Although founded twelve years before Bauhaus Weimar, and despite overlaps in personnel and biographies, it would be incorrect to draw a direct line from the Deutsche Werkbund to the Gropius school, even if a line of sorts can, should, be traced between the two institutions.
A line which serves not only to connect the two but to underscore the role both played in the development of contemporary understandings of formal aesthetics in the first decades of the 20th century, and also the influence both retain over contemporary understandings of such a century or so later.
In context of such considerations, the Werkbundarchiv – Museum der Dinge Berlin are presenting throughout 2019 a series of four exhibitions under the title 111/99. Questioning the Modernist Design Vocabulary and which aim to explore various aspects of the development of, well, modernist design vocabulary.
The start being made with graphic arts and the showcase Commercial Design instead of Applied Art?