Category: Bauhaus


Whereas in the natural world spring ushers in new life but once a year, in the design museum world re-awakenings are biannual: a spring spring as curators awake from their winter hibernation and an autumn spring as they awake from their summer dormancy. Both bringing forth not only the promise of growth, energy, of a new esprit, of new experiences, new sensations, but confirming the eternal nature of existence, that we are but a moment on an endless spiralling continuum…….

Our five new stimulations for September 2019 can be found in Berlin, Helsinki, Weil am Rhein, Stockholm and ‘s-Hertogenbosch…….

5 New Architecture & Design Exhibitions for September 2019

In 1968 the East German designer Rudolf Horn opined that “the changed tenor of industrial production in the socialist society, in relation to its task of satisfying cultural needs on a mass scale, raises the question of how despite mass production the consumer can realise an individual [domestic] environment, and in addition forces us to consider the problem of how the cultured personality can creatively contribute to the design of their immediate surroundings.”1

How indeed….?

It was, however, a largely rhetorical question, because, and as the exhibition Rudolf Horn – Wohnen als offenes System at the Kunstgewerbemuseum Dresden explains, in 1967 Rudolf Horn had already formulated an answer, or perhaps more accurately put, in 1967 formulated a framework via which to allow each and everyone of us to approach our own answer…..

Rudolf Horn - Wohnen als offenes System, the Kunstgewerbemuseum Dresden

According to our old friend Roget possible synonyms for “August” include great, noble, impressive or worshipful.

We can’t promise the following quintet of exhibitions will exactly meet such qualities; however, they promise to be anything but frivolous, undignified or flighty explorations of their subject, and therefore certainly should be tending to the August in August 2019…….

5 New Architecture and Design Exhibitions for August 2019

According to the old saying “Human spirit and the June wind often change swiftly”, and while we can undertake only little to influence the wind, a visit to an architecture or design exhibition should help strengthen, enhance, embolden and thus stabilise the human spirit. In June, or at any time of the year.

Our five recommendations for new exhibitions opening in June 2019 can be found in Ulm, Hornu, Munich, Gothenburg and Boston……

5 New Architecture & Design Exhibitions for June 2019

“I assure you that you and your work are the model case for what the Bauhaus has been after” wrote Walter Gropius to Wilhelm Wagenfeld in April 1965.

Just how Wilhelm Wagenfeld developed that “model case” “after” Bauhaus is explored, at least in terms of one design genre, in that genre for which Wilhelm Wagenfeld is most popularly known as a Bauhaus model, in the exhibition Wilhelm Wagenfeld: Lamps at the Wilhelm Wagenfeld Haus Bremen.

Tropfen (l) & Düren (r) by Wilhelm Wagenfeld for Glashütte Peill & Putzler, as seen at Wilhelm Wagenfeld: Lamps, Wilhelm Wagenfeld Haus, Bremen

For all the controversy surrounding smow Tel Aviv’s victory in the 2018 smow Song Contest, not least the question if there even is a smow Tel Aviv, the staging of the 2019 Contest in Israel does allow for a very nice reinforcing of the central theme of the 2019 smow Song Contest….

smow song contest 2019

That joining the Women’s Department weaving workshop was for many a female Bauhäusler not so much an active wish as the response to a take-it-or-leave-it proposition, shouldn’t be confused with the workshop producing work of an involuntary, unloving, uncaring nature, of it playing second fiddle to the rest of the institution. Far from it. The quality and relevance of the work created in the Bauhaus weaving workshop being in many regards attested by the fact it was one of the more productive and commercially successful Bauhaus workshops.

With the exhibition Bauhaus. Textiles and Graphics the Kunstsammlungen Chemnitz explore the work undertaken in the Bauhaus weaving workshops, some of the institutions’ principle protagonists and their place in wider considerations of inter-War weaving. While also neatly, if indirectly, highlighting Bauhaus’s gender differences, inequalities, prejudices……

Bauhaus. Textiles and Graphics, Kunstsammlungen Chemnitz

More or less……

…..while 3 of the 5 have a direct connection to Bauhaus, 5 of the 5 are very much in the spirit of the attempts of inter-War architects and designers to reform architecture and design, to establish a new architecture and design for the new society, attempts in which Bauhaus played an important role.

And for those seeking escape from Dessau and Weimar, figuratively not physically, we refer you to our more general 5 New Architecture & Design Exhibitions for May 2019 recommendations….

5 New Architecture & Design Exhibitions for May 2019 - Bauhaus Special

Sitting, quietly, unobtrusively, in the north-western corner of Germany, Oldenburg is, in many regards, a near textbook example of a provincial town. Which we don’t mean as an insult. Doesn’t mean it’s irrelevant. In any sense less worthy than elsewhere. Much more Oldenburg is the sort of self-contained community that exists not so much independent of the rest of the world, but without the rest of the world noticing. Or Oldenburg caring if they notice. Oldenburg has its (hi)stories, its intrigues, its characters, its dramas, its ways, its understandings, the sheer number of cafes in the pedestrianised town centre confirming that it does, and that is all important for Oldenburg. But Oldenburg is inconspicuous. Oldenburg isn’t the sort of place that is ever going to feature on the news, is never casually referenced in TV programmes, magazine articles or radio discussions, if they have a football team, then not one who play in a league you’ve ever heard of. Oldenburg is the sort of place one is from, but one would never move to. Respectable, decorous, correct, happy, unassuming. Provincial.

And thus surely not the sort of place to be troubled by something as radical, avant-garde and reformist as Bauhaus.

Surely……..

………………But yes.

And, as the exhibition Between Utopia and Adaptation. The Bauhaus in Oldenburg in the Landesmuseum für Kunst und Kulturgeschichte discusses, was not only troubled by, but actively contributed to.

Between Utopia and Adaptation. The Bauhaus in Oldenburg, Landesmuseum für Kunst und Kulturgeschichte Oldenburg

When one considers the, let’s say, unique, derisive, unalluring place the Sächsisch dialect enjoys endures amongst German speakers, it could be considered unwise, foolhardy, to explore all too deeply the contributions made by creatives and industry in and from the State of Sachsen to the development of Bauhaus, to explore, if you will, Bauhaus’s Sächsisch accent.

With the exhibition Bauhaus_Sachsen the Grassi Museum für Angewandte Kunst Leipzig do just that…….

Bauhaus_Sachsen, Grassi Museum für Angewandte Kunst Leipzig

Today industrially produced objects are so self-evident and ubiquitous it can be hard to believe there was a time when they weren’t.

There was.

With the exhibition Unique Piece or Mass Product? the Werkbundarchiv – Museum der Dinge Berlin explores the developments of industrial production in the early 20th century, the discussions and discourses which accompanied those developments and the connections between such developments and the evolution of both formal understandings and the role and function of designers.

Unique Piece or Mass Product?, Werkbundarchiv – Museum der Dinge, Berlin

“We feel ourselves beholden to the traditions of Bauhaus”1 opined Rolf Kuhn, Director of the Dessau based Zentrum für Gestaltung, in the catalogue for the institute’s 1988 exhibition Experiment Bauhaus.

And while that may have been the case in the late 1980s, it certainly wasn’t always so in East Germany.

With the exhibition Shaping everyday life! Bauhaus modernism in the GDR the Dokumentationszentrum Alltagskultur der DDR in Eisenhüttenstadt allow for not only an exploration of the relationship(s) between the Bauhaus legacy and the East German state, but also for comparisons between inter-War and post-War design in eastern Germany.

3101 chair from VEB Stima Stendal (l) Werkstattstuhl by Mart Stam for Kunsthochschule Berlin Weissensee (m) & Seminarstuhl Selman Selmanagic, Herbert Hirche & Liv Falkenberg for Deutsche Werkstätten Hellerau (r), as seen at Shaping everyday life! Bauhaus modernism in the GDR, Dokumentationszentrum Alltagskultur der DDR, Eisenhüttenstadt

“Sometimes one has to remind oneself that this change took place in one generation – such is the gap between the woman of today and of yesterday, between the girl of then and of now.”

So begins the German magazine Die Woche’s 1930 article “Mädchen wollen etwas lernen“, “Girls want to learn something”, an article which opens Four “Bauhausmädels” and is subsequently extend by the Angermuseum Erfurt to explore not only what Gertrud Arndt, Margarete Heymann, Margaretha Reichardt and Marianne Brandt learned at Bauhaus, but how they subsequently applied that “something”.

Four "Bauhausmädels", Angermuseum, Erfurt

From you have I been absent in the spring,
When proud-pied April, dressed in all his trim,
Enticed us into the following architecture and design exhibitions…….

William Shakespeare, Sonnet 98, From you have I been absent in the spring (extended, with apologies)

5 New Architecture & Design Exhibitions for April 2019

Were it possible that there could be such a thing as a “lost” Bauhaus building, something wholly unimaginable this of all years, then the best candidate would, arguably, have to be the ADGB Bundesschule in Bernau bei Berlin. Yes, it is on the UNESCO World Heritage List, and so is not really lost; however as an object it only rarely features, and when then invariably passingly, in the popular Bauhaus discourse …. and that despite being built by a serving Bauhaus Director.

With the exhibition Volksbedarf statt Luxusbedarf – Bernau and its Bauhaus the Galerie Bernau aim to not only help increase the works visibility but also allow for a better understanding of its character.

Volksbedarf statt Luxusbedarf - Bernau and its Bauhaus @ Galerie Bernau

The 1920s was in many regards a decade that promised so much, achieved so much, but which was then overtaken by political and economic events before it could cement that which it promised and achieved, and which therefore remains hanging, almost stranded, in history. Somehow unfulfilled. And which with its popular image as as roaring, golden, age also appears a little too joyous, a little too optimistic, sandwiched as it is between the horrors and loss of two wars.

But then in the course of the Années folles, who could have foreseen that the real folie stood before us.

With their exhibition Small Apartment, Department Store, Power Station – New Building and New Living in 1920’s Halle the Stadtmuseum Halle explore and explain the decade in the context of daily life in the city.

Small Apartment, Department Store, Power Station - New Building and New Living in 1920's Halle, the Stadtmuseum Halle

Although Bauhaus did undeniably exist, sometimes we could all be forgiven for believing we had collectively imagined it. Not only on account of its ephemerality as an institution, but also because it existed in a period of history that is, generally, a little abstract, intangible, indecipherable for a majority of us. While today the popular image of Bauhaus is so ideal, represents such a utopia and eutopia, it has that tangible feeling of intangibility, of unreality, of something imaginary.

With the exhibition Bauhaus Imaginista the Haus der Kulturen der Welt in Berlin aim to allow for a more substantive understanding of Bauhaus.

Bauhaus Imaginista @ the Haus der Kulturen der Welt, Berlin

“Beware the Ides of March” Julius Caesar was, allegedly, advised by the soothsayer Spurinna. And he probably wished he had. March 15th seeing his death at the hands of some 60 Senators, a death which led to civil war as opposing forces sought to control Rome’s destiny.

“Beware the 5th of the Calends of April” a modern day Spurinna would no doubt warn the good folks of the United Kingdom. March 29th looking as it is like being an equally fateful day.

But while Caesar could have taken steps to prevent his demise, the fate of the good folks of the United Kingdom is out of their hands, they must wait and see what an ideologically driven group of some 60 Conservative Senators MPs have in store…….

And while we all wait, what could be more enriching than that which helps set the temporality of politicians’ decisions against the irrepressible force of social and cultural evolution; a force parliamentarian laws can delay but never stop, and a truth one finds elegantly mirrored in architecture and design.

Our five recommendations for new exhibitions opening in March 2019 can be found in Frankfurt, Brussels, Chemnitz, London and Magdeburg.


“On, on, on, cried the leaders at the back….”

According to US gonzo journalist, Hunter S Thompson, “the human animal needs a Good Reason to get out of bed on a wretched morning in February.” 1

May we humbly suggest…….

5 New Architecture & Design Exhibitions for February 2019

Despite what some may have us believe, Bauhaus didn’t appear one morning from the slowly clearing mists of the Ilm valley; rather, and for all its lasting allure, Bauhaus ’twas but a moment on a longer, wider, international helix. One which began its twisting long before Walter Gropius and his merry band arrived in Weimar, and which continues, winding its way ever onwards, to this day.

With the exhibition From Arts and Crafts to the Bauhaus. Art and Design – A New Unity! the Bröhan Museum Berlin explore the helix as it approached and then, briefly, informed Bauhaus.

From Arts and Crafts to the Bauhaus. Art and Design - A New Unity @ The Bröhan Museum Berlin

“…a new generation, a new age, must develop forms and tenors for their interior and exterior worlds which correspond to its desire for well-being and its ideals” wrote Frankfurt city mayor Ludwig Landmann in 1926.1

With the exhibition Moderne am Main 1919-1933 the Museum Angewandte Kunst Frankfurt explore how such developments were approached and realised in Frankfurt and environs, and by extrapolation explore the contribution made by the region to the evolution of inter-War understandings of architecture and design, and the legacy that remains.

Moderne am Main 1919-1933 @ Museum Angewandte Kunst Frankfurt

The reason most of us fail to keep most of our New Year resolutions is, mostly, because we either resolve to give up things we enjoy or to do things we don’t.

Which is foolhardy in the extreme.

If you wanted to do more sport, you would.

If you wanted to eat less crisps, you would.

But don’t. And don’t. So don’t.

The wiser choice is to resolve to do more of that which you enjoy, and thereby not only setting yourself an achievable goal but one which through the genuine fulfilment it brings benefits you spiritually, intellectually, emotionally and physically; therefore, let us all, collectively, promise to visit more architecture and design exhibitions in 2019 than we did in 2018.

Agreed?

Our five starters for January 2019 can be found in Frankfurt, Malmö, New York, Berlin and Stuttgart……………..

5 New Architecture & Design Exhibitions for January 2019

“I am happy to supply you with photos of a larger building that has recently been completed, and which, for me, is one in which I have succeeded in most clearly expressing my views on art”, wrote the German architect, designer and artist Peter Behrens in 1931, “it is the central warehouse and the associated administration building of the Gutehoffnungshütte Oberhausen, Rhineland”1

With the exhibition Peter Behrens – Art and Technology that clearest expression of Behrens’ view on art hosts an exhibition explaining how he arrived at such an expression, and the wider development of his understanding of the relationship between art and technology.

Peter Behrens - Art and Technology @ the LVR-Industriemuseum Oberhausen

We doubt we will be able to visit the 2019 Summaery exhibition at Bauhaus University Weimar, as we suspect the town will be too full of visitors celebrating the centenary of Bauhaus Weimar.

Or perhaps better put, full of confused visitors wondering where all the steel tube furniture is….. Wrong Bauhaus people.

Consequently we attempted to extract as much as we could from Summaery 2018.

Bauhaus University Weimar, Summaery 2018Bauhaus University Weimar, Summaery 2018

According to Germanic lore, “ein guter Septemberregen kommt nie ungelegen“, a good rain in September is never inopportune.

This year arguably more so than ever.

Similarly a good architecture and design exhibition in September is never inopportune.

And, and keeping with rain metaphors, while we can all remember what rain is, September 2018, sees a proper downpour of new architecture and design exhibitions. A downpour that is particularly opportune. Following July’s drought and its meagre 4 recommendations we have a ongoing deficit of one in our annual quota, the current deluge however means that for September 2018 we can present 6.

And so grab your umbrellas and take yourselves to an architecture and/or design exhibition this September. Our recommendations can be found in Kolding, Munich, London, Herford, Moscow and Weil am Rhein……..

5 new Architecture & Design Exhibitions September 2018