibition.

Our five recommended shelters from the showers in May 2021 can be found in Ulm, Stockholm, Baruth, Zürich and Hasselt……

5 New Architecture & Design Exhibitions for May 2021

As the 19th century English poet Robert Browning so very, very, nearly phrased it:

Oh, to be in Berlin, Vienna, Chemnitz, ‘s-Hertogenbosch, or Berlin (again),
Now that April’s there,
And whoever wakes in Berlin, Vienna, Chemnitz, ‘s-Hertogenbosch, or Berlin (again),
Sees, some morning a most interesting, entertaining and instructive sounding architecture and/or design exhibition,
While the chaffinch sings on the orchard bough……

5 New Architecture & Design Exhibitions for April 2021

In the final decades of the 19th century the lands of the, then, German Empire, established themselves amongst the leading protagonists in the developments of contemporary applied arts as they moved towards that which we today term design. A leading position which, in certain regards, became a European dominance in the course of the 1900s, 1910s and 1920s through the contributions made to the evolving practices, processes, expressions and understandings of the period by institutions such as, and amongst many others, the Deutsche Werkstätten Hellerau, the Deutsche Werkbund, the Frankfurt city building authorities and, and perhaps most famously, the Bauhauses.

Then, as so oft in 1920s Europe, came the 1930s, the War and subsequently the establishment within (part of) the lands of the, former, German Empire two new nations: West Germany and East Germany.

And what became of the design understandings and approaches that had developed and evolved in that region over the previous half century?

That, to misquote Hamlet, is one of the questions the Vitra Design Museum pursue in German Design 1949–1989. Two Countries, One History.

German Design 1949–1989. Two Countries, One History, Vitra Design Museum, Weil am Rhein

With the 2021 Pritzker Architecture Prize being awarded to Anne Lacaton and Jean-Philippe Vassal international attention has become focused on architectural strategies geared towards maintaining existing buildings in the face of evolving economic, social, demographic, et al, realities rather than demolishing and erecting new ones by way of a response; and also of the value, the economic, the social, the cultural and the environmental value, of reusing, remodelling and reimagining that which exists rather than replacing through rebuilding and replanning.

The Deutsche Architektur Zentrum Berlin’s exhibition Caring for what already exists. Ten Architectural Strategies was developed, and was scheduled to open, long, long, before Lacaton & Vassal’s selection; however, in asking questions of how buildings and urban spaces could, should, must?, evolve with those societies and communities around them, questions of the relationships between built environments and the communities with which they co-exist, its delayed opening has not only brought its themes a new popular relevance to compliment their unquestioned importance, but also allows it to help contribute to the sharpening or our collective foci in context of architecture and our built environments….

Caring for what already exists. Ten Architectural Strategies, Deutsche Architektur Zentrum, Berlin

“Conservative Hamburg only permits white paint for its ceilings, doors and windows, and, at most, economical gilding”, remonstrated once the decorative painter Peter Gustaf Dorén.1

And set about rectifying that, set about bringing more colour to Hamburg……

Peter Gustaf Dorén. Interior Design in Hamburg circa 1900 Museum für Kunst und Gewerbe Hamburg

Following the declaration of the French Republic in 1792 a new calendar was introduced in the realms of France: the Revolution had washed away France past and the Republic marked the start of a new reality for mankind, one of universal Liberté, Égalité, Fraternité, and therefore demanded a resetting of the collective clock, a new measuring of time, and thus out went the Gregorian calendar and its historic associations with church and state, and in came le calendrier républicain, the French Republican Calendar.

And while, yes, one can consider the belief amongst the new republicans in the eternal gloriousness of the coming future as somewhat naive, one must remember that we can reflect on their optimism with the benefit of over 200 years hindsight and experience.

The argument for a new calendar appears however as compelling and self-evident as it must have done at its adoption on October 24th 1793. Or 3 Brumaire II, as we believe le calendrier républicain would date the day of its adoption.

Aside from its ten day week, an early attempt at bringing decimalisation to our time keeping, and the bequeathing of every day its own unique name, the principle difference between the Gregorian and Republican calendars is the move from the 12 months of varying lengths inherited from the Romans to twelve months each comprising thirty days, three ten day weeks, and the renaming of the months to give them a connection to nature rather than to Romans: the period between 19/20th February and 19/20th March, that period in which we find ourselves at the time of writing, being known as Ventôse, from venteux, windy, and was preceded by Pluviôse, rainy, and followed by Germinal, germination

Which all strikes us as particularly apposite as we move towards the next phase of our post-pandemic society; as a fresh wind blows the global rain clouds away and ushers in a period of re-birth and springing forth. Yes, such optimism may be as naive as that of the French revolutionaries, but we have a much better understanding of history today, and for all a much better understanding of the sense and logic in, utter necessity of, making use of the myriad lessons of history in order to avoid the pitfalls and follies of the past, and to allow us to chart an untroubled course forward……oh…..hang on……

Although, now is as good a time as any to start. The theory is known, we just need to move into the practice. And so given that all nations and all peoples have had their Corona tribulations should we not think about re-setting our global clocks, starting afresh at a new global year zero for a new global society?

We’ll leave others more qualified than us to work out the practicalities and technicalities, and decide on the basis of the nomenclature, and instead recommend here four new exhibitions scheduled to open in Germinal CCXX, and thus, one hopes, once the winds of Ventôse have begun to do their job, and also recommend a radio station that’s been online since the rains of Pluviôse….

5 New Architecture & Design Exhibitions for March 2021