Looking back from the safety of 2019 it can be all too easy to assume that Bauhaus was a popularly received and much celebrated institution.

From its very earliest days, even before the first students had arrived in Weimar, the institution met with tenacious criticism and steadfast resistance; and arguably nowhere more so than in Weimar.

With the exhibition Mathilde von Freytag-Loringhoven. Painter, Author, Animal Psychologist and Bauhaus Critic the Stadtmuseum Weimar introduce one of the institution’s most tenacious and steadfast opponents; and in doing so allows not only for considerations on some of Bauhaus’s lesser discussed (hi)story, but also for reflections on the political, social and cultural realities of 1920’s Germany……

Mathilde von Freytag-Loringhoven. Painter, Author, Animal, Psychologist and Bauhaus Critic, Stadtmuseum Weimar

The 1920s was in many regards a decade that promised so much, achieved so much, but which was then overtaken by political and economic events before it could cement that which it promised and achieved, and which therefore remains hanging, almost stranded, in history. Somehow unfulfilled. And which with its popular image as as roaring, golden, age also appears a little too joyous, a little too optimistic, sandwiched as it is between the horrors and loss of two wars.

But then in the course of the Années folles, who could have foreseen that the real folie stood before us.

With their exhibition Small Apartment, Department Store, Power Station – New Building and New Living in 1920’s Halle the Stadtmuseum Halle explore and explain the decade in the context of daily life in the city.

Small Apartment, Department Store, Power Station - New Building and New Living in 1920's Halle, the Stadtmuseum Halle