We suspect the reason we write so much about designer furniture in an airport context is simply because of the amount of time we spend in airports. And consequently the amount of time we spend thinking about and analysing what we are being offered. If you're going to be delayed at Frankfurt for five hours. You want to make sure that your seat is comfy. If you're going to have to spend the night at Copenhagen Airport. You want to make sure your seat is comfy. If you're... you get the idea.
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At the end of March the V&A Museum London opened the exhibition "British Design 1948-2012. Innovation in the Modern Age", their major summer exhibition and a central pillar of their celebration of all things British throughout 2012. Documenting the story of design in the UK since the last London Olympics, "British Design 1948-2012" begins in an era when Britain as a nation was recovering from the trauma of the Second World War, yet understood that in the rubble of the war lay the chance to
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Much like those who doubted that the Stone Roses would ever get back together; there are also those who doubt we will ever make it to a Depot Basel show. Until now it was the case that the shows inevitably fell at periods when we were otherwise engaged. And the opening of Depot Basel No. 5 on March 23rd was no different. However, this time we're hopeful we can make it, because the show runs until May 5th. Longer than usual, but then they are also showing more than usual. The "main"
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On March 20th the Bauhaus Archiv Berlin opened their spring exhibition "Stühle ohne Beine - Chairs without legs" Dedicated to the development and diversity of the cantilever chair, Stühle ohne Beine is a fairly simple exhibition concept with an equally simple message: designing a chair without legs doesn't mean limiting your possibilities. Less is more not being just a design maxim but also a design challenge. Featuring 25 chairs from the collection of Die Neue Sammlung - The International
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On March 4th 2012 the Grassi Museum for Applied Arts Leipzig opened the final part of their permanent exhibition. An exhibition very close to our hearts. Now you know us, we 've nothing against baroque or ancient Japanese furniture and objects. But our hearts do beat a little faster when we get to the late 19th century. Mies van der Rohe bending metal. Alvar Aalto bending wood. Verner Panton bending plastic. Axel Buether bending light. It's all there in “Art Nouveau to Present” Plus a
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On Wednesday February 29th the Hofmobiliendepot Vienna open their 2012 spring exhibition. We had hoped to make it to the opening; but life being what it is. We wont. Sadly. Not least because the exhibition explores, for us, one of the most interesting periods of design - The Sixties. Not interesting as in, "Wow! Look how bright, spacey and groovy everything is!!!" Obviously. But interesting in terms of what it brought into the design vocabulary and the doors that it opened. And because it
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For all in our near Copenhagen, and who aren't planning travelling to Weil am Rhein in the coming months, the Designmuseum Danmark is also currently offering the chance to view an exhibition that highlights the role of art in the design process. But featuring works from Finn Juhl. Not Ronan and Erwan Bouroullec. One of the most important, if not so universally well known, Danish furniture architects of the mid 20th century Finn Juhl would have celebrated his 100th bithday in 2012. And as
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Ronan and Erwan Bouroullec are without question two of the most important designers of their generation and are currently being honoured in two shows. The retrospective "Bivouac" currently on show at the Centre Pompidou Metz, and Album, an exhibition of their drawings and sketches that premiered in Bordeaux and is now on show at the Vitra Design Museum Gallery, Weil am Rhein, At the opening of "Album" at the Vitra Design Museum Gallery we spoke to Ronan Bouroullec about drawing, getting
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There's nothing quite like a invitation to a vernissage to remind you that you really should get round to finishing of typing up an interview. At Neue Räume Zurich in October 2011 we didin't just speak to Nikolas Kerl and Jürg Scheidegger But also with Moritz Schmid and Rebekka Kiesewetter. And yes the last two interviews have yet to be published. We are working on them. Promise. Back at Neue Räume, Rebekka told us that it was almost certain that she would be co-organising a "Depot Basel -
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Having got up in the middle of the night to travel through the depths of the European winter just to get to Weil am Rhein for the "Album" opening, you can imagine our joy when we heard that Erwan Bouroullec had frozen to his core while waiting to board the 6.15 Basel bound TGV. Not because we're cruel, heartless beasts who take pleasure in the suffering of others. At least not on this occasion. But because it is one of these nice reminders of how "normal" the design world is and designers
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As we admitted, "time management challenges" saw us visiting Design braucht Täter 2012 in Cologne before it officially opened. And before all exhibitors had arrived. We know it's not good. And we're still not sleeping properly. And so it was especially nice to receive an e-mail from Julia Pfizenmayer from jp designs - one of those exhibitors we never got the chance to see - introducing us to her modular storage system Outsider. Because it means that the exhibitors don't hold it against
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We received advance warning of what awaited us at IMM 2012 on the Friday afternoon before the official opening. Ambling through Cologne town centre we came across a large plastic hemisphere - the IMM Snow Globe. Dispatched on a tour through the city to entice the good folk of Cologne to visit the fair, the IMM Snow Globe was filled with some of the delights that would be on show, and, at the touch of a button, feather-lite snow blustered over the scene. Beautiful! However, as Julia
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For a decade and a half the unofficial start to Cologne Furniture Week has been the honouring of the "A&W Designer of the Year" Awarded by the German magazine "A&W Architektur & Wohnen", the prize was inaugurated in 1997 to honour a designer whose work has particular defined the home furnishing style of our time. Previous winners including Philippe Starck, Antonio Citterio or Tom Dixon. To name just three from 15. The A&W Designer of the Year 2012 is the Spanish designer Patricia Urquiola.
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Following on from last years "Kids Only" collection, Richard Lampert was/were back at Cologne 2012 with a collection of new outdoor furniture And just as "Kids Only" clearly wasn't. So too can "Living Outdoor" clearly also be used for "Living Indoor" Which is important if you live north of Alicante and can't guarantee your summer will be in any way summary. Featuring four new products from three of the company's roster of young design talents, the new collection can be seen as an extension
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A drawer. Honestly that is all it takes and you’ve got us. A desk with a drawer. Or even better multiple drawers. As if Müller Möbelfabrikation could read our minds, we were met on their stand in Cologne by the most fantastic sheet steel desk. With soooo many drawers. If that's not a guaranteed to way to get our attention! If we did have one slight criticism it would be the decision to display a version in orange. If there is one colour that is real hard to photograph under exhibition
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As tradition demands the Museum für Angewandte Kunst Köln (MAKK) have organised a furniture themed, special exhibition to coincide with the Cologne Furniture Fair. Under the title "Von Aalto bis Zumthor: Architektenmöbel" ("From Aalto to Zumthor: Furniture by Architects") the MAKK is presenting over 120 examples of furniture designed by professional architects. As older readers will have long since accepted, the "Furniture Architect" is a pet subject of ours. Not just because the architects
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On Monday January 16th IMM Cologne, Germany's largest furniture trade fair, opens it doors. In the coming days we'll bring you a series of interviews, reports and reviews from the Rhein, but ahead of the show we thought we'd look back at what Cologne 1962 had to offer. On the one hand, because we think it's interesting to look back on what the furniture industry had to offer 50 years ago; but also to help place IMM 2012 in context of its heritage. The International Möbel Messe Köln started
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Design weeks are part of the daily grind of our profession. For those outwith the industry it all just looks like jaunting off to another exotic sounding location and going to a lot of cocktail parties with unfeasibly gorgeous and entertaining people. For others it may be. For us it's early mornings, heavy rucksacks, lots of polite small talk, little food, lots of walking, lots of avoiding polite small talk, late nights. And we generally have to buy our own beer. Which we typically drink
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On his 2009 album "Waxing Gibbous" Falkirk balladeer Malcolm Middleton included the song "Red Travellin' Socks" a jaunty - if for us touch too obvious - ode to his love/hate relationship with, well his Red Travellin' Socks. Wearing his socks he's reminded of the freedom of the open road that is currently helping him fulfilling his primitive desires - until such time as the romantic myth of the endless highways explodes and he begins to long for home. The red socks symbolising his frustration
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Following on from our interview with Nikolas Kerl - a designer/producer at the very start of his career, we continue our exploration into the current state of the Swiss designer furniture industry with a producer who have "a little more" experience. Born out of a family carpentry and shop fitting business, Röthlsberger Kollektion effectively began producing their own collections in the late 1970s through collaborations with Swiss designers such Trix and Robert Haussmann, Susi and Ueli Berger
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Part of our motivation for visiting Neue Räume Zurich 2011 was to try to gauge and get a feel for the current state of the designer furniture industry in Switzerland. Hidden as it is behind its Alpine shroud, it's all to easy to assume everything is always rosy in Confoederatio Helvetica, and that it's furniture designers and producers have little to do all day but count their cash and try to avoid losing their fillings to chewy, pointy, chocolate. However as the Swiss Franc rose skyward like
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As reported last week we sadly couldn't make it to the opening of Cirkel by Daphna Laurens at Galerie Gosserez in Paris. Because we were at the opening of Kibbutz and Bauhaus in Dessau. However Daphna and Laurens were kind enough to send us a few photos of the works. As older readers will know we are always very wary about judging articles on the strength of photos alone; that said, the Cirkel collection does look very promising. For us the highlight is probably "Leaning Lamp". Resembling
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"...I will never forget how shocked I was the first time I arrived in Degania A, one of the old kwuzoth. It was almost a textbook example of bad planning. The wind hit the dung heaps first, bringing flies and the stench initially to the stables and then to the kitchen, picking up the odours there and then carrying the whole mix to the dining halls and living quarters."1 In his all to vivid description of the conditions at Degania A, Israeli architect Richard Kaufmann beautifully alludes to the
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Very occasionally we see something that makes us stop in our tracks. At Neue Räume Zurich that something was the Milanese producer Plinio il Giovane. We know we moan a lot about Italy's over-rated position at the top of Mount Design. But just as they seem to have an unending reserve of corrupt politicians, so do they also seem able to produce quality designer furniture producers out of thin air. Handmade from oak the Plinio il Giovane collection not only looks fantastic; but many of the
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