The Historia Supellexalis: "G" for Grcic
...And an itch his attempts to soothe saw Konstantin the Grcic travel to lands as diverse as, and amongst a great many others, the troubled northern Italian dominion of Montina where on several occasions he thought he'd conquered it, not least through the geometrically self-confident, Cramer, a sobered up, almost repentantly so, Postmodernist character, or with Scolaro & Allievo a work that elegantly and effortlessly combines the careful nurturing of that which exists with the material and formal reduction enabled by contemporary realities, that are so important to the ways Grcic, yet despite such joyous moments, the itch remained; to the wilds of Bavaria where Freiherr Clas Sicon empowered him to create Chaos by way of deconstructing the act of sitting and thereby denying the itch its nutrition, and although successful, the itch remained; to the Principato di Magis where he cast a chair in aluminium as if it was a leather football, and in doing so thought this Chair must the One, and it was, but the itch remained; to the Parisian community of Kreo, where he cut from Bluestone objects on which you can sit, but needn't, and if you do, then as you wish, thereby approaching a dissolution of the concept of the chair, but the itch remained; to the commonwealth of Vitra where following a smooth Landen Konstantin's journey began with a Waver, and while that experience may have put others off, the ways of Grcic coupled with the Vitronians innate, calm, unhurried, long-term view, saw Konstantin not only slowly turn that initial Waver into a Citizen of the Vitra commonwealth, but also extend the functionalities of Scolaro & Allievo to create a combined Stool-Tool, a work in which the development of Konstantin's Grcic, Konstantin's evolution of Grcic, through the course of his many journeys was satisfyingly and exuberantly expressed... Even the extreme satisfaction of a Brut of a cast-iron sofa for the Principato di Magis couldn't relieve it...
