It is highly unlikely any 18th century banquet in Dresden’s Schloss Pillnitz would have been graced by a cake that came close to matching the Baroque grandeur of the location, certainly no cake that would have had a richness, plenitude or vitality to match; cake as it existed in the 1700s being a much flatter, breadier, monotone, delight, one which we today would barely recognise as cake, but which then was understood as cake, the whole cake and nothing but cake.

Then additions were made to the cake……

Add to the Cake: Transforming the roles of female practitioners @ Kunstgewerbemuseum Dresden

History is not only written by the winners, and re-written by those who can’t accept the facts of their defeat, but history is also the story of the visible, those who are invisible having nothing to contribute.

With the exhibition Against Invisibility – Women Designers at the Deutsche Werkstätten Hellerau 1898 to 1938 the Kunstgewerbemuseum Dresden not only re-introduce nineteen, largely, forgotten female creatives, and therefore allow their contributions’ to history to be recorded, but in doing so allow for new understandings of the development of design in the first decades of the 20th century, the (hi)story of the Werkstätten Hellerau, and also reflections on today’s contemporary furniture design industry.

Works by Lilli Vetter, as seen at Against Invisibility – Women Designers at the Deutsche Werkstätten Hellerau 1898 to 1938, Japanisches Palais Dresden