As regular readers will be aware, in these dispatches we, very, very occasionally, quietly bemoan a certain monotony at furniture trade fairs, protest that, if you will, we regularly find ourselves wading through an homogenous mass.

On this occasion we will however let someone else make that observation on our behalf.

In his 2015 book Swedish Design: An Ethnography the American anthropologist Keith M. Murphy notes of a visit to the 2006 Stockholm Furniture Fair, “[T]he only problem was, so much of the stuff here looked so similar, and I had a difficult time anchoring myself in the exhibition’s plan”, continuing later that, “[T]he place is predominantly suffused not with a variety of different kinds of objects, but rather with a variety of different objects of the same general kind.”1

So 2006. So 2019.

Though interestingly he does also note that, “one cannot evade the impression that Sweden endures under a tyranny of simple forms and solid bright colours”. These days it’s more solid pastel tones, but…..

Such isn’t exclusive to Stockholm, but can be experienced wherever the furniture industry meet to display their wares. Clearly there are a host of varied, arguably inter-related, causes for such a situation, but here is neither the time nor the space to discuss them; the consequence, however, is that walking through the halls of any give trade fair one finds that while many objects do speak to you, they all tend to do so with a repetition of the same limited vocabularies, often in a very forced, insecure, equivocal manner, and which thus, very quickly, becomes tiresome.

However as Keith M Murphy also notes, “not everything fit [sic] the model” and there are not only always objects to be found with something interesting to say, but which say that in an intelligent, literate and engaging fashion.

And so, and as ever, with the understanding that we have inevitably missed and/or not properly understood several gems, a smow blog Stockholm Furniture Fair 2019 High 5!!

Stockholm Furniture Fair 2019: High Five!!