Developed in the mid-1960s as an office furniture system, the inherent flexibility and variability of USM Haller’s modular system has allowed it to naturally evolve alongside office practices and realities; for example, alongside the shift in recent decades from rigid to more flexible office scenographies, alongside the rise in recent decades of home working, or, most recently, with the USM Security Screen which naturally, and quickly, allows any existing USM reception desk to be effortlessly updated and reinvented for our Corona age.

Similarly in the domestic landscape. A landscape USM Haller quickly inhabited and where over the decades the inherent flexibility and variability of its modular system has seen it naturally adapt to the ever evolving realities of domestic life: the domestic life of both the private individual with all its personal fluctuations, high, lows and unpredictability, but also of communal society and, for example, its ever increasing collective networked, digital structure.

But despite its indoor success, system USM Haller hasn’t found its way out of doors……

…..yet…..

USM Haller: Garden, Terrace, Balcony.....

Designer Barcecue go grill Amaly Miranda Zachary Jackson Kevin Gill Stephanie Nannariello Ying Li Hsien Chum Wu

In addition to Charles Eames and Eero Saarinen’s superb modular case furniture system, a further highlight of the MoMa New