“Everybody, except myself, have used, and admit to having used my photographs … and often also without mentioning my name”, lamented Lucia Moholy in 1956, “everyone – except myself – have derived advantages from using my photographs, either directly, or indirectly, in a number of ways, be it in cash or prestige, or both”.1

The photographs in question being of and from the Weimar and Dessau Bauhauses, photos which played, and continue to play, a not unimportant role in mediating Bauhaus to a wider audience. But which in doing such don’t necessarily help mediate Lucia Moholy to that wider audience. On the contrary, they tend to hold her in a relative anonymity.

With Lucia Moholy – The Image of Modernity the Bröhan Museum, Berlin, help explain how such a situation came to be, why Lucia Moholy’s lament is both justified and an important lesson, and also how it relates to popular understandings of Bauhaus.

But for all seek to redress some of the ongoing consequences of that relative anonymity…….

Lucia Moholy – The Image of Modernity, Bröhan Museum, Berlin

“With every new building the first task is to clarify the needs that will arise in context of its use”,1 opined Peter Behrens on December 10th 1912 at the official inauguration of the new administrative HQ for the Prussian industrial concern Mannesmannröhren-Werke AG.

And while Peter Behrens was certainly not the first to opine such, with the so-called Mannesmann-Haus in Düsseldorf he realised one of the earliest large office buildings designed to evolve and develop as those needs evolved and developed.

Mannesmann-Haus, Düsseldorf by Peter Behrens

Systems bring order to chaos, allow relationships to be understood/defined, enable standardisation. And depend on a carefully considered, well designed and constructed connector.

In 1939 the German architect Konrad Wachsmann developed a metal connector which subsequently became the central component of the General Panel prefabricated construction system developed by Wachsmann in cooperation with Walter Gropius.

In 2018 the Bauhaus Lab reflected on that connector, Konrad Wachsmann and standardised, prefabricated construction systems. The results of those reflections were discussed in a one day symposium, and can be viewed in the exhibition The Art of Joining: Designing the Universal Connector at Stiftung Bauhaus Dessau.

Bauhaus Lab 2018. The Art of Joining: Designing the Universal Connector, Stiftung Bauhaus Dessau

Stiftung Bauhaus Dessau present The Simultaneity of Modernism

Dessau and Rotterdam may appear unlikely brothers in arms; however, an exploration of the towns’ architectural connections helps explain International

Bauhaus Archiv Berlin Sammlung Bauhaus Werner Jackson puppets

Following the necessary disruption of their permanent exhibition to accommodate the recently ended exhibition Sensing the Future: László Moholy-Nagy, die

Meisterhausfest Bauhaus Dessau

Anyone who has ever had the pleasure of strolling with us through Potsdam will know our feelings on recreating exact

Bauhaus University Weimar (Photo © Bauhaus-Universität Weimar, Foto: Nathalie Mohadjer)

Herewith we inform the directors of the Hochschule für bildende Kunst that the Provisional Republican Government has approved the request

Mensch Raum Maschine Stage Experiments at the Bauhaus Stiftung Bauhaus Dessau

While we can’t be certain that the artist, designer and choreographer Oskar Schlemmer would have completely agreed with the claim