The return of an old favourite, and no not (smow) introducing, although Welcome Back!!!, but the Rowac-Schemel, the Rowac stool, a work initially launched in 1909 as one of the world’s first sheet steel furniture objects, a work that once graced not only innumerable industrial workshops, craft ateliers and educational institutes, but the workshops and ateliers at Bauhauses Weimar and Dessau, a work that became lost in the confusions of post-War eastern Germany.
A work returning in 2023, some 80 years after production ended: and that from and in its native Chemnitz.
And via a Kickstarter crowdfunding project.
To find out more we caught up with Alide and Dieter Amick from Rowac…….
Our recent reflections on the La Fonda bar stool by Charles and Ray Eames, and also our recent reflections on Goethe’s Donkey, Goethe’s chair “just high enough that one can sit half-standing”, got us very naturally thinking a lot about stools of all types, the various and varied places one meets stools, the various and varied manners via which stools interact with and contribute to our daily lives, the (hi)story and development of the stool, in particular in context of the (hi)stories and developments of global societies; and also the cultural and social relevance of the stool, and the stool figurative, the stool metaphoric……
“For men who have to write a lot, and over prolonged periods, a desk at which they can work standing up is an indispensable piece of furniture for altering their posture and for maintaining their health”, opined Journal der Moden in May 1786. An age when, famously, only men wrote.
Yet advantageous and positive as standing to write was, prolonged standing could, as Journal der Moden notes, lead to tiredness.
A solution was however at hand for all who preferred working at a standing height desk over a prolonged period: a chair, “or a so called donkey … on which one sits as if on a saddle, and which must be just high enough that one can sit half-standing…”1
A half-standing sitting solution whose nickname can be readily derived from the proposed sitting position.
And a half-standing sitting solution that for all it is thoroughly familiar today, was novel, one could almost argue revolutionary, and even enlightened, in 1786…….
Amongst all the fake flavours at Ambiente Frankfurt 2017 the Umami of Japanese design studio Bouillon was a genuine delight.
“We are red, we are white, we are Danish dynamite!” So sang the Danes their national football team to victory