...And also reawaken an interest in furniture design: Stam and Bruchhäuser agreeing a never realised cooperation, while in 1979 Thonet released with Stam's S 67 a reworking of Marcel Breuer's S 64, and also developing a prototype for a cantilever wingbacked armchair... The S 67 F is on page 213, but also appears to be the similar to a proposals for TECTA (page210/211) and also a 1938/39 chair for Thonet (page 143) Essentially Stam takes Breuer's single piece chair and separates it into frame and armrest segments, and that, arguably, not particularly elegantly, the vertical tubes behind the backrest tending to stand there a bit lost...
S 33 N All Seasonsby Mart Stam (künstlerisches Urheberrecht), 1926 — 803,00 €
|Product type||Multi-purpose chair|
|Material||Frame: powder coated tubular steel
Seat/Backrest: plastic mesh
Cushion covers: 100% acrylic
Cushion stuffing: water permeable, quick drying foam with anti-microbial equipment
|Variants||Available with or without cushions
Alternatively available as the S 34 N All Seasons with armrests
|Function & properties||The special Thonet Protect ® coating protects against the weather.
Suitable for outdoor use
|Care||To clean, wiping with a damp cloth and a mild detergent is recommended.|
|Certificates & Sustainability||ThonetProtect® coating salt spray tested (720 hours) according to DIN EN ISO 9227-NSS
Thonet has declared sustainability to be a corporate principle. The manufacturer continuously optimizes all processes from production/technology, materials management and recyclability to transport routes and constantly pays attention to resource-saving energy and material consumption. Last but not least, social and ethical principles are among the top priorities. Thonet has been awarded the "Green Globe Certificate" for its measures of sustainable and environmentally friendly management - further information can be found here.
|Product family||All Seasons Collection
|Datasheet||Click for more information (ca. 4,9 MB).
More about 'Thonet' in our blog
...And which brings us to the Thonet Test... Furniture from Thonet at the Grassimuseum Leipzig, the Thonet Test is a very poorly defined test which in essence poses the question if an exhibition devoted to a particular manufacturer, and/or sponsored by a manufacturer featured in the exhibition, is just advertising for that manufacturer?...
...On December 10th 1869 Gebrüder Thonet voluntarily relinquished their 1856 Privilege in respect of "The manufacture of chairs and table legs made of bent wood, the bending facilitated by the action of steam or simmering liquids"; thereby ending not only a thirteen year monopoly during which time Thonet became a firmly established global brand, but also the culmination of a neigh on three decade story which highlights the importance of patent protection in the furniture industry... A carpenter by trade, Michael Thonet began experimenting with bending wood veneers in his native Boppard am Rhein in the early 1830s, and therefore at that period when veneer was not only becoming increasingly popular in Europe, but when the introduction of mechanised production methods was making it ever more readily and cost effectively available; as such, one can understand his experimentation as an attempt to develop processes which allowed for meaningful expressions of the potential of that material, if you will to allow carpentry to move in new directions, for all in terms of furniture production...
...In addition Ferdinand Kramer realised numerous furniture projects in cooperation with Thonet, most famously arguably being his B403 bentwood chair, while in context of his tenure at Frankfurt University Ferdinand Kramer designed, pretty much, all the furniture and furnishings... This process, which today is particularly important, is not only historically interesting: it alone explains the immense sales of the Thonet industry, and provides a very interesting reference for the further development of rationalisation in the furniture industry...
One of the biggest challenges facing product designers in coming years will undoubtedly be the question of planned obsolescence. For while we genuinely believe that the majority of designers understand their responsibilities in terms of sustainability and...
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