“For men who have to write a lot, and over prolonged periods, a desk at which they can work standing up is an indispensable piece of furniture for altering their posture and for maintaining their health”, opined Journal der Moden in May 1786. An age when, famously, only men wrote.
Yet advantageous and positive as standing to write was, prolonged standing could, as Journal der Moden notes, lead to tiredness.
A solution was however at hand for all who preferred working at a standing height desk over a prolonged period: a chair, “or a so called donkey … on which one sits as if on a saddle, and which must be just high enough that one can sit half-standing…”1
A half-standing sitting solution whose nickname can be readily derived from the proposed sitting position.
And a half-standing sitting solution that for all it is thoroughly familiar today, was novel, one could almost argue revolutionary, and even enlightened, in 1786…….
In December 1969 the Austrian TV station ORF broadcast a half-hour portrait of the architect Hans Hollein, including a presentation of Hollein’s Mobile Office project: essentially an inflatable plastic bubble in which one person could sit and work.
“Klingt vielleicht etwas verrückt”, mused the presenter, “sounds perhaps a bit crazy”.
And in 1969 a device, a construct, that allowed for the creation of a private domain in the midst of a public space, unquestionably did sound “etwas verrückt”.
And in 2022…….
Back in the year 1 BCE, Before Corona Epidemic, we developed a plan to use 2020 to tour through contemporary office design, a tour to be undertaken both physically and theoretically.
A very simple plan developed in the knowledge that in October the Orgatec office furniture fair would be staged in Cologne, and that such a tour would, hopefully, allow us to approach Orgatec 2020 from differentiated and manifold perspectives.
And a simple plan, which, and as with all simple plans, proved more difficult than anticipated. And became all but impossible in the year 1 CE. Or at least the physical part did, the theoretical part remains unaffected. And as older, more loyal, readers will understand, we’re at our happiest with the theoretical components of life.
Thus in the coming weeks we will present a series of (desk bound) reflections and considerations on aspects of both the contemporary office and contemporary public/civic/commercial interiors, whereby our Design Calender post on the opening of the 1993 exhibition Citizen Office at the Vitra Design Museum can be considered an official unofficial first step….. one originally planned as a fourth or fifth step…….
By way of a fuller introduction, and an explanation that despite the unequivocal title the smow Blog #officetour isn’t limited to offices , ⇓⇓⇓ the text we’d written as the original introduction…..
It’s probably no exaggeration to claim that musicians have at best an ambivalent, truculent, openly confrontational relationship with the office. When not writing about being in love, not being in love, wanting to be in love, wanting to not be in love, etc, they can be found pouring scorn and ridicule on those who dutifully waste their days in offices when there is all that freedom to be enjoyed.
Thus one could imagine songs about office furniture being about as rare as occasions when Caílte mac Rónáin is unable to explain how a particular hill, valley or river in Ireland came by its name.
Could.
A Radio smow playlist devoted to office furniture and our complex relationship with such……
Among the more memorable moments in our long, if troublesome, tenure at and of (smow)blog is the day we took
As all who work in a small office, or perhaps more importantly from home, know, noise is one of the
For the creative bosses at Vitra the days of the large unified office space are numbered. Not only are the