For all that architecture at both the Hochschule für Gestaltung Ulm and at its more or less direct predecessor Bauhaus, is most popularly associated with a school building — that in Ulm by Max Bill, that in Dessau by Walter Gropius — in contrast to the Bauhauses, architecture at the Hochschule für Gestaltung Ulm was from the very beginning an active, integral, practised discipline. If a discipline that today is all too often overshadowed by the Hockers, record players, graphics, et al of the
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