Back in the spring Haitian musician Wyclef Jean informed us all he’d be “Gone Till November”.
And so he should be back any day now; and given how busy he’s invariably been all summer, earning as he has been enough money to buy out blocks, he’s probably not had a chance to visit an architecture or design museum. And so, we assume, will be absolutely desperate to stimulate his cognitive faculties.
Our five recommendations for new exhibitions opening in November 2023 for Wyclef Jean, or indeed for anyone seeking to achieve fresh perspectives on architecture, design and the world around us, can be found in Vienna, Oslo, Brno, Krefeld and Ljubljana…….
Much as the (hi)story of architecture is also a chronicle of developments and changes in the social, cultural, economic, ecological, technical, et al realities of any given region, so to is the (hi)story of a region’s parks and gardens and urban green spaces.
Whereby the (hi)story of the latter is much less often popularly employed in studying and interpreting and learning from the (hi)story of a region than the former.
With the showcase Of Gardens and People. Designed Nature, Art and Landscape Architecture the Austrian National Library, Vienna, allow for reflections on gardens and parks throughout (hi)story and in doing encourage us all to take them as seriously as we do the architecture amongst which they invariably stand…….
Established in Budapest in 2004 by textile designer Szilvia Szigeti and her interior designer husband Tamás Radnóti, Design Without Borders understands itself, and summarising to the point of inaccuracy, as a platform for international design dialogue across, or perhaps more accurately indifferent to, not only national borders but borders of genre, scale, approach, position et al.
By way of preparing for the platform’s forthcoming 20th birthday a showcase of projects presented, hosted, by Design Without Borders over the past two decades is being staged in context of Vienna Design Week 2023.
A presentation that allows some insights into the aforementioned understandings of itself, and also access to some reflections on the realities of contemporary design in Europe…….
There is an argument to be made that while variation and uniqueness are inherent features of craft processes, design strives for the production of endless uniformity.
Or perhaps more accurately design did: while the earliest design practitioners, and those of the 1920s and 1930s who followed them, very much (largely) sought to develop products that contemporary industry could produce en mass as exact replicas of one another, since the 1960s individuals and groups of designers have sought to move away from the design of the identical for a society that is diverse; have sought to develop either systems that allow for individual expression and individual adaptation and/or to develop production processes that inherently and intrinsically enable and foster and realise variety without fundamentally questioning the idea of industrial multiplication and reproduction.
With the showcase The Series Vienna Design Week 2023 allows space for reflections on approaches by contemporary designers to designing for variety, and thereby also for differentiated reflections on contemporary design…….
It’s been a while, and we were beginning to think it would never happen again; however, after an inordinately long absence September 2023 sees us once again meet up with Vienna Design Week…….
In the alpine regions of Europe the arrival of September marks the start of the Almabtrieb, that annual migration of the cattle, sheep and goats of the region from their high pastures to the valleys far, far below.
A migration undertaken because, as the cattle, sheep and goats of the alps innately understand, September is the month when the global architecture and design museum community (slowly) end their summer siesta and begin to invite us all to peruse their autumn/winter exhibition programmes.
And a migration that looks particularly worthwhile in September 2023, being as it is abloom with a crop of new showcases every bit as enticing and flavoursome as the herb rich pastures of any alpine alm. Indeed so bountiful is the September 2023 harvest we could have written two lists. For probity’s sake we stick with the one.
Our five reasons for saying Servus, Tschüs and Adieu to the fresh air and green, green, grass of the high alps and venturing into the city can be found in Frankfurt, New York, Kolding, Vienna and Malmö…….
According to Germanic folklore, A cold and wet June spoils the whole year.
For farmers possibly, but not for the rest of us, as a cold, wet June is a perfect excuse to visit an architecture or design exhibition, an experience that can only enrich and enliven and invigorate the rest of the not only your year, but your life.
Our recommendations for new showcases opening in June 2023 can be found in Värnamo, Ljubljana, East Lansing, Vienna and Ulm…….
According to popular (hi)story the tradition of the Christmas tree originated in the lands of the contemporary Germany. And with O Tannenbaum it was in the lands of the contemporary Germany that that most popular ode to the Christmas tree was first sung.
But it’s not by way of celebration of Germanic contributions to the Christmas season that all five of our new exhibition recommendations for December 2022 are in Germany, Austria or Germanophone Switzerland.
It’s just the way the dice fell. Just where the five most interesting sounding new architecture and design exhibition openings in December 2022 were to be found. As were what would have been at 6, 7 and 8 on our list. Had it continued that far.
And while we’d much rather, would much prefer, that they were more geographically, globally, strewn; thematically they are disparate, and all very much international, universal, in their subject matter and relevance. Plus, and lest we forget, an exhibition opening should never be understood as a reason to visit a particular museum, although please, please, do; but as an invitation to busy oneself with the subject and themes therein, an invitation to begin a journey.
Thus view what follows not as five exhibition recommendations in Germanophone Europe, but as five extra candles for your 2022 Christmas tree, five extra candles lighting your way forward into 2023 and beyond…….
We published our first monthly list of exhibition recommendations on November 1st 2013, one of those short, superficial, posts we used to compose, having as we did back then endless time on our hands; and an intervening nine years that means that with this list for November 2022 we are entering our tenth year of helping you advance your cultural education.
While being very much aware that the vast majority of you have never visited a single one of the circa 450 new exhibitions we’ve carefully and conscientiously selected for your delectation, nor indeed have the vast majority of you visited any architecture or design exhibition in the past nine years: that the vast majority of you have chosen to neglect your cultural education. However, one of the joys of the museum exhibition as a format for elucidation, exploration, energising and entertainment, the reason we don’t give up on you all, is that, the next opportunity is always approaching.
Thus, while that which you have missed is gone for ever, and you’ll just have to try to catch up as best you can; that which is still to come is an opportunity waiting to be grasped. And in November 2022 there is an unusually large and varied amount of opportunities to grasp; the global architecture and design museum community unleashing a plethora of diverse new showcases.
And a plethora of new exhibitions opening in November 2022 that we were simply unable to narrow down to five. It would also have felt unjust given how many new showcases there are.
five six new opportunities to advance your cultural education in November 2022 can be found in Leipzig, Edinburgh, Winterthur, Berlin, New York and Vienna…….
In December 1969 the Austrian TV station ORF broadcast a half-hour portrait of the architect Hans Hollein, including a presentation of Hollein’s Mobile Office project: essentially an inflatable plastic bubble in which one person could sit and work.
“Klingt vielleicht etwas verrückt”, mused the presenter, “sounds perhaps a bit crazy”.
And in 1969 a device, a construct, that allowed for the creation of a private domain in the midst of a public space, unquestionably did sound “etwas verrückt”.
And in 2022…….
In 1922 the Scottish novelist J.M. Barrie told the undergraduates at St. Andrews University “you remember someone said that God gave us memory so that we might have roses in December”, an allusion to the summer of your life filling your darkening winter days with colour and aroma, and an analogy he neatly reinforces a little later with a, “you have June coming”.1
But that was 1922. Roses were seasonal. Today roses are available all year round, which is not only symbolic of the short-sighted idiocy with which we’re intent on destroying our planet, but also means the rose has been reduced from a metaphor that can be so poignantly and joyously employed as Barrie did, to a cheap, stereotypical, derivative trope devoid of real meaning.
Not that a century later we can’t all do things to ensure that as we progress down life’s highway, as we all approach our own, personal, December, we do so with our emotional and mental capacities fully stimulated and finely honed. Amongst the most rewarding method of which is the regular visit to architecture or design exhibitions: spaces, experiences, whose intellectual and cultural stimulation and nourishment mean that it can be forever June.
Our five new Junes blooming forth in the non-metaphoric December 2021, can be found in Vienna, New York, Düsseldorf, Kanazawa and Paris.
And as ever in these times, if you are planning visiting any exhibition please familiarise yourself in advance with the current ticketing, entry, safety, hygiene, cloakroom, etc rules and systems. And during your visit please stay safe, stay responsible, and above all, stay curious……
As the 19th century English poet Robert Browning so very, very, nearly phrased it:
Oh, to be in Berlin, Vienna, Chemnitz, ‘s-Hertogenbosch, or Berlin (again),
Now that April’s there,
And whoever wakes in Berlin, Vienna, Chemnitz, ‘s-Hertogenbosch, or Berlin (again),
Sees, some morning a most interesting, entertaining and instructive sounding architecture and/or design exhibition,
While the chaffinch sings on the orchard bough……
To paraphrase the Propellerheads, this is just a little bit of a blog post repeating…
For much as with our November 2020 exhibition recommendations, so some of our December 2020 exhibition recommendations won’t be opening. Or at least not in December 2020.
But then as now are in still in our list.
On the one hand because they will open, and is an important part of any pleasure not the expectation and anticipation?
And on the other hand, because that which makes an exhibition recommendable in advance of its opening, that which makes its anticipation and expectation so pleasurable, is that it promises to present a rarely explored subject and/or promises to explore a regularly presented subject from a new and/or fresh and/or deeper perspective. And thus a recommendable exhibition is also a nudge that there may be more to learn and understand about architecture and design than you were aware of. And thus a stimulus for your own research. And what better season than winter for that research?
Our five recommendations/stimuli/nudges for December 2020 can be found in Berlin, Vienna, Helsinki, Rome and St Petersburg.
And as ever in these times, if you do feel comfortable visiting any museum, please familiarise yourself in advance with the current ticketing, entry, safety, hygiene, cloakroom, etc rules and systems. And during your visit please stay safe, stay responsible, and above all, stay curious….
July is traditionally a slow month for new architecture and design exhibition openings. July 2020 less so. Not because of any fundamental changes in understandings amongst architecture and design museums of when is a good time to open an exhibition; but because owing to Corona many shows scheduled to open in the spring had to be postponed, not least until the museums were allowed to open.
And throughout July 2020 ever more museums are planned and planning to open; meaning ever more architecture and design exhibitions are planned and planning to open throughout July 2020.
And thus, while our physical travel options may still be limited, our (potential) cerebral and cultural travel spheres continues to expand, and that is never a bad thing.
If you do feel comfortable about visiting a museum, and are physically allowed to do so, as we will never tire of saying in these trying of times, please familiarise yourself in advance with the current ticketing, entry, safety, hygiene, cloakroom, etc rules and systems.
And during your visit please stay safe, stay responsible, and above all, stay curious….
Back in the days of the Roman Republic Martius was the month in which troops mustered in preparation for the coming battle season, to prepare, as it were, to March into war.
Please don’t! The world’s out of control enough as it is!
Rather use the coming spring as your incentive, to (a) make up for some of those New Year’s Resolutions you’ve long forgotten you’d made and (b) to march into a future of new impulses, new understandings, new perspectives, a new world. To march into an architecture and/or design exhibition.
Our five recommendations for new showcases opening in Martius MMXX can be found in Ulm, Gent, Vienna, Kobe and Dresden…..
According to Goethe,
Without the Fastnacht’s dance and masquerade ball
February has little to offer at all.1
Rubbish! Absolute rot!
Our recommendations for new architecture and design exhibitions opening during February 2020 in Weil am Rhein, New York, Vienna, Houston and Kerkrade which ably demonstrate that February has much more to offer than carnival, and for all that February can provide for a greater degree of cerebral gratification than sensual………
The long and winding (hi)story of furniture design is largely one of evolution not revolution, largely one of innumerable, often imperceptible, social, cultural, economic, technical, et al transformations, movements, hindrances and undulations which slowly, continually, combine and interact to widen and deepen the river as it flows. A process aided, abetted and accelerated by irregularly arising confluences where a new tributary flows into the unflinchingly onwards rolling mainstem.
One such being inarguably Michael Thonet.
With the exhibition Bentwood and Beyond. Thonet and Modern Furniture Design the MAK – Museum für angewandte Kunst Vienna navigate the history of that tributary and explore its legacy and contemporary relevance, and relationship, to the course of furniture design.
“Since the founding of the museum in 1864 there has been an ongoing committent to honouring the statute of the house, namely, to promote the art industries and the arts and crafts and to develop the taste of contemporary society”1
So noted the, then, Österreichisches Museum für angewandte Kunst’s Director Wilhelm Mrazek in the catalogue to the museum’s 1969 exhibition Sitzen 69, Sitting 69, an exhibition which sought “to develop the taste of contemporary society” in terms of sitting/seating.
And that through a presentation of (largely) wooden chairs, several of which dated back to the 1930s and 1940s………
With the showcase Sitzen 69 Revisited the, now, MAK – Museum für angewandte Kunst initiate a debate on the apparent contradictions inherent in Sitzen 69, and on the wider question of the mediation of design, through a presentation of objects presented in 1969 juxtaposed with some of those chair designs that weren’t. Chair designs that one may have, reasonably, expected should, would, have been……
“…when we shall hear
The rain and wind beat dark December, how,
In this our pinching cave, shall we discourse
The freezing hours away?”
asks Arvirargus of his brother Guiderius in Shakespeare’s play Cymbeline, before lamenting,
“We have seen nothing”
Easily solved old boy, a visit to an architecture or design exhibition should not only provide for new, stimulating, impressions but plenty of discourse throughout not only December but for many, many months to come.
For all a visit in December 2019 to the following new exhibitions opening in Vienna, Holon, Bloomfield Hills, Weil am Rhein & San Francisco……..
From you have I been absent in the spring,
When proud-pied April, dressed in all his trim,
Enticed us into the following architecture and design exhibitions…….
William Shakespeare, Sonnet 98, From you have I been absent in the spring (extended, with apologies)