As any fule kno, an echo requires a surface off which to reflect.
Otherwise it is just shouting into the void.
With the exhibition Echoes – 100 Years in Finnish Design and Architecture at the Felleshus, Berlin, that reflective surface is the traditions, cultures and landscapes of north-east Europe.
Without wanting to in any way detract from the work undertaken by Kunsthochschule Berlin Weissensee students in the past year, a highlight of our visit to the 2017 Rundgang summer exhibition was the thunderstorm which broke while we there. Calling it biblical would be to trivialise the ferocity with which it smit the day asunder, turning in its fury the Bühringstraße in front of the school into a Bühring Straits. And the first of three storms which broke over Berlin in quick succession, almost sinking the German capital.
Magnificent, imposing and a joy to behold. But would the 2017 Rundgang also make such a positive and lasting impression……..?
Owing to the unique nature of Berlin’s history and geopolitical relevance, the (hi)stories of all the city’s cultural institutions are invariably complex. And the number of such institutions greater than in most comparable metropoli*. Few other cities can boast, for example, two public zoos, three public operas or four public universities. And while three of Berlin’s universities offer individual courses in subjects such as architecture, theatre studies or music, there is only one which offers an education in all such genres. And in design: The Universität der Künste Berlin.
“What are you going to do this summer, Amory?”, Tom D’Invilliers asks of Amory Blaine in F Scott Fitzgerald’s This Side of Paradise.
“Don’t ask me”, comes the somewhat languid reply, “same old things, I suppose. A month or two in Lake Geneva — I’m counting on you to be there in July, you know — then there’ll be Minneapolis, and that means hundreds of summer hops, parlor-snaking, getting bored…..”
Sorry Amory, but you’ll have to survive the magnificence of Lake Geneva on your own, would have been our response. We’ve got new design and architecture exhibitions in London, Berlin, New York and Holon to visit!
But we’ll definitely catch up with you afterwards in Minneapolis for a bit hopping and parlor-snaking…….
Until Sunday June 4th state of Design, Berlin 2017 is presenting projects from over 80 international creatives, supported by films, lectures and workshops, in the Vollgutlager in Berlin-Neukölln.
Viewing the 2017 edition it occurred to us there is a lot of charming ambiguity about the name state of Design, Berlin…….
Inaugurated in 2016 state of Design Berlin is a festival which seeks to explore the experimental, critical, social character of design as much as present the industrial and commercial: and by extrapolation explain not only that design is all these things, but that the various aspects of design’s character needn’t be contradictory, far less conflicting or contrary.
The 2017 edition of state of Design Berlin opens on Thursday June 1st
With the exhibition Much More Than One Good Chair. Design & Society in Denmark, the Danish Embassy in Berlin present an exploration of the evolution of design in Denmark since 1945. And by extrapolation of the evolution of society in Denmark since 1945.
It’s early May and once again the party ship we call the smow song contest is ready to set sail……
While it’s hard to feel anything even vaguely resembling joy in a month which sees the UK start its senseless and cowardly, withdrawal from the European Union … life goes on!!
Our five top distractions for April 2017 features new design and architecture exhibitions in Berlin, New York, Paris, Dessau and Milan.
Thingness. Noun. [ˈthiŋ-nəs] The quality or state of objective existence or reality1
Thingness. Exhibition. [ˈthiŋ-nəs] A comprehensive Jasper Morrison retrospective currently on show at the Bauhaus Archiv Berlin.
The exhibition Divine Golden Ingenious. The Golden Ratio as a Theory of Everything? at the Museum for Communication Berlin featured two projects by Berlin based designer Mark Braun, projects which, largely, if not exclusively, owe their form to deliberations on and experimentation with the Fibonacci number. A state of affairs, we considered, makes Mark Braun an ideal person with whom to speak to about the role, attraction and relevance of the Fibonacci number and Golden Ratio in product design.
And so ahead of the exhibition’s opening at the Museum for Communication Frankfurt, we did just that…..
Our picks from the new architecture and design exhibitions opening in February 2017, featuring showcases in Weil am Rhein, Falkenberg, ‘s-Hertogenbosch, Berlin and Groningen.
Understanding materials has helped contemporary society develop as it has. And remains as relevant today as ever. If not more
O hushed October morning mild, Thy leaves have ripened to the fall; Tomorrow’s wind, if it be wild* You’d be
With their WerkBundStadt project the Werkbund Berlin aim to redevelop an industrial site in northern Berlin into a future orientated
(a+b)÷a = a÷b ≡ harmony? Or, the contemporary relevance of the Golden Ratio In addition to those artificial laws decreed
As East Berlin’s Art and Design College the Kunsthochschule Berlin Weissensee was in many ways symbolic of East Germany’s difficult
“Photography is the medium par excellence of our time. As a visual means of communication, it has no equal.”1 So
In our recent conversation with Birgit Severin and Guillaume Neu-Rinaudo about their Heimat Lamp project they told us that the
We’re not going to claim that DMY Berlin 2016 was a vintage year, for us the 14th edition of the
The clearest sign that that things are changing in Berlin-Oberschöneweide is without question the new vegan Vietnamese restaurant on the
As with contemporary football the story of contemporary architecture and design begins on the British Isles; and as with football
From May 4th and until May 8th 2016 Berlin will host the inaugural edition of the festival State of Design.
The question as to what “home” means has never been an easy one to answer, and in our global age
Mild-mannered and polite as we are, we still occasionally find ourselves causing offence, arousing feelings of mild outrage and generally