“Only slowly does it dawn on people that modern furniture must be designed on the basis of practical necessities”, observed the Danish architect and designer Kaare Klint in 1930.1
How Kaare Klint understood those “practical necessities”, how he understood “modern furniture”, would not only define his career, but in many regards define the development of 20th century furniture design in Denmark.
The 3316 Easy Chair by Arne Jacobsen a.k.a. The Egg is not only one of the most universally recognised works by Jacobsen, but also one of the most popular representatives of both the lounge chair and also of post-War furniture design. Yet, and as with the Easter egg, the Jacobsen Egg is an object whose simple, inviting charms often hide the much more complex, interesting, informative, instructive, realities of its origin and provenance.
And so in a year when many an Easter egg hunt will be extraordinarily localised, we take you an international hunt for the (hi)story of an egg-straordinary chair……
The museums may be closed, travel restricted and leaving your home, when possible, unadvised….. but that’s no reason to restrict your cultural uptake, far less neglect the development of your architecture and design understandings.
Or put another way, if you can’t get to the museum….. let the museum come to you.
Five online architecture and design exhibitions and museum collections to explore from your sofa, bed, garden, balcony, wherever…..
In centuries past traditions were something that were established slowly, often becoming such long after those who had began them, who had understood their origins, meaning and function in contemporary society, had shuffled off this mortal coil; in our contemporary world traditions arrive over night, no-one having the patience to wait, no-one wanting to miss out on anything.
In which sense, celebrating in 2019 its second edition, our traditional 3daysofdesign Copenhagen #embassytour.
“Low bowls with flowers, as well as flowers placed on the tablecloth and a platter of fruit, are the most beautiful table decorations. All table centrepieces with rocks, palm trees, ostriches, deer, and such are ludicrous, for these things have no business on a table, and all tall table decorations – even those made of flowers – are also unsuitable since they screen the dinner guests from one another”, opined Ellen Key of table culture in her 1899 essay Beauty in the Home.1
But that was then.
With the exhibition table talks — Tischgespräche the Kunstgewerbemuseum Dresden present positions by students from Weißensee Kunsthochschule Berlin and the Royal Danish Academy of Fine Arts Copenhagen on contemporary table culture.
Counting amongst its alumni the likes of Finn Juhl, Arne Jacobsen, Nanna Ditzel, Kaare Klint, Georg Jensen, do stop us if we get boring, Verner Panton, Thorvald Bindesbøll, Ole Wanscher, Poul Kjærholm, and pretty much any other Danish designer or architect of whom you’ve ever heard, and a great many more of whom you haven’t, the Kongelige Danske Kunstakademi Copenhagen was formally inaugurated on March 31st 1754 in honour of the 31st birthday of Frederik V.
But is it a gift that keeps on giving?
A visit to the Schools’ of Architecture, Design and Conservation 2018 graduation exhibition promised to provide some answers……
“Monsieur, with these Rocher you are really spoiling us!”
Ever since Ferrero brought a touch of self-congratulatory kitsch to the savoir-faire of international diplomacy, we’ve felt a great empathy for the concept of the Embassy.
And while the years since we first heard those words may not have seen us follow an illustrious, freely debonair, diplomatic career, we do have as a substitute the embassy design exhibition.
3daysofdesign Copenhagen 2018 offered such a wealth and variety of embassy exhibitions we simply couldn’t resist donning a metaphorical morning coat and taking a flânerie through the diplomatic quarter.
But would that which awaited us also be an ultimate “sign of good taste”……..?*
Summer traditionally sees a fall off in the number of new exhibitions opening, the 2017 drought is however especially hard, so much so that we can only find four recommendations. Either the global museum community assume we’re all at the beach, and thus not interested, or expect the world to end in September and so don’t see the point in new exhibitions.
It is a little unclear.
However, not only are we interested, but it takes a little more than the threat of an imminent apocalypse to keep us away from an interesting exhibition …. our recommendations for August 2017 with new exhibitions in Zürich, Copenhagen, Moscow and Weimar.
Five recommendations for new architecture and design exhibitions opening in December 2016, featuring shows in Copenhagen, Weimar, Nürnberg, London and Munich
Sand is not a material on which many architects would hope to successfully build a project, far less a career.
In our recent review of contemporary Berlin creativity we noted that one of the problems increasingly being faced by Berlin
As old Mother Goose, allegedly, once claimed: Thirty days hath September, and the following five enticing new design and architecture
As all old thesauruans know “April” is merely a synonym for “Milan” And lo despite all promises to the contrary
“I’m so glad I live in a world where there are Octobers” exclaims Anne Shirley in Lucy Maud Montgomery’s 1908 novel
By way of a final addendum to our “5 New Design Exhibitions for July 2014” post, the Design museum Gent are
At the 1949 Copenhagen Carpenters Guild exhibition Hans J. Wegner presented his JH501 “Round Chair” for Johannes Hansen. Often referred
Born on April 2nd 1914 Hans Jørgensen Wegner is without question one of the most important designers of the so-called
April 2014, as every April we can ever remember, means Milanese purgatory. Apparently it is meant to cleanse the soul,
It’s not all hard work you know. Just read a nice little article on dutch design portal design.nl in which