One of Germany’s leading post-war architects and architectural theoreticians, Egon Eiermann was also one of post-war Europe’s most important chair designers, not just in context of what he realised, but also in context of what he worked towards realising and the reasons why. With the exhibition Cologne celebrate that legacy.
As we’ve oft noted in these pages, not only have designers since time immemorial had a particular fascination for chairs, but society a particular predilection.
Arguably the two are related and can be traced to the long, universal, cultural, political and social relevance of the chair and the act of sitting, a state of affairs which not only makes the physical chair/seat an integral part of our lives, but the metaphorical: excitement brings us to edge of our chairs, those who are brave/foolish enough place themself in the hot seat, while we either sit in judgement or on the fence depending on what prudence and prejudice advise.
And so following on from our Cupboards, Closets, Wardrobes Playlist, a Radio smow Chairs Playlist, starting with five songs which discuss the action, symbolism and relevance of chairs/sitting in various contexts. Considerations on which can keep us occupied for hours.
Five recommendations for new architecture and design exhibitions opening in December 2016, featuring shows in Copenhagen, Weimar, Nürnberg, London and Munich
In our post on Rui Alves’s Bridge Chair prototype from IMM Cologne we noted that, although generally approving of the
As many of you will be aware, back in November we struggled to find five design exhibitions opening in December
Standing in the Leipzig Grassi Museum for Applied Arts, surrounded by 150 years of Thonet chair history, Peter Thonet, x-times-great
The Top 5 chairs from the smow design spring. In no particular order. We lie: there is a slight order.