For all that the annual Leipzig Grassimesse is and always has been as a sales fair, a place to peruse, discourse with and purchase, contemporary craft, applied art and design, and thereby an opportunity to support contemporary craft, applied art and design practitioners, or perhaps more accurately an opportunity to support those practitioners whose practice you most enjoy, it has also always been a platform for creative schools and their students to present their works and approaches and positions; the inaugural Grassimesse in 1920 featuring students from the Staatliche Kunstschule für Textilindustrie Plauen, the Kunstakademie Düsseldorf, the Kunstgewerbeschule Magdeburg, the Kunstgewerbeschule Nürnberg and the Handwerker- und Kunstgewerbeschule Halle, the latter an institution who in their various guises since 1920 have been more or less ever presents at the Grassimesse.

And will be present at the 2023 Grassimesse where, as Burg Giebichenstein Kunsthochschule, Halle, they will present current projects alongside students from the Kunsthochschule Weißensee Berlin, the Universität der Künste Berlin, HAWK Hildesheim, the Hochschule Wismar, the Staatliche Akademie der Bildenden Künste Stuttgart and the Alchimia Contemporary Jewellery School, Florence.

Yet for all that schools have always been a pillar on which the Grassimesse stands, they are one that can be all too easily overlooked amidst the perusing, discoursing and purchasing. Thus ahead of the 2023 edition by way of helping reinforce that the Grassimesse is more than the selected exhibitors and their works, we thought we’d take a brief moment to reflect on some of those schools who’ve graced the halls of the Grassi Museum, and thereby allow for reflections on both the (hi)story of creative education and also on the Grassimesse as a platform for schools and a coming generation of creatives as much as one for those creatives currently practising…….

A selection of projects by design schools as presented at the Grassimesse Leipzig between 1920 and 1941

Slatted-Armchair, Lattenstuhl by Marcel Breuer, 1924 (Photo ©/ courtesy of HEICKMANN KG, Chemnitz)

“The starting point for the chair was the problem of comfortable seating combined with a simple construction. A problem which

When we visited the “Summaery” exhibition at Bauhaus Uni Weimar one object stood out amongst all the others. Sadly, at

Although very short the (smow)summer tour 2010 was certainly worth the effort. Its always worth the effort to visit an

On account of other commitments we sadly had to cancel our trip to Karlsruhe, and so the (smow)summer tour 2010

Effortless and relaxed as this all seems, our reality is a life in constant motion as we move from one