After a long, challenging, year the smow Song Contest finds itself exactly where it was: Rotterdam.
Not just the location, but the stage, the decoration, the costumes, even the bier en frieten exactly as they were twelve months ago.
The decisive, defining, difference between the 2020 smow Song Contest and the 2021 smow Song Contest being the new understandings, the new perceptions, the new perspectives, the new vitality, the new passions, the new desires, the new old new, articulated by the contest’s motto: Open Up!
In a year in which the familiar glow of many a beloved cultural event is missing, one beacon continues to shine.
As a virtual, and in many regards virtual, event the smow Song Contest is one that can be staged regardless of prevailing physical social distancing regulations and physical travel restrictions.
And while virtual closeness and virtual travel can never, and must never be allowed to, replace the physical, the 2020 smow Song Contest does allow us all an opportunity to cross great distances, to come together, to stay safe, to stay responsible, but for all to stay dancing…..
On May 14th 2019 the European Court of Justice ruled that all employers are required “to set up an objective, reliable and accessible system enabling the duration of time worked each day by each worker to be measured.” 1
On July 15th 1855 Johannes Bürk was granted a patent for just such a system.
A system which, as the Uhrenindustriemuseum Villingen-Schwenningen’s exhibition Time, Freedom and Control – The Legacy of Johannes Bürk explains, paved the way, certainly in spirit, for many of the developments in terms of recording, monitoring and managing time which not only developed in the course of the industrialisation of the late 19th/early 20th century, but were imperative to industrialisation’s success.
And which continue to inform and define our post-industrial society.
For all the controversy surrounding smow Tel Aviv’s victory in the 2018 smow Song Contest, not least the question if there even is a smow Tel Aviv, the staging of the 2019 Contest in Israel does allow for a very nice reinforcing of the central theme of the 2019 smow Song Contest….
While the shortlist of exhibitions for this column is regularly long, that for May 2019 was particularly so.
And particularly tricky. Perusing it we saw no realistic chance of getting it down to five, all made good claims for inclusion, none deserved to be ignored……
Then we noticed that, with a little bit tweaking, we could get two lists: one featuring those exhibitions directly connected with Bauhaus/Inter-War architecture and design, and one featuring those less directly connected.
The Bauhaus/Inter-War architecture and design list will follow, but for all keen to explore architecture and design in a wider context, five new exhibitions opening in May 2019 in Munich, New York, Berlin, Basel & Villingen-Schwenningen, you may like to consider visiting……..
Following smow Lisboa’s surprise victory in the 2017 smow Song Contest, the Portuguese capital is preparing to host the 2018 song contest: a contest being staged very much in context of the contemporary relevance of smow’s historic connections….
The only FAQ not answered by the smow FAQs is the one that begins, “What is smow……..?”
And as smow grows and grows so too does the F with which the Q is A’d.
The answer in one sense is very simple, smow trade in furniture, lighting and home/office accessories through a series of showrooms and online shops. But that only partly explains “smow”. Doesn’t explain the how, who, why and wherefore. Nor the richness. Explaining the true smow is in many respects best achieved by exploring another trading institution whose superficial simplicity hides its true depth of character ….. The Hanseatic League.