In all corners of the globe one finds objects of furniture which developed in response to local conditions, traditions and practices; vernacular objects without a formal author and which although, on account of?, arising from a very specific place and time can, invariably, both teach us a lot about the essentials of furniture and help explain furniture’s relationships with wider realities.
And objects we want to celebrate, starting with arguably, one of the best known examples of vernacular furniture: the Windsor chair.
The metal wire chair is such a well established seating genre it is hard to imagine it is possible to do anything new with it. Far less anything exciting.
As we’ve oft noted in these pages, not only have designers since time immemorial had a particular fascination for chairs, but society a particular predilection.
Arguably the two are related and can be traced to the long, universal, cultural, political and social relevance of the chair and the act of sitting, a state of affairs which not only makes the physical chair/seat an integral part of our lives, but the metaphorical: excitement brings us to edge of our chairs, those who are brave/foolish enough place themself in the hot seat, while we either sit in judgement or on the fence depending on what prudence and prejudice advise.
And so following on from our Cupboards, Closets, Wardrobes Playlist, a Radio smow Chairs Playlist, starting with five songs which discuss the action, symbolism and relevance of chairs/sitting in various contexts. Considerations on which can keep us occupied for hours.
In our interview with Marcel Kabisch, founder of and creative force behind German label Feinserie, he told us that what
Now that it is finally online we did want to write at great lengths about the AC4 by Antonio Citterio
Although the rumour persists that we only travel to trade fairs and exhibitions so that we can impress people in
The Top 5 chairs from the smow design spring. In no particular order. We lie: there is a slight order.