More intuitive readers will have enjoyed our post on the exhibition "Objects for Neighbours" from IMM Cologne 2013 and for all our interview with the participants. To be fair you'd have to very intuitive as it hasn't been published. Yet. We are however working on it. You can therefore imagine our absolute horror on bumping into two of the participants at Salone Satellite during Milan Design Week. There being little worse than admitting that you still haven't finished something.
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In December 2012 Vitrashop, the shop fitting arm of the Vitra Group, and of course the original rock on which the Vitra seed germinated and grew, took formal occupation of their new distribution centre. Conceived by Tokyo based architects Kazuyo Sejima & Ryue Nishizawa aka SANAA, the imaginatively titled "SANAA Factory Building" is the latest addition to the Vitra Campus and was officially presented to the public on April 19th 2013. Vitra CEO Rolf Fehlbaum first approached Kazuyo Sejima &
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A few weeks ago in our post on the opening of the Droog Lab exhibition The New Original in Guangzhou, China we noted, "....knowing Droog we’re fairly certain that “The New Original” will be presented in Europe before too long. " Droog didn't disappoint and the objects were displayed in Milan as part of the show "Droog 20+, Up to a beautiful future", 20 years of Droog celebrated by looking forwards rather than the more conventional backwards. The background idea to The New Original is
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It is indicative of the image of designer furniture in contemporary society that media outlets across Europe have picked up on the fact that in connection with the recently published "Wealth Decelerations" by the French Cabinet, Industry Renewal Minister Arnaud Montebourg has revealed he owns an Eames Lounge Chair. Indeed the online platform from German magazine Der Spiegel illustrated the publication of the Declarations with an image of an Eames Lounge Chair in one its first reports! While
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During Milan Design Week 2013 Knoll formally launched the "Tools for Life" collection from Dutch architecture practice OMA, a collection overseen by OMA co-founder Rem Koolhaas. The collection had previously been previewed as part of the stage decoration for the Prada Fall Men's show in January, and was formally unveiled in the same location.... the Prada Milan HQ A location that theoretically the likes of us should never be allowed to enter. But Design Week is Design Week. The first thing
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Back in October at Orgatec 2012 Vitra unveiled Workbay, the new concept from Ronan and Erwan Bouroullec. The latest stage in the brother's career-long "room within a room" research Workbay is a flexible system based around fleece walls and aluminium supports that resembles a cross between the Alcove Sofa and the Bouroullec's Communal Cells from Orgatec 2010. When we saw Workbay in Cologne we thought, nice idea, nice extension of the Bouroullec programme... and went back to concentrating on
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The above is all the paper we brought back from Milan Design Week 2013. Three visiting cards. An Interni programme. A ten journey carnet. A couple of receipts. A page ripped out from our in-flight magazine. We are so proud of ourselves. Normally we return from Milan with enough paper to create a lifesize papier maché copy of Rodin's The Thinker. This year we were determined not to. And had one large motivation and one important theoretical guide to help us. The motivation was the two
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Ahead of Milan Design Week we received an email from a Belgian designer of our acquaintance letting us know where we could view their work. The email ended with a euphoric "This is finally Belgium's year!" A thought that really appealed to us, because as we wrote last year Belgium has the potential to be every bit as successful as Holland. And indeed should be. And so with an optimistic heart we set off to the Triennale di Milano to view the exhibition "Belgium is Design" And experienced our
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The concept of the so-called "Vertical Garden" or "Living Wall" is reasonably well established in architecture. In principle it involves cladding an exterior wall with plants in an integrated, self-sufficient system that requires little or no maintenance or external input. The theory is that the plants provide an efficient layer of insulation that keeps the temperature ambient in summer and reduces heating costs in winter. In addition such constructions reduce the impact of a building on
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Many of you will remember the exhibition "Great Taste for Waste" that was staged at Dutch Design Week 2011 AGF Class 3 Bowls by Renee Boute would have been a wonderful addition. AGF is an abbreviation of "Aardappelen, groenten en fruit" -"Potatoes, vegetable and fruit" - and Class 3 refers to quality Class 3, so damaged examples that can no longer be introduced into the food chain. Or at least not into the "individual" food chain. Utrecht School of the Arts' graduate Renée Boute took these
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Probably on account of all the wood, upcycling and back-to-basics on show at Milan Design Week 2013, Granoff Sofa by Rhode Island School of Design (RISD) alumna Scot Bailey, Taylor McKenzie-Veal, Ian Stell and Yumi Yoshida stood out like a burger bar in Rovaniemi on Christmas Eve. An unexpected, inignorable and ultimately very welcome delight. And that despite, or better put because, we completely misunderstood what was on display. Created for the Granoff Center for the Creative Arts at
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As we believe we've said before it is always especially pleasing when a designer you first got to know as an unkempt, idealist student, finally signs their first serious contract with a major manufacturer and so sets of a, hopefully, long and successful career. Similarly it is always very pleasing to watch a newly established business grow and develop; especially when it's one established with the goal of advancing contemporary design and the designer's lot rather than simply generating a fab
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Although as a general rule we don't want to think about Vienna Design Week during Milan Design Week - as it means thinking beyond the summer, and that before we've really felt the warmth of the sun on our milk white skin - the touring exhibition Werkstadt Vienna showing at Ventura Lambrate is a delightful exception. Because it brought back so many memories and ultimately reminded us just why we put ourselves through this. Curated by Sophie Lovell and featuring an exhibition design by Studio
read moreBack at Saloni Milano 2010 Ronan Bouroullec told us about his feeling that the internet and new technology could, perhaps even should, eventually, replace the resources and time invested - and ultimately wasted - every year in an event such as Milan Furniture Fair. In 2013 everyone's favourite German conceptual contemporary furniture manufacturer Moormann, have made the start. And in doing so proved that even from the pastoral calm of Aschau im Chiemgau, one can still be part of the Milan
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For us one of the highlights of Saloni Milano 2013 was/is Italian manufacturer Mattiazzi. And not just because they have managed to eke a chair out of Jasper Morrison that, in our opinion, is one of his better, and certainly more interesting, of recent years. Established in 1978 Mattiazzi is, if we correctly understand, essentially a network of woodworking facilities in Udine. For three decades the company served as a supplier of wooden parts for other furniture manufacturers before
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Back at Designers Open 2011 Norwegian designer Caroline Olsson caught our attention with "Curious", a wooden lamp inspired by pencil cases. At Salone Satellite 2013 Caroline has gone one better and is presenting a wooden lamp that is a pencil case. Which seems like an obvious development. Nothing more complicated than an oblong birch box, the beauty with Pencil Light is the metal mechanism that allows the lid to be raised, lowered and positioned. The illumination is in the lid, set a little
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Those Milan Design Week visitors brave enough to venture north of Garibaldi Station, yes there is civilisation up there, will be rewarded by an exhibition that demonstrates just how easily architecture, art and design can co-exist without threatening one another's integrity. Design, architecture and art combined in a borderless display of unity, tolerance and respect. Which sounds like a nice response to the current political situation in Italy. It isn't meant as such, but.... Magic Moments
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As it was our first event of Milan Design Week 2013, we're honouring Artemide with the first post from Milan Design Week 2013. And in specific Empatia by Carlotta de Bevilacqua and Paola di Arianello, for us the stand out object in the Artemide 2013 collection. It will sound like damning Carlotta and Paola with faint praise when we say that the overwhelming majority of the new Artemide products are architectural lighting - all technically very interesting, just architectural lighting - and
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Before Milan Design Week and Furniture Fair really get started we took the opportunity to relax a little and to visit Milan's contemporary art fair, MIART, and for all their new "Object" section devoted to contemporary design. Curated by Michela Pelizzari and Federica Sala "Object" presents 10 design galleries from Italy, France, Israel and the Lebanon. Ten international galleries presenting an equally cosmopolitan pallet of objects, ranging from limited edition pieces from the 1950s over the
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Back in March 2011 we bemoaned the position of the fence surrounding the Vitra production facility in Weil am Rhein, and for all the disruption to the view across the Vitra Campus. Before the construction of the VitraHaus the fence offended no one, but since.... "Mr Fehlbaum, tear down this wall! Or at least move it a little bit. Please.", we cried. Paraphrasing the lonesome cowboy. And much like Mikhail Gorbachev needed two and half years to respond to Ronald Reagan, so too will it take
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In little under a week the Doors of Hell will once again open to release Milan Design Week on our unsympathetic, unapologetic world. The normally pleasant, quiet and reasonably priced Lombardian metropolis will be overrun by molten rivers of corporate greed and naive student hope, transforming the canals, parks and former industrial sites into burning pits of contradiction, imitation and pure gold. Survival is a question of ignoring reality and convincing yourself that everything is brilliant
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As with so much of Ron Arad's commercially available, serially produced, furniture designs the story of Tom Vac starts a long, long way away from the domestic conformity one has become accustomed to seeing them in. In this case the story begins on a street corner in Milan. In 1997 the Italian architecture and design magazine Domus launched a PR campaign which involved asking contemporary designers to create an installation which embodied the fundamentals of the magazine. The first commission
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Following on from the 2011 exhibition "Kibbutz and Bauhaus", the Stiftung Bauhaus Dessau is currently presenting a further exhibition devoted to the global reach of Bauhaus. Or perhaps better put, a further exhibition devoted to exploring the extent of the global network to which Bauhaus and its students belonged. This time the journey goes to India. And whereas "Kibbutz and Bauhaus" was largely concerned with architecture and urban planning, "Bauhaus in Calcutta" is pure art. In 1922 the
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Until June 23rd 2013 the Klassik Stiftung Weimar are presenting the exhibition "Henry van de Velde. Leidenschaft, Funktion und Schönheit" Conceived to celebrate Henry van de Velde's 150th anniversary "Leidenschaft, Funktion und Schönheit" is, according to the Klassik Stiftung Weimar, the first exhibition to fully explore van de Velde's complete creativity from his earliest artistic endeavours over his applied arts and furniture design work and onto his architecture, interior design and
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