After a long, challenging, year the smow Song Contest finds itself exactly where it was: Rotterdam.
Not just the location, but the stage, the decoration, the costumes, even the bier en frieten exactly as they were twelve months ago.
The decisive, defining, difference between the 2020 smow Song Contest and the 2021 smow Song Contest being the new understandings, the new perceptions, the new perspectives, the new vitality, the new passions, the new desires, the new old new, articulated by the contest’s motto: Open Up!
In a year in which the familiar glow of many a beloved cultural event is missing, one beacon continues to shine.
As a virtual, and in many regards virtual, event the smow Song Contest is one that can be staged regardless of prevailing physical social distancing regulations and physical travel restrictions.
And while virtual closeness and virtual travel can never, and must never be allowed to, replace the physical, the 2020 smow Song Contest does allow us all an opportunity to cross great distances, to come together, to stay safe, to stay responsible, but for all to stay dancing…..
July was once known as Quintilis, and was the fifth month of the Roman calender. The fifth of ten. “Winter” being but an ill-defined cold and dark period between December and March.
And sensible as such as an arrangement sounds, and much as we could live with such an arrangement today, with the rise of the Roman Republic the wise decision was made to divide winter into January and February.
Wise not least because it means our contemporary year has 12 months: and thus two extra months in which to enjoy even more architecture and design exhibitions, and thereby to allow us all to even better understand the world which surrounds us.
Our quintet for Quintilis 2019 can be found in Stuttgart, San Francisco, Weil am Rhein, Melbourne and Dresden……
For all the controversy surrounding smow Tel Aviv’s victory in the 2018 smow Song Contest, not least the question if there even is a smow Tel Aviv, the staging of the 2019 Contest in Israel does allow for a very nice reinforcing of the central theme of the 2019 smow Song Contest….
The reason most of us fail to keep most of our New Year resolutions is, mostly, because we either resolve to give up things we enjoy or to do things we don’t.
Which is foolhardy in the extreme.
If you wanted to do more sport, you would.
If you wanted to eat less crisps, you would.
But don’t. And don’t. So don’t.
The wiser choice is to resolve to do more of that which you enjoy, and thereby not only setting yourself an achievable goal but one which through the genuine fulfilment it brings benefits you spiritually, intellectually, emotionally and physically; therefore, let us all, collectively, promise to visit more architecture and design exhibitions in 2019 than we did in 2018.
Our five starters for January 2019 can be found in Frankfurt, Malmö, New York, Berlin and Stuttgart……………..
Atop bonny Killesberg, and beside Kochenhof, (the) Akademie der Bildenden Künste, ABK, Stuttgart has been nurturing a basic kernel within a bright kettle of students of numerous creative disciplines since 1761.
For their 2018 Rundgang the, we believe the word is, identity, was based on alternative resolutions of the initialism ABK, the central one being Alle brauchen Kunst – Everyone Needs Art.
But do we need that applied, functional art developed in the year past at the ABK Stuttgart……?
A visit to the 2018 Rundgang promised to supply us with a better knowledge, but also to bequeath the students a bit kudos…….?
The fifth of November
Gunpowder, treason and plot……
Thus begins the traditional song commemorating, and urging us all never to forget, Guy Fawkes and his fellow conspirators attempts to overthrow the English parliament of the day, their plotting to install a new parliament, one more in line with their ideological position, for all one more in line with their ideological understanding of the English parliament’s future relationship to the dominant extra-governmental power of contemporary continental Europe.
That however was Westminster in November 1605. Such treachery and plotting would be unimaginable in Westminster in November 2018.
And so we can all relax and sing,
The five smow blog architecture and design recommendations of November,
Ditzel, von Borries, Japan, Latvia and Duchamp.
During June 2018 the participative art installation Freiheit 2.0 in Stuttgart is exploring issues around Big Data, artificial intelligence and the future of our relationships with the digital, virtual, environment.
In addition to a series of colloquia in which invited experts talk about aspects of the wider themes and engage in conversations with the project initiator Florian Mehnert, the three further pillars on which Freiheit 2.0 is built are a Self-Tracking App via which everyone can create a personal movement profile akin to the ones Big Data constructs for each of us everyday; Public Space, the renaming of local businesses with the suffix “der freiheit” [of/for/the freedom]; and the Guidance System, a series of coloured lines which lead from the renamed businesses to the Freedom Laboratory in Stuttgart’s StadtPalais museum.
The latter two being pillars which, if we’re being honest, we didn’t quite 100% understand as supporting ahead of the opening; but whose intrinsic role in the construction became much clearer after we’d had a chance to stroll along and among them……
If swarm intelligence describes natural systems where individuals pool their resources for the benefit of the community, then Big Data can be considered a form of swarm intelligence appropriated by commerce: where commerce pools individuals’ resources, their data, for the benefit of commerce. In both swarm intelligence and Big Data the individuals involved are, largely, unaware of the extent of the interaction and resource pooling. Whereas however birds, bees, fish and ants needn’t be aware of such, we all really should be, that we generally aren’t making Big Data much more a demonstration of swarm unintelligence. If not swarm negligence.
With his participatory art installation Freiheit 2.0 Florian Mehnert visualises the permanent interaction between our analogue and digital lives, the ensuing tensions, and thereby aims to allow us a new, differentiated, view of where we are at and where we could end up.
Throughout June 2018 Freiheit 2.0 can be experienced in Stuttgart, and ahead of the opening we spoke with Florian Mehnert.
Following smow Lisboa’s surprise victory in the 2017 smow Song Contest, the Portuguese capital is preparing to host the 2018 song contest: a contest being staged very much in context of the contemporary relevance of smow’s historic connections….
According to the German philologist, mythologist, folklorist and definer of the Germanic Umlaut, Jacob Grimm, an old belief states that the Cuckoo never sings before the 3rd of April; and, “should you have money in your pouch when you hear him sing the first time, you will be well off all that year, if not, you will be short the whole year” 1
Much like the cuckoo, our five new architecture & design exhibitions recommendations for April 2018 begin with their songs after April 3rd; and should you have money in your pouch when in their vicinity, and use it to visit one, we can’t guarantee a year of financial wealth, but they all sound like providing not only a couple of hours entertainment, but a lifetime of joy through helping you develop your understanding of architecture and design, and thereby the world that surrounds you….
The only FAQ not answered by the smow FAQs is the one that begins, “What is smow……..?”
And as smow grows and grows so too does the F with which the Q is A’d.
The answer in one sense is very simple, smow trade in furniture, lighting and home/office accessories through a series of showrooms and online shops. But that only partly explains “smow”. Doesn’t explain the how, who, why and wherefore. Nor the richness. Explaining the true smow is in many respects best achieved by exploring another trading institution whose superficial simplicity hides its true depth of character ….. The Hanseatic League.
The 18th century forebearer of the Akademie der Bildenden Künste Stuttgart was established as a location “where the youth can be cultivated, likes plants in a nursery”
While nurseries can produce strong and noble trees, flowers with the most exquisite blossoms and hardy perennials that keep on contributing to their environment, they are also often home to unstable experimental hybrids and provide the perfect breeding ground for parasites and disease.
How well the current Akademie der Bildenden Künste Stuttgart nursery is being maintained could be assessed at the 2017 Rundgang summer exhibition……
It’s early May and once again the party ship we call the smow song contest is ready to set sail……
On May 1st 1851 Queen Victoria opened The Great Exhibition in Hyde Park London: the first “World’s Fair”, an event which celebrated the advances of the industrial age, and whose influence on industry, engineering, science, architecture and society was to resonate globally for decades, acting as it did as the motor for the quickening technological advances of the late 18th and early 19th centuries. While the profit generated from the 6 million visitors allowed for the construction of London’s Science Museum, Natural History Museum and neighbouring Victoria and Albert Museum.
If any of the numerous architecture and design exhibitions opening globally in May 2017 will become quite so pivotal remains to be seen. Our top five can be found in Hamburg, Atlanta, Amsterdam, London and Stuttgart.
Slowly but surely September is becoming Europe’s summer. Whereas July and August increasingly fail to produce anything even vaguely “summery”,
Although Stuttgart based design studio Jehs+Laub are in many respects best known as the winners of the inaugural Moormann Bookinist
With its postal address of “Am Weissenhof 1” it should come as no surprise that the Akademie der Bildenden Künste,
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Our five recommendations for new design and architecture exhibitions opening in June 2016 feature four in Germany and one in
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December can be a trying month: always having to think of others; always having to patronise bars and restaurants you’ve
It only seems like five minutes since two tall, neatly coiffured, strangers strode, self-confidently, across the floor of the old