“Projektowanie i realizacja form powłokowych jest problemem złożony”, opined the Polish architect Witold Lipiński in 1978, “design and implementation of shell structures is a complex problem”. And it certainly is. For all a complex mathematical problem, and that of a degree that, for Lipiński, for all when combined with the associated technical challenges, “greatly limit[s] plastic ingenuity”, meaning as it did that architects were invariably restricted to forms “mathematically defined in a straightforward manner”, which employed but “the simplest elements of translational and rotational surfaces” and “supports of the least complexity”.

“Nevertheless”, he continued, unperturbed, “by juxtaposing sections of these surfaces and variously shaping the supports, a considerable number of architecture forms are obtained”.1

With the showcase Shape of Dreams. The Architecture of Witold Lipiński the Muzeum Architektury, Wrocław, allow one to appreciate how Witold Lipiński used his appreciations of, his application of, his approach to, his juxtapositions of, geometry to propose new spatial possibilities. And to push the borders of “plastic ingenuity”…….

Shape of Dreams. The Architecture of Witold Lipiński, Muzeum Architektury, Wrocław

It is, we’d argue, fair to say that most people in western Europe still have a very stereotypical, skewed, if not prejudiced view of late 20th century design in and from those nations that form the eastern half of the European continent.

With Retrotopia. Design for Socialist Spaces the Kunstgewerbemuseum, Berlin, in cooperation with numerous museums and institutions from across eastern Europe, provide an introduction to post-War 20th century architecture and design in and from Croatia, the Czech Republic, East Germany, Estonia, Hungary, Lithuania, Poland, Slovakia, Slovenia and the Ukraine, and in doing so invite us all to begin to approach more probable and more meaningful positions……

A wooden chair by Viktor Holešťák-Holubár (l) and Vojtech Vilhan & Ján Bahna's chair for the Government lounge at Bratislava Airport (r), as seen at Retrotopia. Design for Socialist Spaces at the Kunstgewerbemuseum, Berlin