In Poetics Aristotle argues poetry arose on account of two intrinsic human instincts: an “instinct for ‘harmony’ and rhythm” and “the instinct of imitation”, as in representation rather than copying, an imitation Aristotle opines is the method via which humans learn, and that “to learn gives the liveliest pleasure”.
Yet while for Aristotle all forms of poetry are “in their general conception modes of imitation”, again as in representation rather than copying, “they differ, however, from one another in three respects – the medium, the objects, the manner or mode of imitation”.1
With the exhibition Mimesis. A Living Design the Centre Pompidou-Metz explores designers as imitators of nature, and the varying, and continually developing, mediums, objects, and manners or modes of that imitation…….
As here in the northern hemisphere winter cedes to spring, not only is nature once again reawakening from its long repose but so too is the international museum community; and that, one senses, with more vigour than in the most recent springs where the Covid pandemic induced upsetting of the established order of the museal ecosystem, through both enforced closures and fundamental disruptions of essential exhibition development processes, dimmed somewhat the promise of the annual spring blush.
In spring 2022, one sense from wandering through the global museum landscape, the vitality, and for all variety, has returned to that landscape.
Which is to be welcomed, for little is as effective in helping us all broaden our minds, expand our perspectives, appreciate unseen associations, free us from prejudices, develop as human beings and as members of a functioning society, than a good museum exhibition. For while a good TV programme or a good podcast can inform, they tend to do so in definitives and in an unyieldingly linear fashion: they tell, they know, just how things were, are, will be. And in their telling tend to leave you bereft of tools of your own. A good museum exhibition in contrast gives you information but primarily bequeaths you a framework in which to develop your own understandings and positions, to question, to challenge, to expand on that which is presented; ’tis but a invitation to let your mind wander as it sees fit. And that in an environment which is devoid of time and space, where you are free to jump about as you wish, go back, rush forward. Stop.
Start again somewhere else
noiɈɔɘɿib bɘɈɔɘqxɘnυ nɒ ni ɘvoM
Discover new, uncharted, paths.
Thus whereas you can leave a TV programme or a podcast with new information on the subject at hand; you can leave a well organised exhibition not only with new information on the subject at hand, but with your thoughts immersed in a completely different subject and with your mind stimulated, receptive, restless.
And broad, receptive, questioning, unihibited, objective minds freed of definitives are very, very, important at this moment in global (hi)story.
Thus, get thee to an exhibition!
Our five recommendations for exiting the space-time continuum in April 2022 can be found in Essen, Brussels, Stockholm, Linz and Helsinki…….
This year we are finally going to make it to Design Basel. In the past something else always seemed to
Perhaps best known for her numerous co-operations with Le Corbusier, the Parisian architect and designer Charlotte Perriand played an instrumental