An Alma Mater; An Academy of Art; A colony of experimentation
Wandering aimlessly through the digital Marcel Breuer Archive one afternoon, we stumbled across a letter dated July 25th 1950 from Peter M Fraser, one of Breuer’s employees, to the Eames Office, enquiring about a lighting design by Charles and Ray that Breuer was interested in using in one of his architectural projects, and requesting………
………”a lighting design by Charles and Ray”???
Eames furniture ✔ Eames toys ✔ Eames textiles ✔ Eames exhibitions ✔ Eames films ✔ Eames photography ✔
But where is the lighting design in the portfolio of Charles and Ray Eames…….?
On May 17th 1955 Charles Eames*, as assignor to the Herman Miller Furniture Company, was granted US patent 2,708,476 for a “Furniture Frame Construction”, specifically for, “a skeleton type metal furniture frame or shell construction” formed from “a plurality of lengths of wire arranged in crossed relation with another plurality of lengths of wire and welded thereto at their intersection…”1
A patent which although important and interesting in itself, is and was in many regards just as important and interesting for developments that arose on account of it. And for what its (hi)story can teach us about the work of Charles and Ray Eames……..
In these dispatches we once doubted the prevalence of designer furniture in comics, noting and acknowledging the regular appearance of popular furniture designs in other visual media, we, off-handedly, opined, “… Designer furniture in a comic?”
Elegantly proving us very, very wrong the Vitra Design Museum’s exhibition Living in a Box. Design and Comics not only explores the use and depiction of designer furniture and lighting in comics, but also considers how comics have contributed to and influenced furniture and lighting design.
With their 1997 exhibition The Work of Charles and Ray Eames the Vitra Design Museum staged one of the first major Charles and Ray Eames retrospectives
Twenty years later they return to two of the 20th century’s most important creatives with An Eames Celebration: less of Charles and Ray, and more of the diversity, depth and continuing relevance of their work.
The September architecture and design exhibition recommendations are arguably the cruellest to write: the fact that the majority of the exhibitions end in the depths of the European winter meaning that as we sit here hoping that summer keeps going just a little, little, longer…. we’re forced to think about winter jackets and gloves.
And so before things get that far, best get out there and visit an exhibition!! Our five recommendations for September 2017 feature new exhibitions in Weil am Rhein, Los Angeles, Utrecht, Frankfurt and Malmö…….
“Does the world really need ever more chairs?”, is arguably the question we are most regularly asked. Alongside, “What do
With the exhibition, The World of Charles and Ray Eames at the Barbican Art Gallery London coming to an end,
December is famously a half month – no one does anything useful in the second half of the month, unless
Normally October is all about design festivals, October 2015 wasn’t. On the one hand we weren’t at that many this
In our post from the Barbican Art Gallery exhibition “The World of Charles and Ray Eames” we noted the disappointing
“The World of Charles and Ray Eames” It is inherent in the nature of America’s most productive 20th century creatives
We’re fairly certain most museum curators aren’t inherently nocturnal, it is however noticeable that the longer the nights become, the
In our recent post “Blurred Lines or What if Pharrell Williams and Robin Thicke designed furniture?” we took a stroll
“We have a World’s Fair opening in New York again today and it will, as always with fairs, offer the
Older readers will remember how last year one of the Vitra Senior Manager’s quoted from this blog in his pre-fair
It is a universally acknowledged fact that men only buy Playboy to read the articles. And we only visited the
“In the development and designing of furniture one prevailing problem is the means for securing parts of the furniture together
With autum’s algid wind in our faces and the promise of mince pies and Glühwein in our tails we approached
March 2013 was a month of travelling: Stuttgart, Chemnitz, Weimar, Dessau….. its amazing we found time to actually write anything…….
While researching our post “Eames Alchemy. Or how Charles and Ray Eames turned steel into plastic…..” the most remarkable discovery
“The new Eames plastic chair is a dream fulfilled”1 While one can, should, accuse the Walker Art Centre Minneapolis of
As part of the bi-annual Europalia Arts Festival the Belgian cultural institute Grand Hornu is currently presenting the exhibition “Living
As older readers will know a large proportion of the menial labour at (smow) is carried out by a team
It is indicative of the image of designer furniture in contemporary society that media outlets across Europe have picked up