“…a new generation, a new age, must develop forms and tenors for their interior and exterior worlds which correspond to its desire for well-being and its ideals” wrote Frankfurt city mayor Ludwig Landmann in 1926.1
With the exhibition Moderne am Main 1919-1933 the Museum Angewandte Kunst Frankfurt explore how such developments were approached and realised in Frankfurt and environs, and by extrapolation explore the contribution made by the region to the evolution of inter-War understandings of architecture and design, and the legacy that remains.
The German designer and silversmith Christian Dell is arguably best known for the numerous lighting designs he realised during the 1920s and 1930s.
Christian Dell was however also one of the pioneers of plastic design. If all too briefly.
In his Letter of Reference for Christian Dell on the occasion of his departure from the Kunsthochschule Frankfurt, the school’s
First produced in 1936 by Gebrüder Kaiser & Co. in Neheim-Hüsten, the “town of lights” in the Sauerland region of