One could be forgiven for thinking that little would be as pointless as a Le Corbusier colouring-in book.

So singularly achromatic is the popular understanding of Le Corbusier, a lack of colour reinforced by the dour, austere, round bespectacled, persona which so universally defines Le Corbusier: what, one asks oneself, could there possibly be to colour in a Le Corbusier colouring-in book?

Yet in contrast to the popular Le Corbusier image, Le Corbusier’s career was one undertaken in colour. A career accompanied by, informed by, arguably driven by, considerations on and the study of colour.

An (oft overlooked) aspect of his work, of his understandings and approaches, and persona, explored in the exhibition Le Corbusier and Color at the, appropriately kaleidoscopic, Pavillon Le Corbusier, Zürich.

Le Corbusier and Color at the Museum für Gestaltung, Pavillon Le Corbusier, Zürich