During June 2018 the participative art installation Freiheit 2.0 in Stuttgart is exploring issues around Big Data, artificial intelligence and the future of our relationships with the digital, virtual, environment.
In addition to a series of colloquia in which invited experts talk about aspects of the wider themes and engage in conversations with the project initiator Florian Mehnert, the three further pillars on which Freiheit 2.0 is built are a Self-Tracking App via which everyone can create a personal movement profile akin to the ones Big Data constructs for each of us everyday; Public Space, the renaming of local businesses with the suffix “der freiheit” [of/for/the freedom]; and the Guidance System, a series of coloured lines which lead from the renamed businesses to the Freedom Laboratory in Stuttgart’s StadtPalais museum.
The latter two being pillars which, if we’re being honest, we didn’t quite 100% understand as supporting ahead of the opening; but whose intrinsic role in the construction became much clearer after we’d had a chance to stroll along and among them……
If swarm intelligence describes natural systems where individuals pool their resources for the benefit of the community, then Big Data can be considered a form of swarm intelligence appropriated by commerce: where commerce pools individuals’ resources, their data, for the benefit of commerce. In both swarm intelligence and Big Data the individuals involved are, largely, unaware of the extent of the interaction and resource pooling. Whereas however birds, bees, fish and ants needn’t be aware of such, we all really should be, that we generally aren’t making Big Data much more a demonstration of swarm unintelligence. If not swarm negligence.
With his participatory art installation Freiheit 2.0 Florian Mehnert visualises the permanent interaction between our analogue and digital lives, the ensuing tensions, and thereby aims to allow us a new, differentiated, view of where we are at and where we could end up.
Throughout June 2018 Freiheit 2.0 can be experienced in Stuttgart, and ahead of the opening we spoke with Florian Mehnert.
Following smow Lisboa’s surprise victory in the 2017 smow Song Contest, the Portuguese capital is preparing to host the 2018 song contest: a contest being staged very much in context of the contemporary relevance of smow’s historic connections….
According to the German philologist, mythologist, folklorist and definer of the Germanic Umlaut, Jacob Grimm, an old belief states that the Cuckoo never sings before the 3rd of April; and, “should you have money in your pouch when you hear him sing the first time, you will be well off all that year, if not, you will be short the whole year” 1
Much like the cuckoo, our five new architecture & design exhibitions recommendations for April 2018 begin with their songs after April 3rd; and should you have money in your pouch when in their vicinity, and use it to visit one, we can’t guarantee a year of financial wealth, but they all sound like providing not only a couple of hours entertainment, but a lifetime of joy through helping you develop your understanding of architecture and design, and thereby the world that surrounds you….
The only FAQ not answered by the smow FAQs is the one that begins, “What is smow……..?”
And as smow grows and grows so too does the F with which the Q is A’d.
The answer in one sense is very simple, smow trade in furniture, lighting and home/office accessories through a series of showrooms and online shops. But that only partly explains “smow”. Doesn’t explain the how, who, why and wherefore. Nor the richness. Explaining the true smow is in many respects best achieved by exploring another trading institution whose superficial simplicity hides its true depth of character ….. The Hanseatic League.
The 18th century forebearer of the Akademie der Bildenden Künste Stuttgart was established as a location “where the youth can be cultivated, likes plants in a nursery”
While nurseries can produce strong and noble trees, flowers with the most exquisite blossoms and hardy perennials that keep on contributing to their environment, they are also often home to unstable experimental hybrids and provide the perfect breeding ground for parasites and disease.
How well the current Akademie der Bildenden Künste Stuttgart nursery is being maintained could be assessed at the 2017 Rundgang summer exhibition……
It’s early May and once again the party ship we call the smow song contest is ready to set sail……
On May 1st 1851 Queen Victoria opened The Great Exhibition in Hyde Park London: the first “World’s Fair”, an event which celebrated the advances of the industrial age, and whose influence on industry, engineering, science, architecture and society was to resonate globally for decades, acting as it did as the motor for the quickening technological advances of the late 18th and early 19th centuries. While the profit generated from the 6 million visitors allowed for the construction of London’s Science Museum, Natural History Museum and neighbouring Victoria and Albert Museum.
If any of the numerous architecture and design exhibitions opening globally in May 2017 will become quite so pivotal remains to be seen. Our top five can be found in Hamburg, Atlanta, Amsterdam, London and Stuttgart.
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“I’m so glad I live in a world where there are Octobers” exclaims Anne Shirley in Lucy Maud Montgomery’s 1908 novel
Erected in 1927 in context of the Deutscher Werkbund exhibition “Die Wohnung” the Weißenhofsiedlung in Stuttgart aimed to achieve “….
Since the beginning of July the Weissenhofsiedlung in Stuttgart has been one building richer with the official unveiling of the