For the German architect, designer, artist Peter Behrens it was important that the exterior reflected a building’s intended function, that the exterior provided information about the nature of the building and its occupants.
We suspect therefore he would greatly approve of the title of the Museum für Angewandte Kunst Cologne’s exhibition in honour of his 150th birthday, neatly encapsulating as it does the nature of its protagonist.
Following smow Lisboa’s surprise victory in the 2017 smow Song Contest, the Portuguese capital is preparing to host the 2018 song contest: a contest being staged very much in context of the contemporary relevance of smow’s historic connections….
The only FAQ not answered by the smow FAQs is the one that begins, “What is smow……..?”
And as smow grows and grows so too does the F with which the Q is A’d.
The answer in one sense is very simple, smow trade in furniture, lighting and home/office accessories through a series of showrooms and online shops. But that only partly explains “smow”. Doesn’t explain the how, who, why and wherefore. Nor the richness. Explaining the true smow is in many respects best achieved by exploring another trading institution whose superficial simplicity hides its true depth of character ….. The Hanseatic League.
Arguably because Passover/Easter is early this year, every, but every, museum is opening a major exhibition in the course of March 2018, in preparation for the unofficial start of the tourist season in April.
A situation which leaves us with the daunting possibility of creating 5 such Top 5 lists. And still having some exhibitions left over.
Faced with a similar situation back in November 2017 we referred to the abundance of options which lay before us as being akin to “gardens mottled with the vibrant leaves of autumn”, here it is much more the case of lawns bestrewn with the tantalising hues of Easter Eggs. And while some will unquestionably be those disappointingly hollow ones, the majority look like being solid lumps of architecture and design endorphin loaded goodness into which to sink your teeth, and thereby celebrate the end of winter’s paucity and the coming spring.
In that sense, our top 5 new architecture and design EGGsibitions for March 2018 …. Bon appétit!!!
It’s probably fair to say that no object at IMM Cologne 2018 confused us quite as much as the new 118 chair by Sebastian Herkner for Thonet.
Not in bad way. Just in a confused way.
We know, we know, what sort of being gets confused by chairs.
Us. Regularly. It’s why our lives’ are such a mess.
Aside from the chance to catch up with, and following the development of, familiar manufacturers and designers, one of the (all too rare) joys of a fair like IMM Cologne is being introduced to the previously unknown.
Among our new discoveries at IMM Cologne was Münster based manufacturer Caussa.
While Georges-Eugène Haussmann is associated with the radical and unrestrained, Atelier Haußmann prefer the understated and reserved. Yet applied with the same level of conviction, self-confidence and appreciation of a well considered line.
Following a couple of years absence 2018 saw Atelier Haußmann return to IMM Cologne….
The English playwright and composer Noël Coward is widely attributed to have once opined that, “a perfect Martini should be made by filling a glass with gin, then waving it in the general direction of Italy”
We can’t confirm if Munich based StudioFaubel employed the grand raconteur’s advice in the development of their Martini Sessel for Müller Möbelfabrikation. The result is however equally as satisfying…..
One of the early highlights of our 2017 #campustour was the Arc Collection by Marie Hesseldahl & Nanna Neergaard created in context of their Diploma project at Design School Kolding.
Consequently it was a particularly pleasing mødes igen with the Arc Collection at IMM Cologne 2018 where it was launched as a product family by Danish manufacturer Le Klint.
“Have you ever laid out all your plates like a carpet, or piled furniture into a tower?”, asks the introduction to the Technical University Dortmund’s project, Alles, was ich habe [Everything that I possess]
Our answer to the last question is a categorical, yes.
It was one afternoon during our final year at secondary school, and together with a few chums we stacked all the common room furniture up against one wall. Just to see if we could. We could.
Alles, was ich habe is a little more fundamental, exploring as it does possessions and consumerism, and by extrapolation the global production, distribution and marketing industries that are sustained by both.
In his 5th century BC text “The Art of War”, the Chinese military strategist Sun Tzu notes:
There are roads, not to take.
There are armies, not to attack.
There are towns, not to besiege.
There are terrains, not to contest.
There are ruler’s orders, not to obey.1
Were Sun Tzu’s metier the furniture fair rather than the warfare, we feel certain he would have added:
There are objects, not to produce.
IMM Cologne 2018 is awash with such. It’s not IMM’s fault; rather is endemic of an industry which supplies utensils of human need, objects which surround our every waking and sleeping moments, accompany the trials, tribulations, triumphs and temporality of existence, but which all too often do so not with the aim of improving our immediate environment, be that aesthetically, functionally or morally, but of generating profit.
The inevitable result is innumerate brands all desperately trying to prove they can do exactly the same as everyone else, can all do what the t**** soothsayers tell them the market(s) want.
Yet as George Nelson teaches us, don’t produce for a perceived market, produce for yourself. Your customers will find you. And those who don’t, aren’t your customers.
As we say, its not IMM’s fault, IMM is one the major furniture industry platforms, and consequently its visitors are exposed to a very concentrated dose of the unnecessary and unseemly
However it’s not all soulless pastiche, lazy appropriation or “cocooning” at IMM Cologne 2018, there are also works which demonstrate as Sun Tzu reminds us, and despite what we may believe in any given moment, “Anger can turn to pleasure.”
As ever, we’re not claiming to have seen everything, have invariably missed some gems, while there are a few projects which may in retrospect have earned a place in the following list, but on which we are still in the process of forming an opinion.
With that in mind, and in no particular order, our IMM Cologne 2018 High Five!
As regular readers will appreciate, we’re no great approvers of lumping individual creatives together under one umbrella term; always strikes us as being an unnecessary distraction, and (more than) a little counterproductive.
We are however most appreciative that following an inaugural presentation at Kazerne Eindhoven during Dutch Design Week 2017, the showcase Generation Köln is now being presented, as it were, on home turf.
As in art, music or literature, the path in design from an idea to its realisation is rarely straight. And not always achieved. Or at least not immediately. Consequently every designer, as with every artist, every musician or every author, has projects which began their journey’s full of hope,but, then, for whatever reason…….
With the showcase “in Arbeit” Cologne based designers Thomas Schnur and Klemens Grund present some of their projects which are, still, “in Arbeit”
One of Germany’s leading post-war architects and architectural theoreticians, Egon Eiermann was also one of post-war Europe’s most important chair designers, not just in context of what he realised, but also in context of what he worked towards realising and the reasons why. With the exhibition Cologne celebrate that legacy.
With his two faces the Roman God Janus looks simultaneously forward and backwards, standing in constant watch over transitions, the passage of time, beginnings, ends.
The easy connection to make is with January, that month of the year when we are invariably reflecting and hoping in equal measure: the more complex connection to make is with a well-crafted architecture and design exhibition, one which effortlessly links reflections of the past with proposals, visions and excitement for the future. Nothing existing as it does in isolation. And everything requiring a transition.
Our five gatekeepers for January 2018 can be found in San Francisco, Brussels, Basel, Milan and Cologne.
Algorithms as dance, a tactile architecture guide and a future-proof flat sharing platform.
On Thursday October 26th the winners of the 2017 Kölner Design Preis were unveiled at a ceremony in the city’s Museum für Angewandte Kunst, MAKK; and where until Sunday November 19th the three winning, and all nominated, projects, can be viewed in a specially conceived Kölner Design Preis 2017 exhibition.
Designers are prone to spending inordinate amounts of time shaving a millimetre of a surface thickness. Or trying to increase the distance between two points by a couple of millimetres. Occupations which to the uninitiated can appear just a tick obsessive. In how far however relatively small changes of scale, differences of a few millimetres, can alter not only the physical appearance of a product, but the very character of a product, was elegantly explained by Danish manufacturer Houe at spoga+gafa Cologne 2017.
And that such changes can also have an aural impact, a Click becoming a Clip.
The 2017 spoga+gafa garden trade fair in Cologne hosted the 5th edition of the unique youngstar outdoor living design competition. Open to current design students, or those who have graduated within the past three years, the 2017 unique youngstar attracted a recorder number of 81 entries from 18 countries, from which a shortlist of 15 nominees was selected and presented in an exhibition at spoga+gafa 2017. At an awards ceremony on Sunday in Cologne the prize winners were announced……
When we first viewed the exhibition Full House: Design by Stefan Diez at The Museum für Angewandte Kunst Cologne, it was was still being assembled. Objects were missing, set-ups not in their final composition, lights not yet properly positioned. As such we didn’t get to form an opinion on the final, complete, intended exhibition. Did however mange to take some truly awful photos.
Fortunately we have now had a second chance to view the exhibition.
And it is every bit as good as we assumed it would be from what we had seen.
It’s early May and once again the party ship we call the smow song contest is ready to set sail……
As a fair IMM Cologne 2017 didn’t impress, but one or the other product did. Our IMM Cologne 2017 High Five!! And a few words of comfort from Epictetus.
With the exhibition 5 Years kaschkasch Florian Kallus and Sebastian Schneider aka studio kaschkasch celebrate, well, five years of studio kaschkasch.
The 1973 film Ceremony by Italian architecture group Superstudio features individuals who inhabit the “Invisible House”, a house devoid of not only a physical structure but, we are told by the narrator, all forms of furniture.
The inhabitants of the invisible house are happy.
Despite this and their other regular very public pronunciations against architecture and design, from their earliest days Italian architecture group Superstudio also designed furniture and lighting: a selection of which can be enjoyed in the exhibition Superstudio Mobilia 1966-2016 at Ungers Archiv für Architekturwissenschaft, UAA, in Cologne.
Passagen Design Week Cologne 2017 is playing host to Naked Objects, the fifth edition of the exhibition series “Nieuwe German Gestaltung” – and an exhibition which as with the previous four is an unashamed celebration of the diversity and vitality of contemporary German product design.
With the exhibition 21 Common Things designer Thomas Schnur explores his personal relationship with everyday objects. And in doing so the concept of functionality.