“Since the founding of the museum in 1864 there has been an ongoing committent to honouring the statute of the house, namely, to promote the art industries and the arts and crafts and to develop the taste of contemporary society”1

So noted the, then, Österreichisches Museum für angewandte Kunst’s Director Wilhelm Mrazek in the catalogue to the museum’s 1969 exhibition Sitzen 69, Sitting 69, an exhibition which sought “to develop the taste of contemporary society” in terms of sitting/seating.

And that through a presentation of (largely) wooden chairs, several of which dated back to the 1930s and 1940s………

…….in 1969.

?????????

With the showcase Sitzen 69 Revisited the, now, MAK – Museum für angewandte Kunst initiate a debate on the apparent contradictions inherent in Sitzen 69, and on the wider question of the mediation of design, through a presentation of objects presented in 1969 juxtaposed with some of those chair designs that weren’t. Chair designs that one may have, reasonably, expected should, would, have been……

Sitzen 69 Revisited @ MAK – Museum für angewandte Kunst, Vienna