With the exhibition 21 Common Things designer Thomas Schnur explores his personal relationship with everyday objects. And in doing so the concept of functionality.
With the exhibition Full House: Design by Stefan Diez the Museum für Angewandte Kunst Cologne, MAKK, present the first museal overview of the canon of the German designer Stefan Diez.
And an exhibition which in many respects also helps explain industrial design. Or at least the contemporary industrial design process.
Caught up in the all too obvious enchantment of the likes of Eames, Nelson and Girard it is very easy to forget that post-war American design was a great deal more. It was also Edward J Wormley.
Our pick of the new architecture and design exhibitions opening in January 2017, with showcases in Cologne, New York, Rotterdam, Atlanta and Helsinki.
Celebrating the Renaissance era humanist and author Thomas More’s contribution to the history of furniture design. And a work sadly now as lost as his fabled commonwealth….
One of our highlights of 2016 was without question PrintStool by Munich based designer Thorsten Franck for German manufacturer Wilkhahn. Less because of the object itself and more because of what it represents: the first step by a major furniture producer towards industrial 3D furniture printing. We met up with Thorsten in Munich to discuss PrintStool, 3D printing and the changing role of designers.
Bauhaus Dessau was officially opened on December 4th 1926, and by way of celebrating the institution’s 90th anniversary on December 4th 2016 the foundation stone will be laid for the new Bauhaus Museum Dessau; an act which comes just one month after the foundation stone was laid for the new Bauhaus Museum Weimar. Both museums being built in preparation for the coming centenary of Bauhaus’s 1919 inauguration.
An apposite moment we thought to reflect on how Bauhaus was received, or at least how it was received in the early years, in its new, old, East German home1
Five recommendations for new architecture and design exhibitions opening in December 2016, featuring shows in Copenhagen, Weimar, Nürnberg, London and Munich
With the exhibition Stapeln. Ein Prinzip der Moderne the Wilhelm Wagenfeld Haus in Bremen celebrate the complex diversity of one of design’s simplest principles …. Stacking.
Back in February we spoke with Richard Lampert and he told us he was planning exhibiting at Orgatec.
Had a few ideas he said.
Boy, did he have ideas………
Although one primarily goes to Kazerne Eindhoven to experience experimental, challenging, yet invariably accessible and pertinent design, during Dutch Design
Whereas 3D printing is omnipresent in the media, and a ubiquitous tool in contemporary research and development, in most daily
With The Wall, Nieuwe German Gestaltung #004, the 2016 Biennale Interieur in Kortrijk presented an overview of contemporary German design.
It goes without saying that picking a “best of” from an event such as Dutch Design Week is impossible. Too
According to Axl Rose, “…it’s hard to hold a candle, in the cold November rain.” The question is surely, why
We must start with a confession . This High Five! is a High Four! Not because there weren’t good products
When we spoke with Vitra’s Chief Sales Officer Josef Kaiser at NeoCon Chicago he told us that at “Orgatec 2016
On the train down to Kortrijk and the 2016 Biennale Interieur we started drafting this introduction. The talk was of
“The fact that you are European allows you to be quirky. Europe has a great reputation for good design but
In 2016 the Breton capital Rennes hosted four exhibitions of, by and from Ronan and Erwan Bouroullec; one of them
The winners and nominated projects from the 2016 International Marianne Brandt Contest can be viewed in an exhibition in Chemnitz.
Continuing our series of posts on creativity in Cologne, historic and contemporary, we met up with product designer Felix Stark.
Understanding materials has helped contemporary society develop as it has. And remains as relevant today as ever. If not more
O hushed October morning mild, Thy leaves have ripened to the fall; Tomorrow’s wind, if it be wild* You’d be