The word on the wind was that Tsuyoshi Tane’s Garden House was to be the last addition to the Vitra Campus, Weil am Rhein.
The wind appears to have been ill-informed, thankfully, for with the project Khudi Bari by Marina Tabassum the Vitra Campus has a new addition that expands and extends it more than just physically…….
“When architecture is born, a place is born” opined Japanese architect Tsuyoshi Tane in 2018, continuing, “humans began to understand that by building architecture, a meaning is given to a place, and then that place has a story that can be passed on to others”.
But for Tane architecture doesn’t just bequeath a place meaning and a story, it also “gives memories to a place”, memories of the past and memories of the future, collective memories that help create bonds. But memories that are increasingly being lost in our complex, high-tempo, contemporary society, with all the inevitable consequences that has for an architecture that must grow organically from itself in unison with society; architecture and society which both need the memories of the past and the memories of future.
Thus, argues Tane, “to create the architecture of a more meaningful further future, perhaps we must … dive in to the past to think of the future, rather than only looking forward”.1
The exhibition Tsuyoshi Tane: The Garden House in the Vitra Design Museum Gallery, and the eponymous Garden House by Tsuyoshi Tane, the latest addition to the Vitra Campus in Weil am Rhein, allow one to approach not only a better appreciation of Tane’s positions but also to experience how they influence and inform his approach, his works, his architecture…….
With their 1997 exhibition The Work of Charles and Ray Eames the Vitra Design Museum staged one of the first major Charles and Ray Eames retrospectives
Twenty years later they return to two of the 20th century’s most important creatives with An Eames Celebration: less of Charles and Ray, and more of the diversity, depth and continuing relevance of their work.
“Have you ever met a robot?” asks the Vitra Design Museum.
The answer is yes.
The answers to the other 13 questions posed by the exhibition Hello, Robot. Design between Human and Machine are not necessarily so easily answered: but are important for defining our relationship with digital technology.
Following on from the relative inactivity of August September saw us wind back up towards the 2014 autumn design festival
1989. A year of social, culture and political upheaval whose effects are still being felt today. The Berlin Wall falls. George
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With our trademark “almost too late, but just sneaking in on time” we bring you Prima by Zaha Hadid. Conceived
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Some 285 journalists were present for the press preview of Herzog & De Meuron’s new VitraHaus in Weil am Rhein
When we were still young, fit and healthy, towns and cities existed. Just existed. These days in order to exist