Following smow Turin’s thoroughly unexpected, if in no way undeserved, victory in the 2021 smow Song Contest, it’s off to Piemonte for the 2022 edition.

A 2022 smow Song Contest being held very much in context of events 20 years previous…….

smow song contest 2022 smowblog

As here in the northern hemisphere winter cedes to spring, not only is nature once again reawakening from its long repose but so too is the international museum community; and that, one senses, with more vigour than in the most recent springs where the Covid pandemic induced upsetting of the established order of the museal ecosystem, through both enforced closures and fundamental disruptions of essential exhibition development processes, dimmed somewhat the promise of the annual spring blush.

In spring 2022, one sense from wandering through the global museum landscape, the vitality, and for all variety, has returned to that landscape.

Which is to be welcomed, for little is as effective in helping us all broaden our minds, expand our perspectives, appreciate unseen associations, free us from prejudices, develop as human beings and as members of a functioning society, than a good museum exhibition. For while a good TV programme or a good podcast can inform, they tend to do so in definitives and in an unyieldingly linear fashion: they tell, they know, just how things were, are, will be. And in their telling tend to leave you bereft of tools of your own. A good museum exhibition in contrast gives you information but primarily bequeaths you a framework in which to develop your own understandings and positions, to question, to challenge, to expand on that which is presented; ’tis but a invitation to let your mind wander as it sees fit. And that in an environment which is devoid of time and space, where you are free to jump about as you wish, go back, rush forward. Stop.

 
 

Start again somewhere else

noiɈɔɘɿib bɘɈɔɘqxɘnυ nɒ ni ɘvoM

Discover new, uncharted, paths.

Thus whereas you can leave a TV programme or a podcast with new information on the subject at hand; you can leave a well organised exhibition not only with new information on the subject at hand, but with your thoughts immersed in a completely different subject and with your mind stimulated, receptive, restless.

And broad, receptive, questioning, unihibited, objective minds freed of definitives are very, very, important at this moment in global (hi)story.

Thus, get thee to an exhibition!

Our five recommendations for exiting the space-time continuum in April 2022 can be found in Essen, Brussels, Stockholm, Linz and Helsinki…….

5 New Architecture & Design Exhibitions for April 2022

While Ludwig Mies van der Rohe is arguably best known for the works he realised in the (mid-)west USA, the works he realised in west(ern) Germany are no less relevant or important for understanding the man, his work and his legacy.

Summer 2019 saw the western German State of Nordrhein-Westfalen host three Mies van der Rohe exhibitions, one each in, and devoted to Mies’s works in, Aachen, Krefeld and Essen. Three exhibitions now united in one in Cologne, and which as a unified trio not only provides for a very concise overview of the work of Ludwig Mies van der Rohe in Nordrhein-Westfalen, but also of both the development of Mies van der Rohe as an architect and, in many regards, the wider developments in understandings of architecture and design in the course of the 20th century.

Mies im Westen, Landeshaus des LVR Cologne

In October 2017 the Design Department of the Folkwang Universität der Künste Essen moved into its new home, the so-called Quartier Nord designed by Stuttgart based MGF Architekten.

The 2018 Folkwang Summer Rundgang therefore not only offered an opportunity to explore the work undertaken by institute’s students in the semester past, but also to explore their new home…….

Folkwang Universität der Künste Essen Quartier Nord Rundgang 2018

Whereas most design schools stage their annual exhibition at the end of the summer semester, there are exceptions, such as the Folkwang Universität der Künste, Essen, who present theirs just before the start of the winter semester.

And so nigh on three months after all others have ended.

Because, one wonders, they fear its brilliant glow would place all other schools in its shade, and they want to remain fair to their colleagues elsewhere? Because they have something to hide, and hope by waiting till October no one will visit?

Our #campustour may have long since been parked up for 2017, but keen to learn more we cranked it up and set course for Germany’s Ruhrgebiet…….

SANAA Building, Zeche Zollverein Essen, location for Finale 2017, Folkwang Universität der Künste Essen