With furniture, as with so much in life, it is rarely the showy, high profile, works, or individuals, that teach us most, but those works, and those individuals, who in their anonymity and modesty accompany us in invisible silence.
Or rather the anonymous and quiet could teach us most, if we spent less time being distracted by, letting ourselves willingly be distracted by, the noise of the showy.
With the project Monobloc author and director Hauke Wendler, and a team of co-collaborators, offer us all an opportunity to focus on, and learn from, an object we’ve all seen and used, but only rarely, if ever, openly engaged with…….
Each and everyone of us sits innumerable times each and every day in a wide variety of contexts, yet we rarely, if ever, consider the act of sitting.
The exhibition Sitting reconsidered. Design, Observe, Stage at the Burg Galerie, Halle challenges us all to do just that…….
“…one only finds warmth of life and sincerity where human nature is allowed to flourish”, opined the German designer Erich Dieckmann in 1931, “one shouldn’t forget that in our apartments. Let’s treat our contemporary homes to something humane. Something unelaborate, something provisional, with some leeway and space for things to grow as they wish over time.”1
With the exhibition Chairs: Dieckmann! The Forgotten Bauhäusler Erich Dieckmann, the Kunststiftung des Landes Sachsen-Anhalt and Staatlichen Museen zu Berlin extend an invitation to explore how Erich Dieckmann understood an unelaborate, humane, contemporary apartment full of leeway and space to grow…….
What is a chair?
With the exhibition Chairs. For children only! the Grassi Museum für Angewandte Kunst, Leipzig, explore the (hi)story of and developments in children’s seating, and in doing so not only allow for insights into an all too often undervalued, underappreciated, ignored, genre of furniture, but also forces you to reconsider your response to what you thought was a very, very straightforward question…
“I wonder what it would be like to live in a world where it is always June”, ponders Anne Shirley in Lucy Maud Montgomery’s 1915 novel Anne of the Island.
“You’d get tired of it”, sighs her adoptive mother Marilla Cuthbert by way of reply.
“I daresay”, responds Anne, “but just now I feel that it would take me a long time to get tired of it…”
Thoughts we very much concur with as we survey and contemplate the varied profusion of new architecture and design exhibitions sprouting forth in June 2021. Who could ever tire of such a joyous abundance? Who?
Our five recommendations from that early summer crop can be found in Leipzig, Hornu, Berlin, Bloomfield Hills and Chemnitz…….
The long and winding (hi)story of furniture design is largely one of evolution not revolution, largely one of innumerable, often imperceptible, social, cultural, economic, technical, et al transformations, movements, hindrances and undulations which slowly, continually, combine and interact to widen and deepen the river as it flows. A process aided, abetted and accelerated by irregularly arising confluences where a new tributary flows into the unflinchingly onwards rolling mainstem.
One such being inarguably Michael Thonet.
With the exhibition Bentwood and Beyond. Thonet and Modern Furniture Design the MAK – Museum für angewandte Kunst Vienna navigate the history of that tributary and explore its legacy and contemporary relevance, and relationship, to the course of furniture design.
One of Germany’s leading post-war architects and architectural theoreticians, Egon Eiermann was also one of post-war Europe’s most important chair designers, not just in context of what he realised, but also in context of what he worked towards realising and the reasons why. With the exhibition Cologne celebrate that legacy.
As we’ve oft noted in these pages, not only have designers since time immemorial had a particular fascination for chairs, but society a particular predilection.
Arguably the two are related and can be traced to the long, universal, cultural, political and social relevance of the chair and the act of sitting, a state of affairs which not only makes the physical chair/seat an integral part of our lives, but the metaphorical: excitement brings us to edge of our chairs, those who are brave/foolish enough place themself in the hot seat, while we either sit in judgement or on the fence depending on what prudence and prejudice advise.
And so following on from our Cupboards, Closets, Wardrobes Playlist, a Radio smow Chairs Playlist, starting with five songs which discuss the action, symbolism and relevance of chairs/sitting in various contexts. Considerations on which can keep us occupied for hours.
Five recommendations for new architecture and design exhibitions opening in December 2016, featuring shows in Copenhagen, Weimar, Nürnberg, London and Munich
In our post on Rui Alves’s Bridge Chair prototype from IMM Cologne we noted that, although generally approving of the
As many of you will be aware, back in November we struggled to find five design exhibitions opening in December
Standing in the Leipzig Grassi Museum for Applied Arts, surrounded by 150 years of Thonet chair history, Peter Thonet, x-times-great
The Top 5 chairs from the smow design spring. In no particular order. We lie: there is a slight order.