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Flowerpot VP1 Pendant Lamp

by Verner Panton, 1968 — from 215,00 €
215,00 € *
more than 3 x in stock, delivery time 1 working day within Germany
For other countries click here
3% advance payment discount*: 208,55 € (Save 6,45 €)

The Flowerpot pendant lamp by Verner Panton and distributed by &tradition transports the trendy design of the Sixties to the present day. Available in a variety of rich colours, the Panton designer lamp also comes in a range of metallic finishes and thus can be enjoyed by lovers of brass or copper coloured lighting.

Details

Product type Pendant/ceiling lamp
Dimensions Height: 16 cm
Ø: 23 cm
Cable length: 3 m
Weight 0,95 kg
Polished copper version: 1,2 kg
Colours Lacquered

Metallic

Material Coloured versions: painted steel
Metallic versions: lacquered copper, lacquered brass, stainless steel, brushed stainless steel
Textile cable in same colour
Metallic versions: black textile cable
Function & properties E27, max. 40 W
Suitable for bulbs of the energy classes A++ - E
Delivery includes Light bulb not included
Care To clean, wiping with a damp cloth and a mild detergent is recommended
Certificates & Sustainability IP Code IP20
Protection class II
Warranty 24 months
Product family Flowerpot VP3 Table lamp
Product datasheet Please click on picture for detailed information (ca. 1,0 MB).

Popular versions

Flowerpot VP1 Pendant Lamp, Deep red
Flowerpot VP1 Pendant Lamp, Matt white
Flowerpot VP1 Pendant Lamp, Beige red
Flowerpot VP1 Pendant Lamp, Matt black
Flowerpot VP1 Pendant Lamp, Matt light grey
Flowerpot VP1 Pendant Lamp, Polished Copper
Flowerpot VP1 Pendant Lamp, Dark green
Flowerpot VP1 Pendant Lamp, White
Flowerpot VP1 Pendant Lamp, Polished Stainless Steel
Flowerpot VP1 Pendant Lamp, Black blue
Flowerpot VP1 Pendant Lamp, Mustard
Flowerpot VP1 Pendant Lamp, Polished brass
Flowerpot VP1 Pendant Lamp, Grey beige

More about 'Verner Panton' in our blog

smow Blog Design Calender: October 24th 1969 – Opening Qu'est-ce que le design? @ Musée des Arts Décoratifs Paris

...In an attempt to approach one the Musée des Arts Décoratifs Paris asked Charles Eames, Verner Panton, Roger Tallon, Joe Colombo and Fritz Eichler, Qu'est-ce que le design?... featured not only five of the leading international designers of the period but five designers who, on paper, represented five very different understandings of design: Charles Eames, one of the leading proponents of that post-War American interpretation of functionalism; the young Italian radical Joe Colombo with his utopian visions of our domestic spaces and understandings of design as much as a branch of linguistics as 3D forming; Roger Tallon, the Grand Doyen of French design, and for all of technical design for industry; Fritz Eichler, the first Design Director at Braun, a man very much associated with technical design for consumers, and the sober reduction of Germanic gute Form; and Verner Panton with his pop tendencies, holistic compositions and understanding of the role, the near primacy, of colour in design...

68. Pop und Protest @ the Museum für Kunst und Gewerbe Hamburg

...In which context, Pop und Protest also encompass one of the most audacious interpretations of the late 1960s Pop inspired design: Verner Panton's canteen and bar for the Spiegel office building in Hamburg, part of a larger commission Panton realised in 68/69, and which included monochrome editorial floors with each colour selected to support and encourage work/workers, a swimming pool, reception area, and the canteen and bar... Over the years Panton's work was slowly painted over or refurnished away, and when Der Spiegel moved to a new building in 2012 the last remnants of canteen and bar were acquired by the MKG, where they stand today in their (largely) orangey glory as a potent reminder of both the spirit of the times and also the importance of Verner Panton...

5 New Architecture & Design Exhibitions for April 2018

...No mean claim, and when one considers that from 1971 until 1981 MIRA-X cooperated exclusively with the arch-colourist Verner Panton, a claim which, arguably, says quite a lot about 1970s understandings of "harmony"... While also very nicely underscoring how important switching Copenhagen for Basel was for the career of Verner Panton...

smow Blog High 5 Special: When fashion meets design.....

...Although its genesis is lost in the mists of time, a popular theory concerning Verner Panton's shoe design is that while living in Cannes in the early 1960s he was made aware of the horse shoe by a local farrier...

Alessandro Barison - Panton Remake

...Or indeed doing anything new with Verner Panton's design...

All 'Verner Panton' Posts

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