In September 1951 the East German newspaper Neue Zeit informed its readers that, “whomever travels to Fürstenberg sees the beginnings of the new city, a city planned according to the “Principles of Urban Development”.1

Whomever travels to Fürstenberg today arrives in Eisenhüttenstadt, the planned city that arose from those “beginnings”; and a city which, arguably, more than any other, stands proxy for the rise and fall of East Germany.

With the exhibition Endless Beginning. The Transformation of the Socialist City, the Museum Utopie und Alltag explore not only the past, present and future of Eisenhüttenstadt, but also employs Eisenhüttenstadt as a conduit for more general reflections on urban planning and the ongoing, inevitable, intrinsic, transformation(s) of our cities. Socialist or otherwise……

Downtown Eisenhüttenstadt largely in Plaspi and..... Sugar, as seen in Endless Beginning. The Transformation of the Socialist City, Museum Utopie und Alltag, Eisenhüttenstadt

“We feel ourselves beholden to the traditions of Bauhaus”1 opined Rolf Kuhn, Director of the Dessau based Zentrum für Gestaltung, in the catalogue for the institute’s 1988 exhibition Experiment Bauhaus.

And while that may have been the case in the late 1980s, it certainly wasn’t always so in East Germany.

With the exhibition Shaping everyday life! Bauhaus modernism in the GDR the Dokumentationszentrum Alltagskultur der DDR in Eisenhüttenstadt allow for not only an exploration of the relationship(s) between the Bauhaus legacy and the East German state, but also for comparisons between inter-War and post-War design in eastern Germany.

3101 chair from VEB Stima Stendal (l) Werkstattstuhl by Mart Stam for Kunsthochschule Berlin Weissensee (m) & Seminarstuhl Selman Selmanagic, Herbert Hirche & Liv Falkenberg for Deutsche Werkstätten Hellerau (r), as seen at Shaping everyday life! Bauhaus modernism in the GDR, Dokumentationszentrum Alltagskultur der DDR, Eisenhüttenstadt