As regular readers will be well aware, here at smow blog HQ we’re very much of the opinion that fashion isn’t design. Never was. Never will be. Design, and without wanting to wade too deep into the definition quagmire, arose from applied craft/applied art, fashion is applied craft/applied art. And so while unquestionably a creative discipline, isn’t design. Neither is Graphic.
Design can however inspire and influence fashion, past decades recalling numerous occasions of fashion houses being motivated by designers’ works, a particularly apposite recent example being the news that Swiss fashion house Akris have based their Spring/Summer 2018 collection on the works of Alexander Girard, news which motivated us to retrieve a few classic items from the smow blog wardrobe……
Having grown up near Quimper, Brittany, Ronan Bouroullec moved to Paris in 1989 to study industrial design; since when the French capital has not only witnessed him complete his studies, but establish a studio, achieve his first commercial success and together with his brother Erwan develop projects for a roster of international clients including, and amongst many others, Vitra, Magis, Flos, Kvadrat and Samsung, in addition to realising numerous collaborations with Galerie kreo.
We met up with Ronan Bouroullec to discuss Paris, his experiences in, and relationship with the city, but somehow the conversation kept drifting outwith the city limits…..
At the opening of the exhibition Ronan & Erwan Bouroullec – Rêveries Urbaines at the Vitra Design Museum we intimated that the first projects arising from the brother’s research into urban spaces were in an advanced state of planning.
With Oui the Kunsthal Aarhus present the first realised project.
Much as we moan, moan, and moan about Milan Furniture Fair, it is a rare opportunity to get a snapshot of where individual designers are currently at: differing products for differing manufacturers being displayed in relatively proximity allowing for a nice overview. A few considerations on the latest projects by Ronan and Erwan Bouroullec for Vitra, Magis, Flos and Mattiazzi.
We must start with a confession . This High Five! is a High Four! Not because there weren’t good products
When we spoke with Vitra’s Chief Sales Officer Josef Kaiser at NeoCon Chicago he told us that at “Orgatec 2016
In 2016 the Breton capital Rennes hosted four exhibitions of, by and from Ronan and Erwan Bouroullec; one of them
Although geographically the (hi)story of Vitra begins in Basel, spiritually it begins in America and arrives in Switzerland in 1957
Established in 2002 Danish label HAY have quickly risen to become an important player in the European furniture and home
To the casual observer selecting five outstanding products from the Milan Furniture Fair is a neigh on impossible task, so
Until August 28th the Breton capital Rennes is paying tribute to arguably the region’s most famous sons since Lancelot: Ronan
Just as January means Cologne, April is Milan. And normally only Milan. In 2015 however we managed to spice things
In our 5 New Design Exhibitions for October 2015 post we recommended, amongst other exhibitions, the Ronan and Erwan Bouroullec
We’re fairly certain most museum curators aren’t inherently nocturnal, it is however noticeable that the longer the nights become, the
On March 10th 2015 a jury at the Central District Court of California in Los Angeles concluded that Pharrell Williams
It was invariably more through good fortune than good planning; however, at Milan Furniture Fair 2015 Ronan and Erwan Bouroullec’s
In comparison to the annual IMM Cologne furniture fair the corridors and halls of the Messe Cologne always seems curiously
By way of a 1st of May, International Workers’ Day, special…… in Milan Ronan Bouroullec told us that the brother’s
“Modern office chairs can be like machines, very technical. We wanted to create something a little softer, more human.” So
The North wind doth blow and we shall have snow, And what will poor robin do then, poor thing? He’ll
The biggest April fool is…. us, for always going to Milan! That said, as ever, we did find a few
January 2013 was, as every January, dominated by IMM Cologne, and all that that entails. In particular IMM Cologne 2013
“My, my, my, Delilah! Why, why, why, Delilah!”
The morning of Friday September 27th 2013 was one of those misty autumn occasions that cause SANAA’s immense new Vitra Factory Building in Weil am Rhein to merge, almost unseen, with the grey background. Even Herzog & de Meuron’s new Basel Messe complex was reduced to nothing more grand than a continuation of the uncaring monotonous sky. The glitzing, shimmering palace of high summer just the weak shadow of a memory.
And so it was perhaps fitting that the Vitra Design Museum choose this dank September morn to open their latest exhibition, “Lightopia”, an exhibition devoted to light.
For today was a clear warning, in the coming months we will all be in need of a little light.
Back in October at Orgatec 2012 Vitra unveiled Workbay, the new concept from Ronan and Erwan Bouroullec. The latest stage
For us one of the highlights of Saloni Milano 2013 was/is Italian manufacturer Mattiazzi. And not just because they have