Architects are always very keen to stress how they are working in the interests of society, for society. Often selflessly so.

Yet little polarises society quite like architecture.

And no architecture polarises quite like Brutalism.

Whereas in discourses on other architectural genres the middle ground is a place where those of moderate opinions can meet objectively and attempt to approach one another’s position: there are no Brutalism moderates.

With the exhibition SOS Brutalism – Save the Concrete Monsters, the Deutsches Architekturmuseum in Frankfurt becomes that objective middle ground and thereby enables a very welcome discussion on Brutalism, its origins and its legacy.

SOS Brutalism - Save the Concrete Monsters at the Deutsches Architekturmuseum Frankfurt

“The problem of the construction of affordable housing for the lowest earning sections of the population is currently a primary concern in almost all civilized countries.”

Thus invited the Congrès internationaux d’architecture moderne to their second congress, a three day event which opened on Thursday October 24th 1929 in the Palmengarten Frankfurt am Main, and which saw some of the leading protagonists of inter-war architecture discuss potential solutions for that most primary of concerns.

The success of the Frankfurt congress can perhaps be best summed up by the contemporary relevance of the invitation.

Furniture for Neue Frankfurt by Ferdinand Kramer, as seen at Germany versus France. The Struggle over Style 1900-1930, Bröhan Museum Berlin

The September architecture and design exhibition recommendations are arguably the cruellest to write: the fact that the majority of the exhibitions end in the depths of the European winter meaning that as we sit here hoping that summer keeps going just a little, little, longer…. we’re forced to think about winter jackets and gloves.

And so before things get that far, best get out there and visit an exhibition!! Our five recommendations for September 2017 feature new exhibitions in Weil am Rhein, Los Angeles, Utrecht, Frankfurt and Malmö…….

smow blog 5 New Design Exhibitions for September 2017

In northern hemispheres June marks the start of both astronomical and meteorological summer.

In southern hemispheres June marks the start of both astronomical and meteorological winter.

The one rejoices, the other laments …. and we don’t even notice, far too busy as we are perusing architecture and design exhibitions. Our five recommendations for June 2017 features new shows in Den Haag, Frankfurt, New York, Leipzig and Brussels.

5 New Design Exhibitions for June 2017

It’s early May and once again the party ship we call the smow song contest is ready to set sail……

smow song contest 2017

In our post The Sedentary Workers: Orchestra Musicians we explored the unique world of orchestra musicians’ chairs. One of Europe’s largest, and most experienced, manufacturers of orchestra and musicians’ chairs is Esslingen based Wilde+Spieth. Who thus seemed an ideal address to learn more about the orchestra chair and the orchestra chair market…..

Musicians Chair by Wilde+Spieth, based on the SE 68 by Egon Eiermann

Although the evidence is not, yet, conclusive, recent years have seen an increasing confidence in the theory that sitting for too long can have a negative impact on health, and that all whose job involves prolonged sitting should regularly stand, move and generally change their body position.

But what about those workers who can’t? What about those workers whose job is defined by long periods of sitting?

Orchestra musicians at work. Seated. Specifically, the Chicago Symphony Orchestra with Riccardo Muti at the Elbphilharmonie Hamburg, January 2017 (Photo © Todd Rosenberg, Courtesy Elbphilharmonie Hamburg)

The German designer and silversmith Christian Dell is arguably best known for the numerous lighting designs he realised during the 1920s and 1930s.

Christian Dell was however also one of the pioneers of plastic design. If all too briefly.

Christian Dell (1893 - 1974)

Ambiente Frankfurt 2017 allowed an all to seldom reunião with Portuguese brand Vicara. And an occasion which served to remind us that we really should catch up with them more often…..

Vicara at Ambiente Frankfurt 2017

Amongst all the fake flavours at Ambiente Frankfurt 2017 the Umami of Japanese design studio Bouillon was a genuine delight.

The German architect and designer Ferdinand Kramer didn’t just translate the new principles of construction and design which arose in the inter-war years into his architecture, furniture and industrial designs, he was also a very eloquent writer on such matters, and thus helped, and continues to help, explain the motivations behind, and fascination with, functionalist ideals.

The Kramer Principle Design for Variable Use Museum Angewandte Kunst Frankfurt am Main Chair B 403 Thonet

Wind powered street lighting from Vulkan, as seen at Light + Building Frankfurt 2016

As the name implies the Light + Building Trade Fair in Frankfurt is largely about architectural lighting rather than domestic

Rondella Lamp by Christian Dell(rechts), 1930s Advert *Owing to the nature of teh item we don't ahve any photos we can use... google it,you won't be disappointed)

In his Letter of Reference for Christian Dell on the occasion of his departure from the Kunsthochschule Frankfurt, the school’s

Wow Shelf by Aveva Design, as seen at Ambiente Frankfurt 2016

As a “consumer goods” trade fair devoted to tableware, accessories, gifts, light-bulbs with filigree filaments, and the like, Ambiente Frankfurt

Feinserie at Ambiente Frankfurt 2016

In our interview with Marcel Kabisch, founder of and creative force behind German label Feinserie, he told us that what

T Chair by Kai Linke (Photo: Alexander Böhle Courtesy Studio Kai Linke)

Internationally known for its financial district, airport, financial institutions and sausages, Frankfurt am Main is less well understood as a

December is famously a half month – no one does anything useful in the second half of the month, unless

The end of design’s summer hibernation is traditionally marked by the opening of the Vitra Design Museum’s winter exhibition, which

Frankfurt University Jügelhaus before and after, as seen at Line Form Function. The Buildings of Ferdinand Kramer, the Deutsches Architekturmuseum, Frankfurt

Following on from the exploration of Ferdinand Kramer’s design work in the exhibition The Kramer Principle: Design for Variable Use

"Please touch!" at the Museum für Gestaltung – Schaudepot, Zürich

In the complete interview with Matylda Krzykowski ahead of the Depot Basel exhibition Forum for an Attitude, there is a

Vitra Frankfurt Ampelphase 7 Sehnsucht SYRA_Schoyerer Architekten & Elmar Lixenfeld

If form follows function, what form does, could, should yearning and longing have? If architects are continually searching for a

Tendence Frankfurt 2015: Flechtgestaltung - Diana Stegmann

If we’re completely honest, until now the only piece of wickerwork about which we have ever gotten truly excited is

Tendence Frankfurt 2015 Staatliche Hochschule für Gestaltung Karlsruhe present Old World New World Simple Furniture Thomas Busch

We’ve said it so often that even we are somewhat tired of hearing it, but….. Portugal has lots of cork.

Tendence Frankfurt 2015 Jakub Gurecký Horse

In 1960 Enzo Mari designed “16 Animali” for Italian manufacturer Danese. Comprising 16 wooden animal shapes “16 Animali” is simultaneously

Tendence Frankfurt 2015 Ra(in)water by Marcelo Caetano

The very first piece of product design George Nelson realised was inspired by architecture. The typical American family home in